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  • Board of Architectural Review Meeting 11/19/2024
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Board of Architectural Review Meeting   11/19/2024

Attachments
  • BAR Agenda November 2024.pdf
  • BAR Packet November 2024.pdf
  • Board of Architectural Review Minutes.pdf
    • James Zehmer
    • 00:35:48
      Brett, can you hear us?
    • SPEAKER_05
    • 00:35:50
      Yeah.
    • 00:35:50
      I told him he can participate.
    • 00:35:53
      He can't vote.
    • 00:35:54
      He doesn't.
    • 00:35:55
      He's officially out here.
    • James Zehmer
    • 00:35:57
      Great.
    • 00:35:58
      I'm here.
    • SPEAKER_28
    • 00:35:59
      Awesome.
    • James Zehmer
    • 00:36:00
      I'm here.
    • 00:36:00
      I'll just wake up.
    • 00:36:03
      So, Jeff, I want clarity.
    • 00:36:08
      I'd like clarity on that.
    • Jeff Werner
    • 00:36:10
      Hey, Jeff.
    • James Zehmer
    • 00:36:14
      So the meeting rules are such that
    • Jeff Werner
    • 00:36:32
      and all this has changed for COVID, but he can't, he doesn't count like he wouldn't count towards quorum.
    • 00:36:40
      He can't vote.
    • 00:36:41
      He's not officially here.
    • 00:36:44
      But I think under the circumstances, you know, just like anybody can participate online, he can certainly, you know, offer his input, but he can't, he can't vote.
    • 00:36:53
      And and if it's
    • 00:36:58
      So that's, and then primarily with things, most of the stuff tonight being preliminary discussion anyway, I think his input would be helpful.
    • 00:37:07
      Thanks.
    • 00:37:08
      But no voting.
    • James Zehmer
    • 00:37:09
      Okay.
    • 00:37:10
      All right, let's get started.
    • 00:37:14
      would like to welcome everyone, especially everyone in person.
    • 00:37:18
      Thank you for coming out.
    • 00:37:20
      It's been a long time since we've had a lot of smiling faces in the seats in front of us, so appreciate that.
    • 00:37:26
      Welcome to this regular monthly meeting of the Charlottesville Board of Architectural Review.
    • 00:37:31
      Staff will introduce each item followed by the applicant's presentation, which should not exceed 10 minutes.
    • 00:37:36
      The chair will then ask for questions from the public, followed by questions from the BAR.
    • 00:37:41
      After the questions are closed, the chair will ask for comments from the public, and then we'll do a round of comments from the BAR.
    • 00:37:50
      For each application, members of the public are allowed three minutes to ask questions and three minutes to offer comments.
    • 00:37:56
      Speakers shall identify themselves and provide their address.
    • 00:37:59
      Comments should be limited to the BAR's purview, that is, regarding only the exterior aspects of a project.
    • 00:38:06
      following the BAR's discussion and prior to taking action, the applicant will have up to three minutes to respond.
    • 00:38:12
      We've got a full, almost full quorum of folks, we've got full quorum of folks here, Brett Gastinger is joining us.
    • 00:38:21
      Remotely, staff has informed us that, I guess due to bylaws, he may not vote this evening, being not physically present, but we certainly welcome and value Breck's comments.
    • 00:38:36
      Already.
    • 00:38:38
      First matter up is matters from the public that are not currently on the agenda or the consent agenda.
    • 00:38:45
      The only matter on tonight's consent agenda are the meeting minutes from the October 15th meeting.
    • 00:38:51
      Are there any matters from the public not on the agenda?
    • 00:38:59
      Remy, anybody online?
    • SPEAKER_24
    • 00:39:01
      Virtual attendees are welcome to raise their hand at this time if they'd like to speak by clicking the raise hand icon or pressing star nine if you're joining us via telephone.
    • James Zehmer
    • 00:39:09
      Alright.
    • 00:39:15
      Chair, I see no hands raised.
    • 00:39:16
      Thank you.
    • 00:39:20
      We'll now vote on the consent agenda.
    • 00:39:22
      Again, the meeting minutes from October 15th.
    • SPEAKER_26
    • 00:39:24
      Mr. Chair, I have a motion.
    • 00:39:26
      Move to approve the consent agenda in the October minutes.
    • 00:39:30
      Conditioned on corrections noted by Mr. Schwartz and maybe corrections on any obvious typos because it seemed like there were a few.
    • 00:39:42
      But I know that's a little vague.
    • James Zehmer
    • 00:39:47
      Mr. Schwarz, could you summarize, maybe briefly?
    • Carl Schwarz
    • 00:39:50
      Oh, there were just some minor things, just some clarifications.
    • SPEAKER_26
    • 00:39:55
      Like the word, it should have been Ephesus and it was Eves.
    • 00:39:58
      I mean, some of them were meaningful.
    • Carl Schwarz
    • 00:40:01
      And one of them was just a quote that was attributed to me that was actually from Breck, so just some clarifications like that.
    • 00:40:06
      Okay, very good.
    • 00:40:07
      Do I hear a second?
    • SPEAKER_20
    • 00:40:10
      I'll second.
    • James Zehmer
    • 00:40:12
      All in favor, voting on the consent agenda.
    • SPEAKER_10
    • 00:40:15
      Aye.
    • James Zehmer
    • 00:40:16
      Any opposed?
    • 00:40:18
      All right, consent agenda passes.
    • 00:40:20
      Thank you, Ms.
    • 00:40:21
      Lewis.
    • 00:40:25
      All right.
    • 00:40:27
      There are no deferred items this evening.
    • 00:40:30
      Our first new item is a certificate of appropriateness application for 946 Grady Avenue Dairy Market.
    • 00:40:46
      The staff is working through some technical difficulties and think we're about.
    • Jeff Werner
    • 00:40:51
      It's persistent.
    • 00:40:57
      Mike, you're here, right?
    • SPEAKER_17
    • 00:40:58
      Yes.
    • Jeff Werner
    • 00:41:03
      First full screen view.
    • 00:41:06
      That's what I want.
    • 00:41:11
      All right.
    • 00:41:12
      Well, it's always something different too.
    • 00:41:15
      You know, it's never the same problem as last week.
    • 00:41:17
      It's something
    • 00:41:19
      The City Knows.
    • 00:41:21
      I'm turning to my mother, and I'm going to have to start calling my kids to say, how do I turn the TV on and off?
    • 00:41:28
      Forgive me.
    • 00:41:29
      62 is looming quickly on my horizon.
    • 00:41:32
      All right.
    • 00:41:33
      This is a COA request for 946 Grady Avenue, the Dairy Central Project.
    • 00:41:41
      You all familiar with the whole project and development on the back, the rehabilitation of the building, which
    • 00:41:49
      was reviewed back in 2018-2019.
    • 00:41:50
      We've gotten out to the point where individual tenant spaces are being modified and altered.
    • 00:41:57
      So this is a request to change the windows on the way this is oriented.
    • 00:42:05
      It's actually
    • 00:42:10
      It's on the west elevation facing 10th Street.
    • 00:42:12
      There's a row of historic window and then four infill windows and three windows at a door.
    • 00:42:22
      They're going to, they're asking if they can.
    • 00:42:32
      There are these four openings that the current door that you see, I'm sorry the door on the image is
    • 00:42:41
      to the right of the window currently, and it's in the doors in the center with two side lights, and then the three windows fall next to it.
    • 00:42:49
      So they're rearranging these openings and replacing the three windows with either a roll-up type door or a folding door to allow the building to be opened up.
    • 00:43:08
      We have no problem with the rearrangement of things, the changing of things.
    • 00:43:12
      And in fact, I think back in 2020, there was a similar request and the BAR approved it, but it wasn't carried out.
    • 00:43:21
      The question that I have for the BAR and that you can discuss with Mike is there's and on the staff report is probably the best illustration of it.
    • 00:43:35
      And
    • 00:43:39
      So when the original rehab work was approved, you can see a portion of the north elevation and then the break, and then that's the west elevation.
    • 00:43:48
      But it was that continuation of the alignment of the rails and mountains on the windows and the doors.
    • 00:43:57
      And currently, in the photo, as you see, those lines are maintained.
    • 00:44:02
      I don't know to what extent
    • 00:44:06
      The roll-up door version or the folding door version will perfectly align, and primarily it's centerline.
    • 00:44:13
      We realize there might be some dimensional differences because of the mechanisms, but that's what I have asked Mike to address with you all tonight and sort of explain what the options are.
    • 00:44:27
      Then, I said, we think it's an excellent recommendation.
    • 00:44:31
      I think these folding doors are neat.
    • 00:44:33
      I wish we could do them in more places, not in historic openings, but openings where they have the opportunity.
    • 00:44:40
      But I think, again, the litmus test for you all is that alignment of those elements and does the proposal adequately meet that.
    • 00:44:50
      So, do you have any questions for me?
    • 00:44:52
      Mike, you worry?
    • SPEAKER_19
    • 00:44:55
      So if you can zoom out a little bit please so you can see both of those images at once
    • 00:45:21
      So the bottom one is existing conditions.
    • 00:45:24
      So Jeff was describing that door.
    • 00:45:27
      You see it off to the left side there.
    • 00:45:29
      It's centered in that bay.
    • 00:45:31
      You want to move it two days over, but not have it centered anymore.
    • 00:45:34
      would have it be on the right.
    • 00:45:35
      And I didn't draw it with mountains, but it would have the mountains in it.
    • 00:45:41
      And in either the case of the overhead door or the accordion style door, the mullions will absolutely line up at the center line of the existing on the front, because they're all custom units.
    • 00:45:51
      We could do anything we want.
    • 00:45:52
      We're not bound to some dimensional constraint.
    • 00:45:56
      Do you have sheet A11?
    • 00:45:59
      I know I sent that separately.
    • 00:46:00
      Remember when you asked for a clarification, Jeff?
    • 00:46:02
      Do you have the drafted version of the... Right, so on the right, this is a measured drawing of the overhead door condition, and on the left is a measured drawing of the trifold or accordion style.
    • 00:46:16
      So you see in the overhead door, because of the way it functions, the horizontals are thicker.
    • 00:46:22
      and the verticals are skinny and it's the opposite in the accordion and that was the case in the existing conditions too.
    • 00:46:29
      They picked, I think, the horizontal skinny and the verticals to support the door weight as fatter.
    • 00:46:35
      All of the ones on the north side are skinny because they're the old steel windows, right?
    • 00:46:39
      So this is sort of the closest this technology can get.
    • 00:46:42
      And so we're asking for blessing of both approaches.
    • 00:46:45
      We're still examining the financial structure of the project, and one of these costs much more than the other.
    • 00:46:51
      And we'd like to retain the flexibility to let the pro forma tell us which to choose if you find both acceptable.
    • Jeff Werner
    • 00:46:59
      And Mike, I know you sent me an A11 sheet, but I had to switch around, so I just kept what I had.
    • 00:47:05
      I had two A7s.
    • SPEAKER_10
    • 00:47:05
      I thought maybe you'd worked out.
    • James Zehmer
    • 00:47:17
      Alright, thank you.
    • 00:47:19
      Let's see, do we have any questions from the public?
    • 00:47:26
      Okay, any questions from the BAR?
    • 00:47:38
      Do we have any comments from the public?
    • 00:47:47
      and I'll open it to comments from the BAR.
    • Carl Schwarz
    • 00:47:56
      I'm fine with both and I'd make a motion if anyone disagrees.
    • Jeff Werner
    • 00:48:00
      I think I asked a couple of questions.
    • Carl Schwarz
    • 00:48:04
      What did you?
    • 00:48:04
      I found your cheat sheet.
    • Jeff Werner
    • 00:48:08
      Yeah, and on my Spaceship Recovery Basics here.
    • 00:48:17
      If you have a preference for the roll-up or in the folding doors, and I said as a conditional approval of the masonry opening where the entry door is being removed, the brick and wall sill should be filled to match the system.
    • 00:48:33
      So if you have a preference, state it if you don't.
    • SPEAKER_08
    • 00:48:39
      Mr. Chairman, I do have a quick question.
    • 00:48:41
      I'm looking at the proposed here and you're going to relocate the door, but if you went with the folding doors, why would you need a door there?
    • 00:48:50
      I guess is my question.
    • 00:48:52
      It's just curiosity at this point.
    • SPEAKER_19
    • 00:48:53
      So the person door is one of the two entries and one of the two exits to the space.
    • 00:49:00
      The folding doors or the overhead doors don't come down to the floor.
    • 00:49:04
      The brick sill that Jeff's talking about is about 8 inches above sidewalk, 16 inches above the interior floor.
    • 00:49:10
      So they're not passageways.
    • Carl Schwarz
    • 00:49:17
      Okay, make a motion.
    • James Zehmer
    • 00:49:18
      Yeah, I guess my only comment would be in the question of preference.
    • 00:49:23
      I mean, I think the roll-up doors might be slightly nicer just because as this indicates, the folding doors would protrude out 30 inches past the facade of the building.
    • 00:49:34
      But that's only just a minor preference.
    • 00:49:36
      I would also agree with either one.
    • Carl Schwarz
    • 00:49:39
      My concern would be the rolling doors would be set.
    • 00:49:41
      They have to be recessed in to the interior face of the wall.
    • 00:49:45
      So I prefer the folding door, but again, I'm okay with either.
    • Jeff Werner
    • 00:49:52
      That is the weather face in Charlottesville.
    • 00:49:55
      So I don't know, Mike, is there how you guys feel about the, I mean, the weather preference either way?
    • 00:50:04
      I mean, if you have a preference opportunity to express it, I guess.
    • SPEAKER_19
    • 00:50:10
      Well, if you're, if you're investing in the project.
    • 00:50:15
      Well, we're not troubled, I should say, by the 30-inch thing.
    • 00:50:18
      The sidewalk is huge, and this particular area is private property, and it's not the public right away.
    • 00:50:23
      So we're not intruding there.
    • 00:50:24
      Our furniture out there, which is not part of today's presentation, a part of it, another one, will show that that's not an issue.
    • 00:50:32
      So we don't really have a preference, because we both have their benefits, you see.
    • 00:50:39
      As we finish pricing everything out and sort of mock this thing up a little bit more, we'll like to make a decision then.
    • 00:50:45
      I'm just not ready to pull the trigger.
    • Jeff Werner
    • 00:50:47
      So I've taken that as an either option in the approval.
    • SPEAKER_21
    • 00:50:53
      Just a few more questions.
    • 00:50:54
      Sorry, it just came to me.
    • 00:50:56
      Could you say again where you're going to relocate the door to?
    • 00:50:59
      Is it to the right or to the left?
    • SPEAKER_19
    • 00:51:01
      Yes, so if we can find that photographic image again, please.
    • 00:51:06
      That one.
    • 00:51:07
      So on the bottom image, you'll see the person door off to the left there.
    • 00:51:11
      Oh, OK.
    • 00:51:11
      And it's kind of easy to make out because it's got a heavy lentil piece on top.
    • SPEAKER_21
    • 00:51:16
      OK.
    • SPEAKER_19
    • 00:51:16
      And then in the upper, you'll see we're moving it two bays over.
    • 00:51:19
      And then in the right third of that bay, as opposed to the middle third of that bay.
    • SPEAKER_26
    • 00:51:27
      So the opening where the door is, the remaining two thirds would not be movable.
    • 00:51:33
      They'd be static.
    • 00:51:36
      Are you proposing a folding door there, too?
    • 00:51:38
      I mean, you couldn't really do a roll-out door.
    • SPEAKER_19
    • 00:51:40
      It'll be fixed.
    • 00:51:41
      I think it probably needs to be because the jam for the door needs to be there.
    • 00:51:45
      So I can't imagine that.
    • 00:51:46
      Yeah, well, that'll stay fixed.
    • James Zehmer
    • 00:51:52
      And you had mentioned you would have the horizontal muntins put into the door for a flood.
    • 00:51:57
      That's right.
    • 00:51:57
      Yes.
    • 00:51:59
      Is that in the application?
    • SPEAKER_19
    • 00:52:02
      You can make it a condition.
    • 00:52:03
      It's absolutely just an air.
    • James Zehmer
    • 00:52:04
      That's right.
    • 00:52:04
      It's a typo on my part.
    • 00:52:05
      No, no, no.
    • SPEAKER_19
    • 00:52:06
      I'm saying that.
    • 00:52:07
      I think that would be a. Well, I should have drawn it.
    • 00:52:08
      I just.
    • Jeff Werner
    • 00:52:09
      Yeah.
    • 00:52:09
      My understanding it was a, the attempt to reuse what's there and rearrange it and move it.
    • 00:52:16
      But if that wasn't possible, then it would replicate.
    • 00:52:19
      Right.
    • 00:52:19
      Right.
    • 00:52:19
      Sorry.
    • 00:52:20
      That's correct.
    • SPEAKER_23
    • 00:52:22
      One question.
    • 00:52:24
      The fixed portion next to the door, I assume that detailing would match the doors of the other openings?
    • SPEAKER_19
    • 00:52:31
      It will, yes.
    • SPEAKER_21
    • 00:52:36
      And why not just leave the door in its original location?
    • SPEAKER_19
    • 00:52:40
      Well, the floor plan doesn't support that location.
    • SPEAKER_21
    • 00:52:44
      And can you confirm the color?
    • 00:52:45
      It would be white.
    • SPEAKER_17
    • 00:52:52
      I've got one question.
    • 00:52:53
      The new door, will it have a small bottom rail like you're showing in the image, or will it have a taller bottom rail that aligns with the daylight opening like the original?
    • Carl Schwarz
    • 00:53:07
      If it's ADA, it can't have a small bottom rail.
    • SPEAKER_17
    • 00:53:10
      And nor should it visually.
    • 00:53:13
      If that's an option for the providers.
    • SPEAKER_19
    • 00:53:16
      Well, I think we would keep it
    • 00:53:18
      equal to the rails and styles on my other sites.
    • 00:53:21
      I don't see why we'd have a tall rail.
    • Jeff Werner
    • 00:53:23
      I think the condition would be, I mean, the door that's there, the goal was to simply move it.
    • 00:53:29
      So I think in the motion it would be that a new door and side lights are necessary, that they will match the door in that current opening, the door and side lights.
    • SPEAKER_19
    • 00:53:41
      I don't know how much can be reused.
    • 00:53:43
      We haven't taken it apart yet.
    • 00:53:44
      And it might be that that's all new.
    • 00:53:48
      Once we disassemble that, they might not be usable anymore.
    • 00:53:53
      At which point we could use a small rail easily.
    • Carl Schwarz
    • 00:53:57
      I could be wrong, but you're the architect on this, but I'm pretty sure an ADA requirement is you have to have a, you can't have a small rail at the bottom of the class door.
    • SPEAKER_19
    • 00:54:05
      Because the glass is in the hazard.
    • 00:54:08
      I don't recall, I don't recall, but I'll make sure it's legal.
    • Carl Schwarz
    • 00:54:13
      Sorry, it's your project.
    • 00:54:16
      I just don't want us to say you have to have a small rail and then you come back and fight it.
    • Jeff Werner
    • 00:54:21
      And then we're against the law, right?
    • 00:54:22
      I understand.
    • 00:54:24
      The key is there are identical doors on the north elevation.
    • 00:54:29
      And I was just done a couple years ago, unless something's changed very recently.
    • 00:54:37
      that door that's there in the bottom image matches what's on the north elevation and so when it's relocated or a new is used
    • 00:54:48
      My presumption is it would then match what's there, match the north elevation.
    • 00:54:53
      Now, I mean, we have photos we can look at.
    • 00:54:56
      Is that something with the rail dimension that's like... It's a very recent... As far as I understand, it's a code condition that is often not caught.
    • 00:55:06
      Okay, okay, I got you there.
    • SPEAKER_19
    • 00:55:08
      Yeah, so... Well, we'll make... We can agree to make it as small as a liable per radio.
    • SPEAKER_16
    • 00:55:13
      Yeah.
    • 00:55:14
      Got you.
    • 00:55:17
      All right.
    • 00:55:18
      Make a motion?
    • 00:55:19
      I think we're ready.
    • Carl Schwarz
    • 00:55:20
      Okay.
    • 00:55:21
      Having considered the standards set forth within the city code, including ADC district design guidelines, I move to find that the proposed door and window alterations at the west elevation satisfy the BAR's criteria and are compatible with this IPP that the BAR approves the request as submitted with the following conditions that the muttons will align with those on the
    • 00:55:43
      North Elevation, that there will be muttons in the door and that the sill at the existing door will be infilled with brick to match the existing.
    • 00:55:55
      Did I miss anything?
    • SPEAKER_26
    • 00:56:00
      Did you express a preference between the two and should that be part of the motion?
    • Carl Schwarz
    • 00:56:07
      My motion would be that we have no preference between the folding or... I just didn't hear that.
    • 00:56:11
      I didn't stop adding that.
    • 00:56:12
      Sorry.
    • 00:56:14
      Thank you.
    • SPEAKER_26
    • 00:56:20
      was there a
    • 00:56:33
      I actually prefer, and I don't know the cost of differential, so I'm supporting the motion regardless, but I want to comment.
    • 00:56:41
      I would prefer the folding doors.
    • 00:56:44
      I think what's been a real attribute of this project in the neighborhood is its engagement with the street.
    • 00:56:53
      and some vitality in businesses and everything that weren't previously there.
    • 00:56:57
      But its engagement with the street on the front patio and now you're proposing to wrap it around on 10th Street is really important.
    • 00:57:05
      And we've had, I believe, three folding doors in historic districts that I can think of.
    • 00:57:11
      One on West Main, one on Water, actually two on Water or an adjoining street off of Water.
    • 00:57:16
      And they tend to be either fully closed or fully open.
    • 00:57:20
      I've seen
    • 00:57:22
      and the old tempo, you would see them half raised, but that would be infrequent.
    • 00:57:27
      And I just feel like the folding doors would provide some engagement between the activity on the inside and the neighborhood and the outside spaces and maybe some flexibility for all parties.
    • 00:57:45
      Thank you, Ms.
    • 00:57:46
      Lewis.
    • 00:57:46
      Any other discussion?
    • James Zehmer
    • 00:58:05
      Alright, I'll call a vote.
    • 00:58:06
      Ms.
    • 00:58:06
      Lewis?
    • SPEAKER_26
    • 00:58:07
      Aye.
    • James Zehmer
    • 00:58:08
      Mr. Bailey?
    • 00:58:09
      Yes.
    • 00:58:10
      Mr. Timmerman?
    • 00:58:11
      Yes.
    • 00:58:11
      Mr. Schwarz?
    • 00:58:12
      Yes.
    • 00:58:13
      Mr. Birle?
    • 00:58:13
      Yes.
    • 00:58:14
      Ms.
    • 00:58:14
      Tabony?
    • 00:58:15
      Yes.
    • 00:58:15
      Mr. Rosenthal?
    • SPEAKER_04
    • 00:58:16
      Yes.
    • James Zehmer
    • 00:58:17
      And the chair votes yes.
    • 00:58:19
      Motion passes, 8-0.
    • 00:58:22
      Thank you, sir.
    • 00:58:29
      Alrighty, our next agenda item is the Certificate of Appropriateness Application for 301 East Main Street.
    • 00:58:38
      This is regarding an art installation on the south and west elevations.
    • Jeff Werner
    • 00:58:44
      This is, I have to say, one of the more interesting ones I've had in a while.
    • 00:58:51
      And I was asked about this earlier in the summer, and I honestly thought the art was to be installed on the side facade.
    • 00:59:04
      And I figured, well, that's not the primary elevation.
    • 00:59:09
      But then,
    • 00:59:12
      when I, so again, the 301 East Main, this is where Rapture is on the right.
    • 00:59:20
      I can't recall the shop there on the left, but so the building was, it shows dates to 1920, but the
    • 00:59:34
      I think what you see, what's there is what's left of a 1960s building, a very kind of contemporary, at least to that time, single story, storefront, almost like an art deco thing, nothing like what you see there now.
    • 00:59:53
      So, and then in the 90s,
    • 00:59:57
      This facade was, everything was altered on it with the addition of the pilasters and the cornice.
    • 01:00:03
      The height didn't change, but what you're seeing, and even as it wraps the corner, is not original.
    • 01:00:10
      So that's where my approach to it first was, well, as a rehabilitation, the addition of something onto a historic facade, how would we treat it?
    • 01:00:22
      and I said, well, it's not a historic facade, so it might be best then to treat it as the installation of artwork like you would with a mural or something like that.
    • 01:00:34
      Now, and you can see, let me go down to
    • 01:00:47
      I don't know if you all, I think Carl caught it, but the guy napping in the photo there.
    • SPEAKER_16
    • 01:00:52
      So that's the side, and the panels would be installed there at the top.
    • Jeff Werner
    • 01:01:13
      So the guidelines for murals and art installations, we try to avoid the primary facade, but there's not a no.
    • 01:01:28
      The fact that this is not historic, that's an ethos façade, not damaging anything if these would be the manner that the installation being suggested.
    • 01:01:39
      I didn't kind of walk through our pictures of them all and you know there are some ornate things, similar locations or ornate signs.
    • 01:01:49
      Now this is not a commercial sign so we won't have to be concerned about that.
    • 01:01:53
      So from
    • 01:01:57
      where I sat viewing it as art and as something that can be removed and the building repaired.
    • 01:02:10
      I don't have, staff doesn't have any issue with that.
    • 01:02:14
      It's as far as rehabilitation and introducing something new to the architecture.
    • 01:02:21
      it probably would fail that test, but we're not dealing with a historic facade.
    • 01:02:25
      So I was, leave it with kind of curious where you all fall on it and what you think, because the guidelines don't give us a yes or no on this one.
    • James Zehmer
    • 01:02:42
      All righty.
    • 01:02:43
      Thank you, Mr. Werner.
    • 01:02:45
      Do we have any questions from the public?
    • 01:02:50
      Oh, I'm so sorry.
    • SPEAKER_26
    • 01:02:51
      Is the applicant here?
    • James Zehmer
    • 01:02:56
      I guess not.
    • 01:02:58
      Are they online?
    • 01:03:00
      Apologies.
    • 01:03:01
      Sorry about that.
    • 01:03:02
      Thank you, Mr. Schwartz.
    • 01:03:05
      Would the applicant like to make a presentation?
    • SPEAKER_25
    • 01:03:17
      Hi, everybody.
    • 01:03:18
      Can you hear me?
    • James Zehmer
    • 01:03:19
      Loud and clear.
    • Jeff Werner
    • 01:03:20
      Hey, Greg.
    • SPEAKER_25
    • 01:03:21
      All right.
    • 01:03:22
      This is Greg Jackson.
    • 01:03:23
      You know, it's fairly simple.
    • 01:03:30
      I think, you know, in seeing what's proposed here, the owner has been doing a lot of artwork to his properties around town.
    • 01:03:41
      I'm sure you guys all know Alan Cajine.
    • 01:03:44
      I'm not sure if he's able to join.
    • 01:03:45
      He had some conflict of schedule.
    • 01:03:49
      But this is kind of an ongoing thing with him.
    • 01:03:52
      He's really acquiring a lot of art and kind of improving his properties with it.
    • 01:04:01
      So he asked me to do this.
    • 01:04:02
      And I asked him if he would like me to take another picture without the guy taking a nap there.
    • 01:04:09
      I didn't want to wake him and ask him, I don't want to wake my teenage son.
    • 01:04:18
      He seemed to kind of like the idea that he's there, kind of asked the whole kind of pondering of everything on the mall.
    • James Zehmer
    • 01:04:28
      It's clearly a current photo.
    • SPEAKER_25
    • 01:04:32
      I'm happy to answer any questions that I may know.
    • James Zehmer
    • 01:04:39
      Thank you.
    • 01:04:40
      I think we'll start now.
    • SPEAKER_25
    • 01:04:43
      And originally we were going to put them on the side, on the west, you know, the side, and just when we, when Al brought me in, I raised them up, they were below the windows on the side there, from that MTC, and then I, you know, raised them up above those windows and then we kind of,
    • 01:05:02
      I saw those indie spandrel panels and thought, why hide them around the corner?
    • 01:05:06
      And, you know, they were in danger of maybe getting vandalized and just making more of an element of the building.
    • Jeff Werner
    • 01:05:14
      Allie, the only thing I couldn't grasp is are these, you know, 17th century pieces of art?
    • SPEAKER_26
    • 01:05:26
      It's Greg.
    • 01:05:28
      Allie's not on, I don't think.
    • SPEAKER_25
    • 01:05:31
      Yeah, so, other than the description, you know, they're from the 1600s to 1800s.
    • 01:05:39
      It looks like there's an overlap in that when that property first had a building on it and interesting enough in the 1800s.
    • 01:05:48
      And he's interested in that, I mean,
    • 01:05:52
      That's about all I know, really.
    • 01:05:56
      I spent a good 30 minutes to an hour getting into it and looking at all the artwork from that time.
    • 01:06:03
      It was quite popular style and a big part of the culture during that time period.
    • James Zehmer
    • 01:06:14
      Mr. Werner's question is, are these pieces of art from the period or are they reproductions?
    • 01:06:21
      Reproductions.
    • 01:06:22
      That's what we figured.
    • SPEAKER_25
    • 01:06:23
      Yeah, they're created because usually this kind of, they seem like they're isolated portraits from what I reviewed, they were sort of scenes of, you know,
    • 01:06:36
      individuals with horses and landscape and such so that this particular artist, you know, kind of pulled this certain characters out of this and just recreated it.
    • 01:06:48
      And I'm probably going beyond what I really know, but that's what I'm assuming from what I looked at.
    • James Zehmer
    • 01:06:54
      All right.
    • 01:07:00
      I think now we'll open it to questions from the public.
    • 01:07:02
      If there are any questions from the public.
    • 01:07:08
      Okay, questions from the BAR?
    • Carl Schwarz
    • 01:07:14
      Yeah, are they going to be covered with something like a plexiglass or something?
    • 01:07:20
      I'm actually wondering more about is there going to be anything that prevents them from fading?
    • 01:07:26
      What will happen if they do fade?
    • 01:07:27
      What's the what would the owner plan to do at that point?
    • SPEAKER_25
    • 01:07:35
      I do not know what the final clear coat is on it, but I do believe this is a similar artist that's done some work out at the Willem Mills President's House.
    • 01:07:45
      If you guys ever go out there and wander the grounds, it's like a museum of sculptures throughout the whole grounds.
    • 01:07:53
      And there's seems to be this, and there's actually a sculptor over in the Mickey building courtyard with water, if you notice that.
    • 01:08:04
      They're fairly well protected with some kind of shellac type of coating that I'm just assumed that the, you know, I can find out the information, but I assume the artist is
    • 01:08:16
      will wear what is needed to keep it protected on things like marine quality type stuff.
    • Carl Schwarz
    • 01:08:21
      Okay, but it's not going to be like a sheet of plastic or a sheet of glass or something in front.
    • 01:08:25
      It will just be coating.
    • SPEAKER_25
    • 01:08:26
      No.
    • 01:08:27
      And it's more like a, like, you know, I see those sculptures, it seems more like a, like a boat, you know, fiberglass with a coating over top of it or a surfboard or something, you know, it's quite, quite thick, clear coat of kind of coating.
    • SPEAKER_21
    • 01:08:46
      Is the intention for these to be permanent or just put up for a certain period of time?
    • SPEAKER_25
    • 01:08:52
      I don't know.
    • 01:08:56
      I imagine he's put them up there and see how far it goes.
    • 01:09:00
      You guys are curious how they hold up.
    • 01:09:07
      But, you know, I think, you know, they were kind of made and he was looking for a place to put them.
    • 01:09:17
      The center panels where there's, what is it, seven
    • 01:09:22
      of those little portraits would be made custom, you know, if this is, you know, given an approval.
    • 01:09:32
      But the other ones were already made and, you know, he was like, you know, Jeff knows that we were looking, he was looking for places to put them.
    • 01:09:40
      Like a lot of the artwork he has, he kind of finds, you know, he has artwork and he tries to find an appropriate location.
    • 01:09:48
      So it's not as though they were definitely custom made for this particular
    • 01:09:53
      You know, Scythe, so I could very well seem moving it at another time.
    • 01:09:58
      But also keeping them there, if they've, you know, just become part of the, the lavely scenery on them all.
    • SPEAKER_20
    • 01:10:06
      Are those, are the sizes very accurate on the render?
    • SPEAKER_25
    • 01:10:11
      Ah, it's the best I can do.
    • 01:10:14
      You know, it's pretty much, pretty much there.
    • James Zehmer
    • 01:10:18
      I'll have a follow-up on that.
    • 01:10:20
      I guess the intent is to have a border around the artwork as opposed to have the artwork fill up the entire freeze.
    • 01:10:31
      You showed the gray border.
    • SPEAKER_25
    • 01:10:32
      Yeah, as I said, I mean, these are already made.
    • 01:10:35
      As you can see, maybe in the final page of the presentation when they're, I think that might be Allen's house or something with other artwork around it, you know,
    • 01:10:45
      So those were just, like I said, they were made and we were finding the good spot for them.
    • 01:10:52
      And I thought they kind of happened to fit pretty good in this condition.
    • 01:10:57
      The building, he picked the building, but they ended up being in these locations as a proposal.
    • James Zehmer
    • 01:11:08
      Any more questions from the BAR?
    • SPEAKER_23
    • 01:11:12
      I have a question about the color you've chosen for the area behind the artwork.
    • 01:11:21
      Is that color like a chip you can hand us or is that just a kind of general representation of a warm gray?
    • SPEAKER_25
    • 01:11:32
      General representation and I'm open to suggestions, frankly.
    • 01:11:36
      I felt just something mellow and soft and
    • 01:11:41
      pulling back would be better than the white or off-white that's there now seem to too bright.
    • 01:11:47
      But we can provide the chip to tell you exactly what the color is, what we're suggesting.
    • SPEAKER_23
    • 01:11:59
      The other question I had was about the scale of these artworks relative to the building.
    • 01:12:05
      Have you done a mock-up?
    • 01:12:06
      Have you put them up on the building to see whether or not you can read the drawings?
    • SPEAKER_25
    • 01:12:12
      No, we haven't actually placed them.
    • 01:12:15
      I believe they're still in California, maybe.
    • 01:12:17
      I'm not sure if they've shipped over yet.
    • 01:12:20
      I imagine we could put a size mock-up, you know, but it's something up there at the same scale.
    • 01:12:33
      The scale size.
    • SPEAKER_21
    • 01:12:41
      This is just more curiosity, but is there any kind of a statement about why those, why they're there?
    • 01:12:50
      It sounds like, hey, these are interesting pieces of artwork, and we need a place to put them.
    • 01:12:59
      But is there anything more than that that you know of from the artist or from the selection of where they're eventually going to be located?
    • SPEAKER_25
    • 01:13:10
      This is where it'd be great if Alan could have made it in.
    • 01:13:14
      But I don't know.
    • 01:13:15
      And I think a lot of his art recently has sort of a Japanese feel to it, especially of that time frame.
    • 01:13:25
      And so I think I imagine it as art, you know, as nothing to be of referencing anything.
    • 01:13:35
      The only thing I think is interesting is this time period of this art did overlap a little bit where it's not the same building, but at that site there was a building during that same period.
    • 01:13:48
      Certainly a long ways away from Japan, but I think it's just sort of a
    • 01:13:58
      and, you know, just the sort of style and color and expression and just to have something interesting, you know, as, you know, whatever the perception of art in public spaces is, you know.
    • Jeff Werner
    • 01:14:17
      You know, this is a stretch, maybe, but in back in 97 when this was being reviewed,
    • 01:14:27
      the woman involved with Gabe's wife, I think, was referred to some Japanese process of the design and the coloring to it.
    • 01:14:39
      And no one, Alan, that may have just stuck in his head and he said, you know, I don't know, that's a reach of my part, but it seems plausible as anything, but that somehow the color selection of when the facade was changed
    • 01:14:56
      She was referring to this Japanese process of selecting colors.
    • 01:15:03
      And if it's not true, it sounds like a good story.
    • SPEAKER_26
    • 01:15:12
      So Greg, just to clarify, the mock-ups that we're looking at with the panel superimposed, they're not necessarily to scale.
    • 01:15:21
      You said you've just done your best.
    • SPEAKER_25
    • 01:15:24
      Yeah, without getting scaffolding up there.
    • SPEAKER_26
    • 01:15:27
      So I'm kind of glad that the sleeping dude is there, because let's just say he's a normal male and he's between five and six feet, and he's laying directly down.
    • 01:15:42
      And your application says the panels are two by eight.
    • 01:15:45
      So it seems like the panels are going to be a little bit longer.
    • 01:15:51
      I mean, I'm not going to take a roller to this, but it looks like the length of that gentleman, the panel is only a little bit longer than he is.
    • 01:16:03
      And eight feet is another two feet.
    • 01:16:06
      I'm sure you've made sure that
    • 01:16:10
      These panels
    • 01:16:26
      I'm not seeing a whole lot of detail right away from here, and I don't see it in here, so I'm not sure.
    • 01:16:31
      Does he have a pillow on top of him?
    • 01:16:33
      Oh, I see, I see, yeah.
    • 01:16:34
      He's on a backpack.
    • 01:16:36
      I still don't see, even if you take the backpack away.
    • 01:16:40
      If he's four, five or six feet.
    • 01:16:43
      I don't know.
    • 01:16:44
      I think they're going to take up more of that space, but it really doesn't matter much.
    • 01:16:50
      It might be more attractive, frankly, to fill more of the space is what I think.
    • 01:16:57
      They look like large panels.
    • 01:16:58
      Wherever those photos come from, Greg, they just look larger than they're appearing on that building.
    • 01:17:05
      But of course, we don't.
    • 01:17:08
      As long as I have the floor out, can we just go into comments?
    • 01:17:10
      Or are there any other questions?
    • James Zehmer
    • 01:17:15
      Any more questions from the AR?
    • SPEAKER_26
    • 01:17:23
      Thank you.
    • James Zehmer
    • 01:17:28
      Do we have any comments from the public?
    • 01:17:38
      If you wouldn't mind coming and stepping up here and state your name and address please.
    • SPEAKER_01
    • 01:17:48
      Hello, I am James Hsu.
    • 01:17:49
      I am a student at UVA.
    • 01:17:51
      I live at Humphreys Dorm.
    • 01:17:53
      I don't know if I quite like the color of the great paint behind the paintings.
    • 01:17:57
      Maybe like a yellow ochre or like a blue.
    • 01:18:01
      Kind of like the colors that are kind of in the painting.
    • 01:18:03
      Maybe that would work better.
    • 01:18:04
      I don't know how well that would end up fitting in with the rest of the facade of the downtown mall.
    • 01:18:09
      But yeah, that's my suggestion.
    • 01:18:12
      Thank you.
    • James Zehmer
    • 01:18:19
      Any other comments?
    • 01:18:25
      All righty.
    • 01:18:26
      We'll open it to comments from the VAR.
    • SPEAKER_26
    • 01:18:30
      So there was discussion by staff that we should talk about the wood bench on Third Street and the fact that that's under a COA.
    • 01:18:38
      It was
    • Jeff Werner
    • 01:18:40
      I think it's an opportunity to emphasize something and I was asked
    • 01:18:51
      been asking them the store to remove the green lights.
    • 01:18:56
      So I think adding it as a condition for this owner to comply with the light, see those green lamps removed, not the fixtures, but the lamping.
    • SPEAKER_26
    • 01:19:08
      Were the lamps put up without approval?
    • 01:19:10
      Is that what you're saying?
    • Jeff Werner
    • 01:19:11
      I don't know about the fixtures, but I know the green bulbs went up.
    • 01:19:17
      would like them removed.
    • 01:19:19
      So this is a mechanism to accomplish that, or an additional mechanism.
    • SPEAKER_25
    • 01:19:28
      So I can speak to the bench.
    • 01:19:33
      We did get an email today from Mike of Rapture.
    • 01:19:35
      And they they've already ordered the materials, not interesting enough, they were already on it.
    • 01:19:41
      And they said they hope to have it with all done.
    • 01:19:45
      And
    • 01:19:46
      repaired and painted within the next few weeks.
    • 01:19:50
      And I can forward that email to you, Jeff.
    • Jeff Werner
    • 01:19:53
      Thanks, Greg.
    • 01:19:53
      Yeah.
    • SPEAKER_25
    • 01:19:55
      The green light, actually, even though it's in the photos, when I was there taking it, I had to go back to what you were talking about.
    • 01:20:02
      And again, it's pretty obvious to me that must be the tenant wanting to have more of a presence on the outside of the building of their store with their colored coat
    • 01:20:16
      So, I think, you know, I don't think Allen's attached to it and would be fine to probably tell the tenant not to if you guys really don't like the green.
    • Jeff Werner
    • 01:20:28
      I'll leave it to the BAR.
    • 01:20:29
      I will say staff is, we would like to have them removed.
    • 01:20:34
      And I also want to add that the bench in the back, you know, we have so many good bench stories in the mall, you know, trying to find the original Halpern benches, where are they located?
    • 01:20:44
      This bench was actually one of the first COAs I had to work with.
    • 01:20:48
      This had previously been located at a building that was demolished for the code building, if you recall.
    • 01:20:56
      So this bench has been around and hopefully it will take on a mythology of its own.
    • James Zehmer
    • 01:21:01
      In terms of the lights,
    • 01:21:10
      and I was just looking at our guidelines and seeing if we have guidance on color.
    • Carl Schwarz
    • 01:21:25
      I just remember Mary Joy used to not allow it, but that was it.
    • 01:21:31
      Violet Crown had to get special permission for their purple lights on their sign.
    • James Zehmer
    • 01:21:36
      My suggestion was going to be, essentially, if they wanted to use green lights, they could bring it to us for approval, which is the process.
    • 01:21:45
      So, it sounds like they're working on the bench.
    • 01:21:48
      Thank you, Ms.
    • 01:21:49
      Lewis, for reminding us of those staff suggestions.
    • 01:21:54
      I guess, back to the artwork.
    • 01:21:57
      Anyway, I've got a comment.
    • 01:22:01
      Personally, I think it's, you know, looking back to the architecture of antiquity, the freezes of buildings were often ornamented with artwork, so I don't have any problem with this, especially if it's
    • 01:22:12
      I agree with James, it's not a historic
    • SPEAKER_17
    • 01:22:30
      Frieze, nor is it a particularly attractive frieze.
    • 01:22:33
      It's pretty clunky.
    • 01:22:34
      The more I look at it without these artwork pieces, the more I want to see something up there.
    • 01:22:42
      And I think toning the color down is actually a really good move.
    • 01:22:47
      So yeah, I think this is actually an improvement.
    • SPEAKER_26
    • 01:22:56
      Considering the facade, I mean the whole building volume at the street is 1997.
    • 01:23:06
      I mean there's nothing left of what it was before then.
    • 01:23:13
      I have no objection.
    • 01:23:16
      And frankly, Allie and Gabe were probably the two individuals who did the most for them all in the early days, for those who were around then.
    • 01:23:27
      This was one of the first buildings that was really reused, completely redone and reused.
    • 01:23:38
      We wouldn't have the Babar lights at the Mickey building had it not been for Gabe and Allie and the little artistic touches that we have through downtown which give us a sense of place.
    • 01:23:51
      So I have no problems with these.
    • 01:23:53
      In fact, I think they're quite beautiful.
    • SPEAKER_25
    • 01:23:55
      I'm glad you brought up the lights.
    • James Zehmer
    • 01:24:06
      I think Mr. Gestinger, would you like to comment on this?
    • SPEAKER_28
    • 01:24:12
      Yeah, I'd say, you know, you know, officially as, you know, in terms of our purview, I think this is
    • 01:24:20
      It enhances the historic district.
    • 01:24:26
      Personally, I also find it kind of fun and interesting and bring some interest to the mall, though I accept that it's not our role to judge the content of the art.
    • 01:24:43
      Thanks.
    • SPEAKER_04
    • 01:24:49
      While it isn't like anything else on the Mall, I think it's quite attractive.
    • 01:24:55
      I like the whole concept of doing, bringing art and some color and excitement to the Mall, so I really like it.
    • 01:25:12
      I'm ready.
    • SPEAKER_21
    • 01:25:13
      I would just reiterate what Jeff had to say, which is, there's nothing here that really goes against the guidelines, so not really in our purview.
    • 01:25:24
      But I would say that just in some of the questions and the comments that came up, I would be interested in, just as a suggestion, looking at some different colors, maybe.
    • 01:25:35
      I was even thinking that
    • 01:25:36
      You know, even if you stuck with the same kind of green or whatever the rest of the body is, maybe darken that a little bit as a way to sort of create a little more emphasis up there.
    • 01:25:47
      That might help some.
    • 01:25:49
      Also, just even a mock-up would be helpful, not, you know, exactly knowing how those things fit in the space.
    • 01:25:57
      But those are just suggestions that, you know, is part of a process that hasn't been finished yet.
    • Carl Schwarz
    • 01:26:07
      Can I make a motion?
    • Jeff Werner
    • 01:26:09
      What I would offer is I can work with Greg and get some better measurements on it and sort of if it seems like they're going to look like postage stamps up there or just not fit proportionally, bring it to your attention.
    • SPEAKER_25
    • 01:26:27
      By the way, if I may be able to see this point.
    • Jeff Werner
    • 01:26:32
      Sure.
    • SPEAKER_25
    • 01:26:34
      And the document that I put this together, on the side view with the sleeping man, I brought that panel down and put it right on top of him as a direct measurement.
    • 01:26:47
      And his top of his head goes two thirds into the fourth panel, the portrait with the big face.
    • 01:26:56
      So if he's like five, six, if these panels are two foot wide,
    • 01:27:03
      They're not quite two foot wide.
    • 01:27:04
      They're probably more like 18 inches.
    • 01:27:07
      So yeah, they maybe could be a little bit bigger, but I think they're pretty close when I put that scale there.
    • SPEAKER_26
    • 01:27:16
      Thank you, Greg.
    • Carl Schwarz
    • 01:27:22
      Having considered the standards set forth in the City Code, including the ADC District Design Guidelines, I move to find the proposed art installation at 301 East Main Street.
    • 01:27:29
      It satisfies the BAR's criteria and is compatible with this property and other properties in this ADC district.
    • 01:27:34
      The BAR approves the request with the following conditions.
    • 01:27:38
      The artwork will be maintained in good condition.
    • 01:27:41
      If the art panels are removed, the underlying facade will be repaired and repainted.
    • 01:27:45
      The green lamps will be removed from the exterior fixtures in the south and west elevations and replaced with light bulbs that comply with our guidelines in terms of intensity and color temperature and the wood bench at the third street cafe space will be repaired, refinished, and maintained in good condition.
    • 01:28:06
      and we'll leave the, as part of my motion, I'm leaving the color selection up to the applicant to work with staff on just confirming it meets our guidelines.
    • SPEAKER_26
    • 01:28:18
      Can we just form that into a condition that staff approves the eventual color?
    • Carl Schwarz
    • 01:28:26
      That staff will approve the eventual background color for the art installation.
    • 01:28:31
      Thank you.
    • SPEAKER_26
    • 01:28:32
      I'll second.
    • James Zehmer
    • 01:28:35
      Thank you.
    • 01:28:36
      We'll call a vote.
    • 01:28:38
      Ms.
    • 01:28:38
      Lewis?
    • SPEAKER_26
    • 01:28:38
      Aye.
    • James Zehmer
    • 01:28:40
      Mr. Bailey?
    • 01:28:41
      Yes.
    • 01:28:41
      Mr. Timmerman?
    • 01:28:42
      Yes.
    • 01:28:43
      Mr. Schwarz?
    • 01:28:44
      Yes.
    • 01:28:45
      Mr. Birle?
    • 01:28:46
      Yep.
    • 01:28:46
      Ms.
    • 01:28:47
      Tabony?
    • SPEAKER_04
    • 01:28:47
      Yes.
    • James Zehmer
    • 01:28:48
      Mr. Rosenthal?
    • SPEAKER_04
    • 01:28:49
      Yes.
    • James Zehmer
    • 01:28:50
      The chair votes yes.
    • 01:28:52
      Passes 8-0.
    • 01:28:54
      We look forward to seeing the art installation.
    • 01:28:56
      Thank you very much.
    • Jeff Werner
    • 01:28:58
      And I think, yeah, thanks to Cheri, I think the sleeping guy has now become, will become legend himself.
    • 01:29:07
      The measuring stick for all things will be... We just need a band ski if I'm on the side of the building.
    • 01:29:13
      So, this is how those things happen, right?
    • 01:29:15
      So, good.
    • James Zehmer
    • 01:29:18
      Alrighty, we've included our new items portion of the agenda this evening.
    • 01:29:25
      We're moving into other business, the first item of which is a consultation with BAR.
    • 01:29:36
      This is for 116 West Jefferson Street, which I believe was, yes,
    • 01:29:44
      COA was approved at the December, I believe it was on the 20th, December 20th of 2000.
    • 01:29:51
      I think it was 2022, right?
    • 01:29:56
      Yes.
    • Jeff Werner
    • 01:29:57
      Yeah.
    • 01:29:58
      And I didn't know what to call it, so I came down with a BAR consultation.
    • 01:30:04
      This is 116 West Jefferson.
    • 01:30:09
      The applicant shared some information
    • 01:30:14
      and so on.
    • 01:30:33
      addition on the rear.
    • 01:30:34
      And the two porches that you see on the back, we know that historically they were there, but what you see is, I think it's been repaired piece by piece and replaced, so the material is generally not original.
    • 01:30:54
      And they were going to rehab what was there and add some stairs.
    • 01:31:01
      No problems going forward.
    • 01:31:04
      In the code review, because of the use that's proposed for the building, they need emergency egress.
    • 01:31:11
      And the only place, and I've been working with our code official on this as well, the only place it could go was where those two balconies are, those two porches.
    • 01:31:23
      And what ended up happening, if you can look at this image, they were trying to incorporate
    • 01:31:31
      the stairs into two porches, and it just became a menagerie.
    • 01:31:38
      And so I went and let me stand up and go through it.
    • 01:31:44
      So I went out there and talked to them.
    • 01:31:48
      We could go.
    • 01:31:50
      Because of the height, so this upper porch
    • 01:31:55
      The only thing that will really be retained is a box beam around the framing.
    • 01:32:00
      So you'll have the post, the post coming down to another box or something to talk about.
    • 01:32:06
      But there will be no decking up here.
    • 01:32:10
      It's just simply the configuration and the headroom just won't allow this to be.
    • 01:32:18
      And I just said, well then let's not
    • 01:32:20
      try to make it something it's not.
    • 01:32:22
      So if you would envision if you came out this door, you look down the stairs and there's a railing there.
    • 01:32:27
      This decking is open.
    • 01:32:30
      Stairs come down and then there was another porch here with railing and it just removed that.
    • 01:32:36
      Let's make these stairs and keep this because it breaks up that height and that's the general taste of it and it will work.
    • 01:32:49
      Building code officials okay with it.
    • 01:32:51
      I just wanted to get, I just wanted to bounce it off you all before I gave any green light and the idea was that it's not not rehabbing or we're not
    • 01:33:06
      Recreating, Original, We're Not, and a similar situation to that house up on Park Street where the rear addition trying too hard to make it work with the historic addition.
    • 01:33:20
      So, you know, the idea of remove it, making a decision.
    • 01:33:23
      So the same philosophy here is let's
    • 01:33:26
      and Michael Kochis.
    • 01:33:42
      You all have any thoughts?
    • Carl Schwarz
    • 01:33:44
      So you're saying that they're going to wrap all the pressure-treated lumber, or is it going to be left like that and kind of invaded?
    • Jeff Werner
    • 01:33:53
      Hopefully, on the bottom porch, now there's a beam that comes over to a brick pier on the front, but
    • 01:34:05
      If they can remove the return on that end, that helps with the headroom going down below.
    • 01:34:12
      Then you see, go up, then you see the landing stairs, and I don't have a railing going around.
    • 01:34:17
      And then above the landing, you see that framed beam on the outside.
    • 01:34:26
      I suggested they box that in and put the railing in that at least it breaks up that very tall vertical post.
    • 01:34:36
      But those framing as you see in this image sort of has to be there.
    • 01:34:48
      It's not ideal.
    • 01:34:49
      It's not a perfect situation.
    • 01:34:52
      I think if we had looked at this as a blank canvas, we would have said, pull it all off and put in an emergency stairs and move on.
    • Carl Schwarz
    • 01:35:01
      My question may be for the applicant instead, but I guess it seemed like you were describing that they will be trimming out some of this.
    • 01:35:08
      Oh, sorry.
    • 01:35:08
      Come on up to the... I'm expecting someone to be talking from the ceiling again.
    • SPEAKER_13
    • 01:35:16
      Good evening.
    • 01:35:16
      I'm Josh Batman with Housecraft and represent the applicant or represent the owner.
    • 01:35:21
      But yes, they will be trimmed out.
    • 01:35:23
      And he's going to make this a boutique hotel and this he's a perfectionist and wants it to look great.
    • 01:35:28
      So we're going to we're going to trim them out, put big nice capitals on them and make it look as good as we can.
    • 01:35:35
      So
    • SPEAKER_26
    • 01:35:40
      Was this window at the landing just recently filled in?
    • 01:35:44
      I see there's a photo here that shows that it's filled up.
    • SPEAKER_13
    • 01:35:48
      It has to be filled in for code.
    • 01:35:50
      The code official wouldn't allow it to stay.
    • 01:35:52
      He wanted it as a one hour rated wall there because it's an egress there.
    • 01:35:57
      Too bad.
    • 01:35:59
      Yes, the owner was disappointed at that as well.
    • SPEAKER_26
    • 01:36:02
      I only ask because it's altering part of the historic fabric of the building.
    • Jeff Werner
    • 01:36:06
      I mean, we're not getting rid of the opening, but... Yeah, this is a situation where there are things where the historicity of the building, this direct designation gives us some flexibility when it comes to life safety code.
    • 01:36:24
      The flexibility is not really there.
    • 01:36:26
      Yeah.
    • 01:36:27
      And that's when I'm talking to Chuck about, well, where can they put the egress
    • 01:36:34
      It can only go here.
    • 01:36:36
      It's a life safety code issue and it boxes us into
    • James Zehmer
    • 01:36:48
      I guess I'm a little maybe frustrated at the right word because I went back and looked at the December minutes from 2022 and no work on these double porches was called out whatsoever.
    • 01:37:02
      And so I understand that there's, you know, code required egress.
    • 01:37:07
      This should have been brought to us to talk about because these porches do look historic.
    • 01:37:11
      You've got turned columns on a double stacked porch and to replace that with like
    • 01:37:17
      There have been several
    • Jeff Werner
    • 01:37:38
      This came to you several times.
    • 01:37:41
      And the porches are, I said they were there, but the material that's there now is not the original.
    • 01:37:53
      And this was one of those that was being resolved
    • 01:37:59
      in a discussion over here.
    • 01:38:01
      And then it was brought to my attention and like, all right, well, let me go out and look.
    • 01:38:07
      So this is an attempt to to help resolve a situation.
    • 01:38:11
      But yeah, in hindsight, I it would have this, we looked at this and said this is a emergency stairs, they must go there and make them emergency stairs.
    • 01:38:21
      But that's why I wanted to bring to you all if if it's really this is just not a
    • James Zehmer
    • 01:38:29
      So we took this over sort of mid stride and didn't know the entire backstory on all this.
    • 01:38:33
      And so there was some confusion.
    • SPEAKER_13
    • 01:38:53
      on our part with that, and the owner would have much preferred to keep the porches, and we really tried to work with the building official to do that, but this was his final answer on that.
    • SPEAKER_04
    • 01:39:05
      What material are the stairs made of?
    • SPEAKER_13
    • 01:39:10
      They'll be painted trim, it's a composite trim for the risers and the skirt boards on there, and then it's going to have a
    • 01:39:22
      Brownish composite board that's going to create the treads.
    • 01:39:28
      Timbertec is what the product is.
    • 01:39:30
      And he's got tongue and groove decking for the porch areas.
    • 01:39:38
      It would match, but it is composite.
    • SPEAKER_21
    • 01:39:42
      Was there any attempt to try to keep the turned columns?
    • SPEAKER_13
    • 01:39:47
      I actually still have the turned columns, but structurally they're putting a, it's an R1 building now, and so they're having to design, the structural engineers having to design it to 100 pounds per square foot, and so
    • 01:40:04
      That's where she came up with the six by six is she had to connect the landing in there.
    • 01:40:09
      There was a lot.
    • 01:40:10
      There's there's a lot going on with this thing to try to get through.
    • 01:40:14
      And I kind of got put in at the end.
    • 01:40:17
      And so I'm just I'm here.
    • 01:40:20
      I do still have the columns.
    • 01:40:22
      But yeah.
    • Jeff Werner
    • 01:40:23
      And the questions that come coming into me from the other conversation.
    • 01:40:28
      It's an email with another address on High Street.
    • 01:40:33
      which I had resolved a stair question.
    • 01:40:36
      So I was repeating, responding, that's been resolved.
    • 01:40:38
      There's no more problems with this.
    • 01:40:40
      So been one of those.
    • 01:40:43
      But so I thought the whole time it was a discussion about a stair on the back of a building on High Street.
    • 01:40:50
      It was this.
    • 01:40:51
      So
    • Carl Schwarz
    • 01:40:55
      I'd actually be curious to know.
    • 01:40:56
      I mean, well, I wouldn't be surprised with those turn columns.
    • 01:41:00
      I mean, you might know because you have them, but if they're actually even that old.
    • Jeff Werner
    • 01:41:04
      If I recall from the back when we were looking at this a couple of years ago, they're not.
    • Carl Schwarz
    • 01:41:11
      They're a standard off-the-shelf thing.
    • SPEAKER_13
    • 01:41:14
      Yeah.
    • 01:41:14
      Turn column.
    • 01:41:15
      They're not.
    • 01:41:17
      Yeah, I don't.
    • 01:41:19
      I don't know for sure.
    • Carl Schwarz
    • 01:41:24
      I will say the work that has been done on the house to the south, I was really shocked by how nice it looks.
    • 01:41:33
      You guys are doing a good job.
    • 01:41:38
      It gives me faith in this.
    • SPEAKER_13
    • 01:41:49
      I'm working with the structural engineer to get the, I've got a, it's got to be slightly structural up there.
    • 01:41:55
      So I can turn that into jet.
    • 01:41:56
      I mean, I can certainly, I don't have the full detail on that yet.
    • 01:42:01
      It would be a fairly typical inch and a half, two inch flat with some bed molding coming up underneath it for a box column.
    • 01:42:12
      So that's, that's, that's the plan right now.
    • Jeff Werner
    • 01:42:15
      The problem is James is the alignment
    • 01:42:18
      It's moved, so a true plumb line goes up and it's slightly outside of the cornice line or the tablature up there.
    • 01:42:27
      So that's the idea of just boxing it in as a simple cap.
    • 01:42:35
      But it doesn't line up.
    • SPEAKER_21
    • 01:42:37
      Is the plan to trim out the column too?
    • SPEAKER_13
    • 01:42:40
      Yes.
    • SPEAKER_21
    • 01:42:40
      So they're going to be even bigger than the right column?
    • 01:42:43
      A little bit bigger, yeah.
    • SPEAKER_13
    • 01:42:45
      The beams above the landing, how high are those from where the floor level would be at the landing?
    • 01:43:09
      Are you talking about this landing that's showing on this picture on the left?
    • 01:43:14
      I think it's about 14 feet, 12 feet, something like that.
    • SPEAKER_23
    • 01:43:20
      Off the ground.
    • SPEAKER_13
    • 01:43:22
      Yeah, it's right around.
    • SPEAKER_23
    • 01:43:23
      What about off of the landing height?
    • 01:43:25
      I'm just wondering about the relationship.
    • SPEAKER_13
    • 01:43:26
      That's the landing height, sorry.
    • 01:43:28
      I'm sorry, that's the landing.
    • 01:43:29
      You're talking about that beam.
    • SPEAKER_23
    • 01:43:31
      The beam that's sort of floating above.
    • SPEAKER_13
    • 01:43:32
      Yeah, that one is... It's gonna be...
    • 01:43:39
      It's about 18, 20 feet, something like that.
    • 01:43:42
      It's like a 10 foot, it's like an almost 10 foot floor, first floor in there, and then you've got about 6, 8 feet on that, but coming down below that.
    • SPEAKER_23
    • 01:43:53
      And is the intention to wrap that also?
    • SPEAKER_13
    • 01:43:55
      It is.
    • 01:43:56
      The intention is to wrap that and put rail up there so that it still, it feels like the stair is coming through the porch, you know, ish.
    • 01:44:05
      That was the, yeah.
    • SPEAKER_08
    • 01:44:07
      Is that even stair?
    • SPEAKER_13
    • 01:44:08
      Mm-hmm, exactly, yep, exactly, yep.
    • SPEAKER_21
    • 01:44:17
      But that image isn't reflecting the actual size of the columns, right?
    • 01:44:22
      They're more narrow there.
    • SPEAKER_13
    • 01:44:24
      They may be a little bit more narrow.
    • Carl Schwarz
    • 01:44:26
      I mean, this condition isn't without precedent.
    • 01:44:35
      There are porches with exterior stairs on them.
    • 01:44:41
      Yeah, there are.
    • James Zehmer
    • 01:44:45
      The stairs not what bothers me really, it's I think just that this has gotten so far along without, you know,
    • 01:44:54
      The title is consultation with BAR.
    • 01:44:56
      It's more like commiseration with BAR.
    • SPEAKER_26
    • 01:45:00
      A lot of demolition has occurred.
    • 01:45:02
      Let me just say it.
    • 01:45:03
      It's kind of shocking, actually.
    • 01:45:06
      It's sort of like our hands are tied.
    • James Zehmer
    • 01:45:09
      I respect the fact that it sounds like you inherited these projects.
    • 01:45:15
      It's not necessarily you that maybe were met at.
    • 01:45:17
      I get it.
    • 01:45:18
      I get it.
    • 01:45:22
      Had it come to us and we had some opportunity to look at it and an architect to review it, they may have configured the stairs differently and possibly found another way to maintain egress.
    • 01:45:35
      Whether or not the porches were, the material is truly historic or not, like stylistically it fits with the house and what's being proposed to go back is going to be clunky and not well aligned.
    • 01:45:51
      that's the regrettable thing, but I don't know, it's just a consultation, so Jeff, I don't know what you want to say.
    • Jeff Werner
    • 01:45:56
      Well, the consultation could be this solution is unacceptable.
    • 01:46:01
      I mean, the stairs are a given.
    • 01:46:06
      The resolution of the
    • 01:46:09
      and the sort of faux porch is not.
    • 01:46:12
      So I think that that was the point of asking if there is a, you know, again, the stairs are given.
    • 01:46:20
      We know that's going to happen.
    • 01:46:21
      We know there will be posts there.
    • 01:46:24
      if that porch up top is just not a good idea, then at least that one's in alignment with the previous porch.
    • 01:46:35
      Point being, it would say, well, it's too fake to leave that up there.
    • 01:46:42
      And so if the resolution wasn't reasonable, then the response from you all would be,
    • 01:46:52
      We want to see a design with the stairs and posts that are not that fake railing or porch up top.
    • 01:47:00
      And that's what my point was here.
    • 01:47:03
      You could have looked at that and said, well, this is a reasonable solution where you could say, now we'd like really to see something else and that means bring something back to you.
    • James Zehmer
    • 01:47:13
      I mean, the porch up top actually doesn't bother me because it replicates essentially what's there.
    • 01:47:17
      It's almost, the landing is what's floating in the middle of nowhere.
    • Jeff Werner
    • 01:47:21
      Yeah, and when you, because it was framed out when I went there, it's just too much going on.
    • James Zehmer
    • 01:47:26
      If you just imagine directly under the landing, another railing running across there, it's just, it's... Wasn't the earlier COA to remove that little connector between the addition and the historic building?
    • Jeff Werner
    • 01:47:40
      Now, again, things there were a sequence of this one came quite a few times.
    • 01:47:45
      Well, the one that y'all referenced here is this December.
    • 01:47:49
      We can, if you want.
    • 01:47:50
      2022.
    • Jeff Werner
    • 01:47:51
      I mean, really, it's a simple.
    • SPEAKER_26
    • 01:47:53
      I thought it was to remove it.
    • Jeff Werner
    • 01:47:54
      We can tell them to come back.
    • SPEAKER_26
    • 01:47:56
      In our materials, the link's not working for me currently.
    • 01:47:58
      I don't know if anybody else can access it.
    • Jeff Werner
    • 01:48:02
      I'm just saying the stairs have to go there but the connection between the two was maintained
    • 01:48:18
      There was a lot, remember there was the first was the applicant that came in was going to rebuild the front porch.
    • 01:48:25
      And then the comments I think about the 1980 house were, can you just knock it over and start over?
    • 01:48:31
      And then there was a couple iterations of that.
    • 01:48:33
      And then it came in again with all durations.
    • 01:48:37
      to the back house and keeping that connection.
    • 01:48:40
      And then there were some other alterations.
    • 01:48:42
      So it's been used several times.
    • 01:48:44
      Forgive me for not laying out the whole arc of the story here.
    • 01:48:48
      I really wanted to
    • 01:48:51
      We have the situation, and if there's another design that you all would, you know, another configuration, then the opportunities now to say, Jeff, this is not acceptable, applicant, go design something and bring it back to us.
    • 01:49:04
      I mean, I'm not trying to slough it off, but I mean,
    • SPEAKER_21
    • 01:49:09
      Well, given the fact that we are where we are, I'd at least like to see some drawings of what the final result is, especially from a detailed standpoint.
    • 01:49:20
      I mean, there's the sort of general design as one thing, but then I think there's the how you plan to detail it and to make sure that those are accurate so that we know what we're improving.
    • Carl Schwarz
    • 01:49:35
      On top of the connector piece that's sticking out of this drawing, is there a porch going on top of that roof?
    • 01:49:42
      It's a little bit of it.
    • 01:49:42
      It's a small deck.
    • 01:49:44
      This will make sure I'm understanding that.
    • Jeff Werner
    • 01:49:46
      And then there's another stair.
    • SPEAKER_13
    • 01:49:49
      The elevations are in there.
    • Jeff Werner
    • 01:49:51
      Yeah, the elevation is here.
    • 01:49:53
      So then where that connector is, then there's another stair coming down.
    • SPEAKER_08
    • 01:49:59
      One other question I had, and I think you said it was going to be composite material, right?
    • 01:50:04
      And the intention is to paint that, right?
    • SPEAKER_13
    • 01:50:07
      Yes.
    • 01:50:07
      That's white.
    • 01:50:08
      Yes.
    • 01:50:09
      Yes, all the, yeah, all the, yeah, the porch, the porch would be like a, it's a, it's a brownish color.
    • Carl Schwarz
    • 01:50:22
      I'd be first seeing that as David had said, proceeding with this and showing us sitting drawings to Jeff for a review on how you plan to trim it all out and how it's going to look when it's finished.
    • 01:50:37
      One area that to me that seems awkward is the
    • 01:50:42
      the side of the stair, which is kind of funny.
    • 01:50:45
      It's a very minimal point, but I am curious how that's going to end up looking when you're done with it.
    • 01:50:51
      There's a bunch of extra little members in there to support the landing.
    • 01:50:56
      But yeah, I think we're at a point that this is what we've got.
    • 01:51:03
      So let's see how you want to
    • SPEAKER_13
    • 01:51:06
      How do you want to finish it?
    • 01:51:08
      I mean, I will say this, I know that they, before me, went back and forth with the building official a long time on this, so I don't know if he'll be happy with it.
    • 01:51:22
      We can definitely do much more detailed drawings, show the trim sections, show exactly how it's going to be trimmed out, so you guys can look at that.
    • Jeff Werner
    • 01:51:32
      The code official wants to see that it structurally works.
    • 01:51:35
      That's why that beam on the outside here has to have the post holding up the link.
    • 01:51:43
      whether or not there's a railing there or the top is irrelevant to them.
    • 01:51:49
      So I, like I said, good lengthy conversation with Chuck about it.
    • 01:51:52
      And I said that what the real confusion was is that emails kept, you know, people kept calling and asked me and send me a note about, are you okay with Blankety Blank, you know, East High Street?
    • 01:52:03
      And I said, yes, that's been resolved.
    • 01:52:05
      It's no problem.
    • 01:52:08
      It was 116 West Jefferson.
    • 01:52:10
      So those things happen.
    • 01:52:12
      I mean, there's no excuse, but that's what happened.
    • Carl Schwarz
    • 01:52:15
      I want to throw out a suggestion and you as the architect do what you think you need to do.
    • 01:52:21
      But what if just that lower portion that's surrounding the stair was louvers like shutters or something?
    • SPEAKER_07
    • 01:52:29
      Just to hide all the good stuff that's going on.
    • SPEAKER_13
    • 01:52:40
      So on the side facing 2nd Street, there's the existing porch being there.
    • 01:52:48
      And if we take it out, I don't have to demo all the concrete underneath to get head height, which I mean, either is fine.
    • 01:52:55
      But there is a head.
    • 01:52:59
      there's some other implications and then I have to come back and ask to demolish the little bollards at the at the street if I mess with that they're gonna make me it's it's a really it's uh yeah it's interesting but yeah but I you know that there's like that was that original one which was going to be I don't know how we would even build that all that railing so in the middle yeah so left was what we had looked at before rehabbing the ports were there in the middle was
    • Jeff Werner
    • 01:53:28
      When I went out there a week or two ago, what we were looking at potentially, and I said, that's just too much.
    • 01:53:36
      And I rough sketched this from the drawing.
    • 01:53:39
      And that's why then in the far right was where my recommendation to bring to you all for consolation.
    • 01:53:50
      So yeah, that is just a mess in the middle.
    • 01:53:52
      Now they could certainly do that.
    • 01:53:54
      They could have a faux rail
    • 01:53:58
      on the bottom porch, just like the one above.
    • SPEAKER_17
    • 01:54:04
      I don't think that we're really questioning the strategy here.
    • 01:54:08
      And if we did, it's too late.
    • 01:54:11
      But I agree with what other folks have said about it.
    • 01:54:14
      It's really about the details, because I think this could be handled in a way that would be
    • 01:54:20
      and I
    • 01:54:36
      I'd like to sort of see what's the plan.
    • SPEAKER_13
    • 01:54:40
      So it's not up to the carpenter and the field.
    • 01:54:43
      Absolutely.
    • 01:54:44
      I think that's a very, very fair request.
    • 01:54:46
      Exactly.
    • Jeff Werner
    • 01:54:48
      That's what I told him.
    • 01:54:50
      The carpenters are going to have to solve this and they're going to be unhappy unless there's a clean way to do it.
    • James Zehmer
    • 01:55:00
      Alright, so I think we'd like to ask you to bring it back before us with details of how they'll finish off the double porch.
    • SPEAKER_09
    • 01:55:07
      Okay.
    • James Zehmer
    • 01:55:12
      Any other further comments or questions?
    • 01:55:16
      Do we have something to look at?
    • Jeff Werner
    • 01:55:18
      Yeah, I'm gonna, you know, talk to Chuck and the code official and, you know, again, he's
    • 01:55:29
      is focused on the structure and so but what I'm hearing is maybe nothing further is done back here until we have a conversation in December.
    • Carl Schwarz
    • 01:55:45
      I think it's probably smaller.
    • 01:55:45
      No, no, no, that's absolutely fine with that.
    • Jeff Werner
    • 01:55:55
      This is a perfect example.
    • 01:55:58
      I tell people why I got a construction a long time ago.
    • 01:56:01
      Exactly this sort of situation, but it is just, it's tragic, but it was almost comic when I finally said to somebody, why are you keep asking me about this building on High Street and the realization it was this one?
    • 01:56:21
      Yeah, I should have gone to California for two weeks with my family.
    • 01:56:24
      I don't know what I was thinking.
    • 01:56:26
      That won't happen again.
    • 01:56:28
      Sorry.
    • 01:56:29
      Sorry to make light of it, but I don't know any other way to do it.
    • SPEAKER_23
    • 01:56:33
      Sorry to interrupt.
    • 01:56:35
      One other suggestion.
    • 01:56:37
      So take it as you as you will.
    • 01:56:39
      But maybe one way to approach it would be to think of a variety of materials, like maybe one other material.
    • 01:56:47
      Because in elevations, it looks like there's just
    • 01:56:50
      a proliferation of railings and balusters.
    • 01:56:52
      And if there was some hierarchy within that to sort of express the historic decks and elevations a little bit better through material choices, maybe that could help.
    • SPEAKER_01
    • 01:57:06
      Okay.
    • James Zehmer
    • 01:57:10
      Okay.
    • 01:57:11
      All righty.
    • 01:57:13
      Thank you.
    • 01:57:13
      Thank you.
    • SPEAKER_26
    • 01:57:14
      Thank you.
    • James Zehmer
    • 01:57:17
      I don't need this.
    • 01:57:19
      Okay, our next agenda item is a preliminary discussion for 218 West Market Street.
    • Jeff Werner
    • 01:57:30
      Now, we're gonna kind of getting into the meat of the evening.
    • 01:57:32
      I didn't know if anybody needed to get a step right.
    • SPEAKER_26
    • 01:57:36
      Could we have like a three minute?
    • James Zehmer
    • 01:57:38
      Sure.
    • 01:57:38
      Let's adjourn for for five minutes.
    • 01:57:40
      We'll return at seven o'clock.
    • SPEAKER_26
    • 01:57:42
      Thank you.
    • James Zehmer
    • 02:03:11
      7.01 will reconvene and again our next discussion will be a preliminary discussion on 218 West Market Street
    • SPEAKER_26
    • 02:03:47
      Rex Till with us.
    • James Zehmer
    • 02:03:49
      Yes, I believe so.
    • SPEAKER_28
    • 02:03:51
      Yep, I'm here.
    • SPEAKER_26
    • 02:03:54
      Just that I chickened.
    • SPEAKER_05
    • 02:03:55
      So, um,
    • Jeff Werner
    • 02:04:16
      This is another one of those where I wasn't exactly sure how to refer to it.
    • 02:04:26
      This one's bounced around.
    • 02:04:27
      This is 218 West Market Street.
    • 02:04:29
      You've looked at several things here over the last couple of years.
    • 02:04:36
      There was an SUP request for residence.
    • SPEAKER_24
    • 02:04:39
      Mr. Warner, I believe you're muted.
    • Jeff Werner
    • 02:04:41
      That's all right.
    • 02:04:43
      No one's ever said that to me.
    • 02:04:45
      The two and eight West Market, you all looked at a SUP request for a residential project.
    • 02:04:53
      I think it was going to be seven stories.
    • 02:04:55
      There was a currently a demolition COA for the building that's there.
    • 02:04:59
      It's the site of the old AMP.
    • 02:05:03
      Now the Artful Lodger is in there, that single story brick building.
    • 02:05:09
      That demolition COA is still valid.
    • 02:05:12
      The SUP that had been previously discussed is no longer part of this.
    • 02:05:20
      And the new project, it came to you initially in April of this year as a pre-application discussion.
    • 02:05:32
      at that time, they didn't have elevations.
    • 02:05:34
      There were some, actually had floor plans and a site view, so it wasn't really comprehensive to get an idea of what they were looking at.
    • 02:05:46
      They have since changed the architect again, so when I got the application requesting a COA review,
    • 02:05:58
      I went through and I said it's a, I think this is the north side, so that's the, looking at the Market Street side, so it's five stories on Market Street, no old Preston Avenue, sorry, old Preston Avenue would be six stories.
    • 02:06:15
      Brick and Ephis Hotel.
    • 02:06:21
      When I got the drawings for this application with the renderings and the elevations, some things didn't line up.
    • 02:06:32
      So there were some where the elevations and the renderings are off and just for example, this is where in the staff report I noted just a few examples of things that I felt needed to be explained where
    • 02:06:51
      The window types, just the design itself.
    • 02:06:54
      Here you've got, you know, there's something down at the bottom, but it's not on mouse.
    • 02:07:04
      The red square, you see the difference between the rendering and elevation.
    • 02:07:09
      The yellow arrow, the green square.
    • 02:07:12
      So things just weren't, there were some inconsistencies.
    • 02:07:15
      and additionally, while I was away, a development review meeting with the applicant, the planners identified that they didn't expand on it, but there are some zoning issues to resolve and with that, I decided
    • 02:07:36
      Instead of saying, well, no, resolve these things and bring it back and we'll look at it, I felt that there's still an opportunity to get some input from you all.
    • 02:07:47
      I think that if the entrance is changed slightly or the elevation of the first floor changes, whatever might be required by the zoning, that the materiality and the design
    • 02:08:01
      were likely to not be significantly altered.
    • 02:08:04
      So I see it as an opportunity for you all to ask some questions, to meet the new architect and design team, and I think express any issues or things that you have.
    • 02:08:18
      Personally, I guess from staff's perspective, Breck, when we looked at this, Mr. Gastinger, and we looked at this in April, advised that the
    • 02:08:31
      talked about the verticality and the relationship to the buildings around it, and I think in that regard
    • 02:08:38
      It's a strong word, but this is an unexceptional design for downtown.
    • 02:08:45
      And, you know, does it fit?
    • 02:08:48
      Does I walk them all?
    • 02:08:51
      There's a couple buildings that have, well, we just saw one building that has ethos on it.
    • 02:08:55
      There's a couple buildings that have stucco.
    • 02:08:58
      It's not a prevalent material downtown.
    • 02:09:01
      And it's, I don't know, it's an opportunity for
    • 02:09:07
      for design that fits downtown.
    • 02:09:11
      There were some additional things that, and I pointed out in the staff report, during the SUP discussions, you all raised five or six points.
    • 02:09:20
      And Ms.
    • 02:09:22
      Lewis raised these again in April and said they're still germane to anything that goes there.
    • 02:09:26
      So while the SUP is
    • 02:09:28
      and all of
    • 02:09:50
      There are some issues that staff is suggesting you all might want to discuss, but it is entirely up to you to what extent you take it.
    • 02:10:01
      I think I would leave it to you if you feel like this isn't ripe for discussion.
    • 02:10:09
      We communicate that to the applicant as well.
    • 02:10:13
      Anything I can answer, any questions you have, but I otherwise treating this as a preliminary discussion part two.
    • 02:10:23
      No action will be taken on this.
    • 02:10:26
      is the applicant here.
    • 02:10:28
      I believe they're online.
    • 02:10:30
      No, I'm not.
    • 02:10:30
      They're here.
    • 02:10:31
      Oh, OK.
    • 02:10:32
      So yeah, if y'all would like to step up and.
    • 02:10:34
      OK.
    • James Zehmer
    • 02:10:36
      Didn't know your role.
    • 02:10:37
      Typically these work where, you know, if you guys have specific questions for us that we can try to answer, we will.
    • SPEAKER_03
    • 02:10:45
      I can't make a presentation, because obviously.
    • 02:10:46
      You can.
    • James Zehmer
    • 02:10:47
      Yeah.
    • 02:10:48
      Then I think no more than 10 minutes, please.
    • SPEAKER_03
    • 02:10:53
      Well, I'll be quick.
    • 02:10:54
      My name is Jeff Levine.
    • 02:10:56
      Principal Owner of this site along with I've brought in a joint venture partner recently in the hotel development and operator business and that's Al Patel's here.
    • 02:11:06
      Also my architect is here and engineer.
    • 02:11:09
      So yes, we've been in front of you several iterations of this and the architect can get into some of the specifics and love to get your concepts.
    • 02:11:19
      We did adhere to some fundamentals that we had heard over the years about the site.
    • 02:11:24
      So, for example, we did design the facade to break up the mast so it would not read like one large wall.
    • 02:11:33
      And that was important.
    • 02:11:36
      We also
    • 02:11:39
      We made the hike not only to stay within lower rise construction costs, but to be more contextual and kind of be the smaller, more modest building of our neighbor's code and omni.
    • 02:11:53
      But speaking of coded omni, we did choose more muted, sophisticated pallet of colors.
    • 02:11:59
      So we play off those those buildings.
    • 02:12:02
      And so we we focused on that.
    • 02:12:05
      We also
    • 02:12:06
      purposefully designed the ground floor on Preston to extend the mall, which was previously discussed.
    • 02:12:14
      But we find that that mall, at that end of the mall, kind of drops to a dead end, dark.
    • 02:12:21
      And we wanted to bring that activity and activate it through past Whiskey Jar.
    • 02:12:27
      As was mentioned, and BARN planning, we did include a public pedestrian path
    • 02:12:34
      through the building so you can get to West Market and pressed in and back.
    • 02:12:40
      And we also used the sloping grade to efficiently park the site.
    • 02:12:46
      But to the extent there are any cars above grade, we did not compromise the skin.
    • 02:12:50
      You know, you're not looking at cars, so we were careful of that.
    • 02:12:55
      And then with respect to all of that,
    • 02:12:57
      got Marriott's buy-in for it, which is important because they're our partner as well.
    • 02:13:03
      And I guess we have to have a separate conversation about what goes first, zoning or something, but our goal is to get feedback and then come back to you for the next hearing and hopefully get a vote.
    • 02:13:16
      We might have to discuss, Jeff, I don't like if things about like active depth
    • 02:13:22
      Are you going to opine on active depth or is that something that when we go to the building department or the zoning administrator we talk about that?
    • Jeff Werner
    • 02:13:32
      This is a discussion we are having right now.
    • SPEAKER_03
    • 02:13:35
      Why don't we go through this presentation and the building will get your feedback and then process.
    • SPEAKER_27
    • 02:13:53
      Nitin Kulkarni, I'm the architect based here in Richmond, Virginia
    • 02:13:58
      Not too far away.
    • 02:14:00
      So as I said in the design narrative, the overall design theme is to blend into the context, not create a monument.
    • 02:14:08
      So it's a low rise building, not really high rise because if we do a podium and then try to build a tower, then it's going to be much higher.
    • 02:14:17
      And we stayed within five stories.
    • 02:14:20
      It's a very unique site.
    • 02:14:22
      I got a 10 level difference between
    • 02:14:25
      The front west market toward Preston, I got an eight-feet drop on West Market itself.
    • 02:14:35
      It's like every point is different.
    • 02:14:38
      So we had to make it all work.
    • 02:14:41
      And so if you look at the plans and we'll go through that, but we try to push as much parking as below so that
    • 02:14:51
      It doesn't really become because parking is going to give us the dead walls and we didn't want that to be visible as much.
    • 02:15:00
      The continuity of the activity was another important factor, which I can explain that during the slides.
    • 02:15:08
      If we can start scrolling, I think that probably would be a good idea.
    • 02:15:11
      So it shows where the site is located.
    • 02:15:13
      You all are very familiar with that.
    • 02:15:17
      That's the site plan.
    • 02:15:20
      If we can move on to the next one, please.
    • 02:15:22
      Yeah, this is where, that's West Market Street exterior, where we have the entry to, you know, the first starting from the left, we have the ramp going into the parking.
    • 02:15:38
      Then we have the entry to the lobby of the hotel and then all of that is a storefront all the way.
    • 02:15:46
      And then it comes all the way to the other end where we have the AC sign below that is a meeting room.
    • 02:15:57
      But you can see that the site drops around 8 feet at that point.
    • 02:16:02
      So when we go down, then that's the parking.
    • 02:16:04
      It's like a base of the building.
    • 02:16:07
      If you can move on to the next one, please.
    • 02:16:10
      That's the same looking from the other side.
    • 02:16:16
      Keep going to the next place.
    • 02:16:18
      This is on the old Preston side.
    • 02:16:22
      The building on the historic building on the corner, we are kind of turning it in when you see the next slide.
    • 02:16:30
      You will see that.
    • 02:16:31
      We try to keep that as a, you know, continue that stone inside the building.
    • 02:16:36
      and
    • 02:16:50
      connecting from the West Market.
    • 02:16:54
      That's the West Market level.
    • 02:16:56
      The second floor is the West Market level.
    • 02:16:59
      So we introduced a big terrace out there which overlooks into the mall side and continued the big paving from the mall all the way up to the building so that all the activity gets continued.
    • 02:17:16
      And I have some renderings demonstrating that.
    • 02:17:19
      The next slide, please.
    • 02:17:22
      Just a few views showing how the building fits onto the site, explaining, you know, exact context of that.
    • 02:17:32
      Next please.
    • 02:17:38
      Next please.
    • 02:17:41
      Next.
    • 02:17:43
      This is on old Preston going towards the mall.
    • 02:17:47
      All the storefront, everything is active on that side.
    • 02:17:53
      The upper floor is lobby, but it's a bar facing old Preston.
    • 02:18:00
      We have a staircase there.
    • 02:18:01
      Next slide.
    • 02:18:06
      This is what you are going to see from the mall looking towards the building.
    • 02:18:13
      So, if you see that top, the second floor is the big terrace where, you know, people can, you know, you can visually connect with the mall and the ground floor is the retail.
    • 02:18:25
      So, it's continuation of those activities towards the building.
    • 02:18:31
      Next please.
    • 02:18:34
      All that parking goes below ground.
    • 02:18:36
      You will not be seeing any of that.
    • 02:18:39
      There are two levels of parking.
    • 02:18:43
      This also goes below ground.
    • 02:18:45
      Next please.
    • 02:18:46
      See that stair on the left top is the stair which comes from Port Preston.
    • 02:18:51
      You climb on that and you walk through the lobby all the way to the front.
    • 02:18:56
      And this is a 24 hours hotel.
    • 02:18:59
      So if anybody wants to walk through that and come because there's a level difference, people can come in and they can walk to the different side.
    • 02:19:09
      That's the connection.
    • SPEAKER_10
    • 02:19:12
      on the top left side those are the stairs, that's correct all of that is all open, it's complete lobby, yes exactly next please
    • SPEAKER_27
    • 02:19:42
      These are the upper floors.
    • 02:19:43
      We have a courtyard and you know, some of the two tall, you know, it's a C-shaped building going up all the way.
    • 02:19:54
      This is, I mean, this pretty much, you know, I mean, the floor plans continues up.
    • SPEAKER_16
    • 02:20:00
      That's what it is.
    • SPEAKER_27
    • 02:20:09
      The elevators.
    • SPEAKER_16
    • 02:20:11
      We can look at those first renderings, the aerial views where you can see that courtyard.
    • SPEAKER_02
    • 02:20:26
      We provide materials right in the package?
    • SPEAKER_27
    • 02:20:31
      The photographs of the material is there in the slide towards the end.
    • 02:20:37
      And we can bring those materials when we come in.
    • 02:20:40
      I do agree there are some inconsistencies in the elevations because, you know, this is, oh no, the previous one.
    • 02:20:48
      Yeah, so, no, the materials.
    • SPEAKER_05
    • 02:20:53
      Material, okay.
    • SPEAKER_27
    • 02:20:58
      So obviously we are still developing everything and we just wanted to put in front of you so that you all can look at it and you know, we can massage this, make sure everything is consistent.
    • 02:21:12
      So clear glass, dark brick, paver brick and that wood panel which is basically Nicheha panel for the signage.
    • 02:21:21
      It's just an accent panel, that's all.
    • James Zehmer
    • 02:21:26
      The Red Brick, just the sidewalk paving?
    • SPEAKER_27
    • 02:21:28
      Just the sidewalk paving, yes.
    • SPEAKER_04
    • 02:21:36
      And what is the brick on the omni now?
    • SPEAKER_27
    • 02:21:40
      That's the second brick.
    • 02:21:44
      So we try to relate that to the adjacent building.
    • 02:21:51
      I'm sorry, this is the core building break, not the only break.
    • Carl Schwarz
    • 02:22:04
      The code building brick has a lot of variation and has some reflectivity to it.
    • 02:22:10
      But yes, it's similar in color.
    • SPEAKER_27
    • 02:22:12
      I think the important slide can be the first train brings where you all can really comment on, go all the way to the, those are more vocal about what we are planning to make the building look like.
    • 02:22:32
      Keep going up.
    • 02:22:39
      Yeah, this and the previous one and the first one.
    • 02:22:48
      Right.
    • 02:22:50
      So it's the same break.
    • 02:22:51
      It's just because of the lighting when we create, generate those renderings.
    • 02:22:59
      These colors are little change, but those are the materials.
    • Carl Schwarz
    • 02:23:15
      and obviously the light, gray, white materials is Ephes.
    • SPEAKER_27
    • 02:23:20
      The remainder of the building is Ephes and we will also have a sample of that.
    • 02:23:27
      It's a sand-faced Ephes.
    • SPEAKER_04
    • 02:23:43
      What is the
    • 02:23:44
      What is the height of each of these stories?
    • SPEAKER_27
    • 02:23:48
      So the first floor is 14 feet and the story is about 10 feet, 6 inches, 11 feet
    • 02:24:05
      So you're going to see only five stories from West Market.
    • 02:24:09
      And then when you go to the back, because the site drops, you're going to see one more story, which we created the whole storefront on that side.
    • James Zehmer
    • 02:24:23
      Yes.
    • 02:24:24
      Thank you.
    • 02:24:26
      Thank you for the presentation.
    • 02:24:27
      I think we'll kind of have some questions and also want to make sure if you have any specific questions for us that you can relay those.
    • 02:24:36
      But Breck, I think you've got your hand raised.
    • 02:24:38
      So would you like to speak?
    • SPEAKER_28
    • 02:24:42
      Yeah, I just have a clarifying question.
    • 02:24:44
      Could you scroll to one of the ratings from the ball side?
    • 02:24:49
      Sure.
    • 02:24:49
      I just want to make sure
    • SPEAKER_27
    • 02:24:52
      I think the next one will be more effective if you're looking towards the mall that's the rendering and this is where you will see the building from the mall that's fine so my question I just want to confirm it sounds like the
    • SPEAKER_28
    • 02:25:13
      to make sure I understand the reflection of the plans that were submitted.
    • 02:25:18
      So the first floor here would be retail, that's retail there behind that glass that's on the ground floor.
    • SPEAKER_27
    • 02:25:25
      That is correct.
    • SPEAKER_28
    • 02:25:27
      and then the lobby level is the floor above which is the same level of the ground to on the other side on the other side yes that's correct okay so so there's essentially no no place where the parking kind of pokes out at above ground level okay thank you thank you that's my question for now thank you
    • James Zehmer
    • 02:25:57
      Can you flip back to the view, looking up towards the mall, please?
    • SPEAKER_27
    • 02:26:09
      And that's where the stair will be, right after that entry to the ramp, the stair which will go up, connect to the lobby.
    • James Zehmer
    • 02:26:22
      How's the height here compared to the Omni?
    • 02:26:24
      Is it the same?
    • 02:26:25
      Is it lower, higher?
    • 02:26:27
      You're talking about the first floor?
    • SPEAKER_27
    • 02:26:28
      No, the top of the building.
    • 02:26:30
      Same, same.
    • 02:26:33
      Top is all one level.
    • SPEAKER_02
    • 02:26:34
      No, no.
    • 02:26:36
      The Omni is taller.
    • SPEAKER_27
    • 02:26:37
      No, no.
    • 02:26:38
      You're talking about compared to Omni?
    • 02:26:39
      Well, right there.
    • SPEAKER_02
    • 02:26:40
      Oh, no.
    • SPEAKER_27
    • 02:26:40
      This is very short building as compared to Omni.
    • 02:26:43
      Another Omni further back.
    • 02:26:44
      Omni is 1, 2, 3, 4, 5, 6, 7, 8.
    • 02:26:46
      Probably eight-story building, if I'm right.
    • 02:26:50
      This is a five story and five and a half on the back side.
    • 02:26:53
      Six story on this side.
    • 02:26:55
      So definitely much less taller than.
    • SPEAKER_04
    • 02:26:59
      And where do you bring in your goods for the hotel and take out your trash?
    • SPEAKER_27
    • 02:27:09
      So if you look at that back side, there is actually a rolling chatter.
    • 02:27:14
      We have a trash compartment in the
    • 02:27:19
      Lower level and there will be a platform which will come up and we can pull out the trolleys, the trash cans.
    • 02:27:27
      We're trying to keep that hidden down there so it's not really facing all the time to the front.
    • SPEAKER_17
    • 02:27:37
      Can you describe how the atrium for the courtyard is accessed?
    • 02:27:45
      Is it just internal for
    • 02:27:49
      Hotel guests, or is there a way out to the street?
    • SPEAKER_27
    • 02:27:54
      So there is, actually if you go back to the first rendering, there is a kind of a, yeah, that's one.
    • 02:28:01
      So see that front portion, that is where we are showing some seating.
    • 02:28:06
      That is for public as well as that backside where it is overlooking onto the mall.
    • 02:28:14
      That is as well as it is for the public because people can just walk in the stair and then they can use that space.
    • 02:28:21
      The atrium on the second floor is not really open for public.
    • 02:28:27
      They have to climb one more level and then they have to get to it.
    • SPEAKER_04
    • 02:28:40
      Are you planning a restaurant?
    • 02:28:43
      or some sort of food service in there?
    • 02:28:45
      Absolutely.
    • SPEAKER_27
    • 02:28:46
      It's an AC brand.
    • 02:28:48
      It's a full service restaurant.
    • 02:28:51
      That's on the lobby level.
    • 02:28:53
      Restaurant bar, the whole line acts.
    • SPEAKER_02
    • 02:28:59
      There's a meeting room.
    • 02:28:59
      We'll have a retail space as you continue past Whiskey Jar.
    • 02:29:03
      That will be retail, so the pedestrian experience will extend down
    • 02:29:10
      whereas the hotel farmers do that upper level.
    • 02:29:13
      So you'll have less and retail activity essentially on both those floors.
    • SPEAKER_16
    • 02:29:20
      Is that an entrance to the parking garage on the far left?
    • SPEAKER_27
    • 02:29:24
      Yes.
    • James Zehmer
    • 02:29:39
      I think this market street side is a little more visually interesting.
    • 02:29:45
      I mean, I do appreciate sort of the open end of that terrace where I guess the bar restaurant will be, but just I think the amount of Ephesus on that old Preston side, you know, it's kind of the reverse of this.
    • 02:29:59
      and it's very monochromatic.
    • SPEAKER_27
    • 02:30:01
      So one thing is going to happen on this side and this was one of the comments which we have heard is that front side where you see the white on the ground level, we probably will introduce the storefront in that area.
    • 02:30:22
      That will reduce the impact of that whiteness.
    • 02:30:25
      Well, let's think more on the
    • James Zehmer
    • 02:30:27
      Go back to the precedent, the old precedent side.
    • SPEAKER_27
    • 02:30:30
      The precedent is very, very, yeah.
    • James Zehmer
    • 02:30:34
      I guess I'm just, I'm looking at some of the other precedent images you sent from other AC hotels and there's just a staff, okay, sorry, staff had provided us with some other AC hotel images across the country, you know, and there's a lot of them that have a lot of really good kind of
    • 02:30:51
      Breaking up some of the plane of the mass of the building.
    • 02:30:56
      So I just think I'd encourage you to look at that a little bit.
    • 02:31:00
      It doesn't have to be, you know, 10 feet deep or anything like that.
    • 02:31:06
      But some of these have some architectural details that just kind of liven up the building and liven up the facade and I think that would be nice.
    • SPEAKER_03
    • 02:31:22
      The people looking at that thing are either in the Omni or they don't even exist because the Omni's butt is kind of over there.
    • 02:31:28
      So we use the opportunity there to do a lot of blasts and activity along the mall and as you get higher up it kind of just fades to the skylight which is why we went with a lighter color and
    • 02:31:41
      Yeah, you're right, you can't get that far
    • SPEAKER_17
    • 02:32:05
      Good, because you won't see that sort of blank wall, which is kind of the result of hotel design.
    • 02:32:11
      I understand that.
    • 02:32:12
      But unfortunately, on the mall side, you do see sort of a blank wall.
    • 02:32:18
      It's counterpoint.
    • 02:32:19
      If you go to that rendering, this is from the mall side, but if you go back to the looking down, looking from the mall back.
    • 02:32:28
      Yeah, you go.
    • 02:32:28
      Yeah.
    • 02:32:30
      So we're seeing a lot of
    • SPEAKER_21
    • 02:32:34
      And I think you will see that other wall coming up in the market and just about everywhere south of the map.
    • Carl Schwarz
    • 02:32:43
      This will be the primary view from Venator Hill.
    • 02:32:45
      It will be just a big blank.
    • Jeff Werner
    • 02:32:48
      But this is a challenge to the New Orleans and that
    • 02:32:53
      and
    • 02:33:13
      I don't know the answer to that, but I know like 612 West Main, 600, you know, didn't have anything at the end because of anticipating.
    • SPEAKER_02
    • 02:33:23
      I have a painting of this dog's kind of folder I could bring in.
    • 02:33:26
      Nice mural.
    • SPEAKER_17
    • 02:33:30
      Well, it is a concern.
    • 02:33:34
      I assume that that building is adjacent to it.
    • 02:33:37
      It's not going anywhere.
    • SPEAKER_27
    • 02:33:38
      It's a common wall.
    • 02:33:40
      I wish I could have windows.
    • SPEAKER_17
    • 02:33:46
      and why can't you?
    • SPEAKER_27
    • 02:33:48
      Because it's a long line.
    • 02:33:49
      It's a long line.
    • 02:33:53
      I can do color variations.
    • 02:33:55
      That's one of the options.
    • 02:33:57
      Yeah, something should happen, I think.
    • 02:33:59
      To break that white mask, you can do that.
    • 02:34:03
      And you can do the same thing on that front mask.
    • 02:34:06
      Take it with some colors.
    • SPEAKER_17
    • 02:34:08
      I think that would be a worthy pursuit.
    • James Zehmer
    • 02:34:11
      In the break, you've got something to say.
    • SPEAKER_28
    • 02:34:15
      Yeah, it seems like we're headed into some comments, and I think that, and this is a good image for one of the points I would like to make, I think that the ownership and the design team have really looked at the topography very carefully, and I will applaud them on
    • 02:34:39
      that I do appreciate that they've solved the parking in a much better way for the multiple
    • 02:34:48
      approaches to the site.
    • 02:34:50
      It's on the ground floor.
    • 02:34:52
      It's a better solution for Charlottesville.
    • 02:34:55
      But that being said, I do think that there's a lot of evidence here that the building articulation, maybe not the plan, but the articulation just doesn't really fit
    • 02:35:09
      Charlottesville very well and I think this to me just feels like an elbow to the forehead in the way that the building doesn't really reflect them all.
    • 02:35:22
      It's adjacent buildings, the kind of scale and articulation and especially when we're talking about that bright white EFIS, the materiality feels very off and
    • 02:35:38
      Michael Kochis
    • 02:35:59
      and
    • 02:36:16
      Plain, which runs counter to the grain of both the downtown mall and of Market Street.
    • 02:36:33
      And so it just feels like it's like
    • 02:36:36
      The building's turned 90 degrees the wrong direction.
    • 02:36:41
      There could be some other lessons learned from projects on Main Street that have found ways to break up that long horizontal, even the code building did some things to break up there, whether it's with the cornice or with the planes, but everything
    • 02:36:59
      They're doing right now really reinforces that horizontal emphasis and also leads to these really big blank ends that feel like a hotel chain decided to put a building on the downtown mall without much design review.
    • SPEAKER_21
    • 02:37:19
      I agree with everything Brett just said.
    • 02:37:24
      In seeing this, I was very disappointed with the design, just mainly because of how special the site is and how special our, you know, our mall is.
    • 02:37:36
      And so, here on the BAR, we expect to see a design that works in response to the guidelines
    • 02:37:48
      But in this particular case, I would hope that the intention would be to really do a design that reflects the how sort of unique that site is and how it's the extension of the mall.
    • 02:38:06
      It's a real opportunity, which I think in this case is a missed opportunity.
    • 02:38:12
      I think that breaking up, you know, you said that you broke up the mass but this feels monumental to me in ways I think that Brett just mentioned but also in ways, in some ways the different materials kind of feels random to me and in some ways the building, you know, the omni next to it is maybe more successful and it's sort of monolithic
    • 02:38:36
      Away, it recedes from attention where this grabs attention due to the fact that you've got these contrasting colors.
    • 02:38:48
      There was a mention of a sophisticated palette.
    • 02:38:51
      I don't know if I'd call Nietzsche-Hoff a sophisticated.
    • 02:38:53
      I mean, you see it up by the airport, but that's not a material I want to see near the mall.
    • 02:39:02
      I agree with the comment that there's not much in the massing and the design that relates to the sort of rest of the sort of patterning and the fabric of its surroundings and while I appreciate the connection that was made and I wasn't here for the initial one so I was really encouraged by the fact that the parking is underground.
    • 02:39:26
      I think that's a really important
    • 02:39:29
      emphasis to keep in mind and maintain as you continue with this.
    • 02:39:34
      Well, that seems to have been much more successful than the previous round.
    • 02:39:42
      The connection through the site doesn't really feel successful to me.
    • 02:39:50
      That feels very much like
    • 02:39:54
      The terrace up above is inaccessible and feels a little dark.
    • 02:40:01
      While I appreciate the sort of retail on the ground floor, it feels, again, not sort of in keeping with the variety and the sort of fabric of the rest of them all.
    • 02:40:19
      and then just sort of, again, the idea of blending into the context.
    • 02:40:24
      I think that's a really good idea that you want to have a building that's not a monument.
    • 02:40:30
      The code building might be more considered a monument.
    • 02:40:35
      But I think that idea of how something blends into the background can still be done elegantly.
    • 02:40:43
      and I think that starts with an understanding of the site and where we are and what we're dealing with here.
    • 02:40:50
      I think there needs to be some serious thought and a lot of walking around and a better understanding of the surroundings here to make that happen.
    • Carl Schwarz
    • 02:41:04
      I'm going to agree with a lot of that, but I want to focus on the streetscape and the pedestrian experience.
    • 02:41:12
      I understand zoning, I think spoke to you about this, but it is the streetscape experience currently, while not great, is actually, it's still pretty nice.
    • 02:41:22
      There's a significant tree cover.
    • 02:41:24
      The existing buildings have a, you know, a colonnade right there.
    • 02:41:27
      It's
    • 02:41:29
      Your proposed street experience is mostly a vehicular pull off in the driveway and no sign of any street trees.
    • 02:41:39
      I think it's going to be absolutely necessary that you guys adhere to the city's zoning code requirements for the streetscape, which I think will vastly improve this.
    • 02:41:47
      You've already mentioned the
    • 02:41:49
      the portion of the building on Market Street off to the right.
    • 02:41:53
      I think you're gonna put some storefront in there.
    • 02:41:56
      I do think that'll help.
    • 02:41:57
      There's a lot of blank wall going on.
    • 02:42:01
      One of the issues that I think you're gonna want to speak to the city about will be the regulations concerning ground floor, the definition of the ground floor, the height of the ground floor.
    • 02:42:11
      I don't think you're
    • 02:42:13
      necessarily meeting that in all cases.
    • 02:42:14
      In some cases, your ground floor is too high above the grade.
    • 02:42:18
      In other cases, for example, on the backside of the building, the old Preston side, you don't have the 14 foot floor to floor height where the boutique is and the restaurant on top.
    • 02:42:33
      It's split in half.
    • 02:42:33
      So I've got 12 and you've got something much smaller underneath.
    • 02:42:36
      That's also
    • 02:42:42
      And by zoning code it needs to be 14.
    • 02:42:45
      So just warning you guys, they didn't pick that up when they talked to you guys, but I think you need to make sure that that's okay, otherwise you have a special exception coming your way.
    • 02:42:57
      To me, the building feels
    • 02:43:01
      It feels like
    • 02:43:20
      If that's something that your design is to keep it short and horizontal in your intention, then that's one thing.
    • 02:43:25
      But if you're limiting yourself to height because you think that we want you to limit yourself to a certain height, maybe free yourself up for a little bit.
    • 02:43:36
      I was going to guess that might be part of it, but it feels squashed.
    • 02:43:47
      Where else was I going with this?
    • 02:43:48
      Yeah, I'm kind of curious how, well, I imagine some of those windows on the retailer, one of them is going to be a door, right?
    • 02:43:58
      Because they're all looking like windows.
    • 02:44:03
      All right.
    • 02:44:05
      But yeah, it's so adding on to whatever else I said, just also focusing on the pedestrian experience.
    • 02:44:11
      I'm a little worried that you're a lot of the glass that you're showing on Market Street goes into a meeting room.
    • 02:44:16
      Usually those are all curtain off.
    • 02:44:18
      So, you know, I'm thinking about we've got
    • 02:44:20
      A whole bunch of public space lining the Marriott on the corner of Ridge and West Main.
    • 02:44:26
      It's all street facing and it's always dark and curtained off.
    • 02:44:30
      And it just makes for a big blank wall basically at the end of the day.
    • SPEAKER_27
    • 02:44:33
      I think a lot of those windows you're showing are meeting windows.
    • 02:44:51
      So all of that, those windows, those are lobbies, except with the exception that the white portion, that's the middle.
    • 02:45:04
      And some of that, the first window will be pre-function area, which doesn't have to be tightened off, but the one behind that probably will be if they need the
    • Carl Schwarz
    • 02:45:18
      I guess keep that in mind is try to remember the pedestrian experience and keep it active and obviously not a bunch of blank walls.
    • 02:45:26
      I mean you've got some tables and chairs set up right there.
    • 02:45:29
      No one's going to use that.
    • SPEAKER_10
    • 02:45:35
      Well, yeah.
    • 02:45:35
      OK.
    • Carl Schwarz
    • 02:45:35
      I take that back.
    • 02:45:37
      Somebody will use those.
    • 02:45:39
      But I don't think it's going to feel inviting to the pedestrian to walk by and want to take a seat and sit in one tree that's right there.
    • 02:45:49
      And yeah, I mean, also the end walls facing both sides.
    • 02:45:55
      Obviously, you can't put windows there.
    • 02:45:56
      I get that.
    • 02:45:57
      But if there's some way to break up that material other than fake wood,
    • 02:46:03
      No, I'm talking about the upper levels.
    • 02:46:05
      So you'll be seeing those from...
    • 02:46:09
      Windows on the Stair, but in some way it's a break up the materiality somehow, so it's not this big blank wall facing everybody downhill.
    • SPEAKER_27
    • 02:46:18
      The short side one, the right hand side, that's the black line.
    • Carl Schwarz
    • 02:46:23
      Right, so again, just materiality changes, something.
    • 02:46:28
      It's going to look like a big blank wall from, I mean, you're facing downhill, so anybody coming up into town is going to see just this big massive blank wall and it's
    • 02:46:38
      It's really unfortunate that your courtyard, which looks like it could be a great space, it has a really slim little opening to what was probably a really nice view.
    • 02:46:48
      Yeah, I understand.
    • 02:46:49
      It's just, it's, that's not our purview, but it is unfortunate.
    • 02:46:54
      So I'll stop there.
    • 02:46:56
      Let someone else talk.
    • SPEAKER_26
    • 02:46:57
      I have a question.
    • 02:47:02
      Did we pass on comments from the public?
    • James Zehmer
    • 02:47:06
      That's a good question.
    • 02:47:09
      Sorry.
    • 02:47:09
      It's a preliminary discussion, so I don't know.
    • 02:47:12
      There might be people here that...
    • SPEAKER_26
    • 02:47:27
      She emailed us at 4.
    • 02:47:31
      My now.
    • SPEAKER_16
    • 02:47:32
      Is it short?
    • 02:47:33
      No.
    • SPEAKER_26
    • 02:47:33
      No, it's long.
    • 02:47:37
      But she's a joining property owner and I think it's quite relevant.
    • 02:47:40
      Can someone summarize it?
    • SPEAKER_16
    • 02:47:42
      I'll read it.
    • 02:47:42
      She wasn't so worried about that.
    • SPEAKER_02
    • 02:47:54
      So the email is constructability.
    • 02:47:55
      I just want to get the substance to that.
    • James Zehmer
    • 02:48:12
      and then that's Jerry Schwarz.
    • 02:48:20
      That is long.
    • 02:48:21
      I wonder if, since this is a preliminary discussion, it has been sent to the BAR.
    • 02:48:27
      It was at four o'clock today.
    • 02:48:28
      I was basically getting ready to head down here, so I did not see it.
    • 02:48:33
      Do y'all want me to read these other ones?
    • SPEAKER_08
    • 02:48:41
      Yes.
    • James Zehmer
    • 02:48:43
      One from Kay.
    • 02:48:44
      I guess first off, Ms.
    • 02:48:46
      Lewis to answer your question.
    • 02:48:48
      Yes, I think we'll invite public comment.
    • 02:48:50
      Sorry, yeah.
    • 02:48:52
      And I'll just read a couple of these.
    • 02:48:54
      So this is for, sorry, that's regarding 200 West Maines.
    • 02:48:59
      So those two are not, that's what the notes is here.
    • SPEAKER_05
    • 02:49:03
      I'll check my notes.
    • SPEAKER_16
    • 02:49:10
      And this one is...
    • James Zehmer
    • 02:49:24
      Not my words, just reading an email.
    • 02:49:28
      The rendering of the AC Hotel proposed for the downtown mall is ugly and cheap.
    • 02:49:32
      The architecture is horrible.
    • 02:49:34
      It looks like the old Ramada Inn, now Holiday Inn on Emmett Street needs to be changed.
    • 02:49:39
      It looks like the beginning of West Main Street that resembles Broad Street and Richmond.
    • 02:49:45
      That's from Kate Waterson.
    • 02:49:49
      And then Joey Conover.
    • 02:49:54
      This was a little lengthy.
    • SPEAKER_26
    • 02:49:55
      I can think I can summarize it.
    • James Zehmer
    • 02:49:57
      If you can summarize any grade, this was circulated to the VHR, and we can certainly make sure the app was used as well.
    • SPEAKER_26
    • 02:50:02
      Yeah, and I don't know if she's dialed in.
    • 02:50:04
      Somebody can correct me, but I'm going to just try my best.
    • 02:50:07
      I read it a couple of times.
    • 02:50:09
      she is concerned with the with the stone wall and of course that'll have to be preserved but she also notes that it should be exposed as much as possible and incorporated into the design you know I'm not commenting whether we've seen that or not but and then she talks about the six existing holes in that kind of party you know boundary she then says
    • 02:50:38
      I'm not gonna go into the
    • 02:50:43
      She is concerned about protecting the wall during construction and protecting that stone wall for future posterity and making it something that's visible to the public.
    • 02:50:54
      She does go on and ask that she notes design guidelines spacing and that a well-defined street wall should have a minimal spacing between them.
    • 02:51:06
      I don't know exactly.
    • 02:51:08
      I'm just reading verbatim.
    • 02:51:12
      and then she does make some bullet points towards the end of her email, which she says that we should preserve
    • 02:51:24
      Sorry, some of the components of the previously approved SUP, while it may not be directly applicable to this project current, there may be still germane.
    • 02:51:35
      And she points out a few things.
    • 02:51:37
      The building's massing should be broken up to provide compatibility with the character defining features of the historic district.
    • 02:51:44
      I think we've got that from two members of the BAR already.
    • 02:51:49
      Provide adequate protection of adjacent historic structures.
    • 02:51:53
      and I would say that we haven't really heard about how this building is going to be protected or how it transitions to the Lighthouse building or Joey's building on Oak Preston.
    • 02:52:08
      Provide a plan to replace the street trees on this side.
    • 02:52:12
      I think Mr. Schwarz mentioned that.
    • 02:52:14
      Improved pedestrian character of old Preston and market, provide pedestrian through access, which you've done.
    • 02:52:22
      So I think that's about it.
    • 02:52:25
      Anyway, I did my best.
    • James Zehmer
    • 02:52:29
      So yes, Mr. Staff, if you all could make sure we get this note to the applicants that they have it for reference, that would be appreciated.
    • 02:52:39
      I'll just add on to a couple, I think my colleagues have made some really good points.
    • 02:52:46
      And just looking at the old Preston side of the building, too, that engages with the downtown mall, or as you said, you're trying to extend the downtown mall a little further, which I think is appreciated.
    • 02:52:56
      To some degree, it sort of looks like the building's floating up above the lower level.
    • 02:53:04
      And part of that is, I think, because it's projecting out past the lower level.
    • 02:53:10
      And I also wonder if there's an opportunity to
    • 02:53:14
      Almost engaged that terrace with some sort of grand staircase or something that would give direct access off the downtown mall to that terrace restaurant.
    • 02:53:25
      I think that would really liven up the atmosphere and create some dynamic pedestrian experience.
    • 02:53:30
      So it's something to consider.
    • 02:53:39
      So, is there anyone here that would like to speak?
    • 02:53:45
      There are members of the public.
    • 02:53:47
      Absolutely.
    • 02:53:47
      So I was trying to tell you.
    • 02:53:48
      Yeah, no you didn't.
    • SPEAKER_12
    • 02:53:52
      So I'm Deena Gould, I'm the director of Lighthouse Studio, Vinegar Hill Theater, which
    • 02:53:59
      It's actually that building that Meno has not been there since 2015.
    • 02:54:03
      Is it a Google image?
    • 02:54:08
      Okay.
    • 02:54:09
      But just for reference, we're right there.
    • 02:54:13
      And we can, you know, I echo a lot of what Joey
    • 02:54:20
      has said.
    • 02:54:21
      So really, a lot of my design comments would be similar.
    • 02:54:26
      And I can speak with you all later about the building and where it looks like it's back farther than I expected from this rendering.
    • 02:54:35
      But, and this is the first time I've actually seen this drawing.
    • 02:54:41
      And the only other thing, some of my concerns have to do.
    • 02:54:44
      I mean, we teach 1,000 students every year.
    • 02:54:49
      and in-screen films for people of all ages.
    • 02:54:53
      So I
    • 02:54:55
      I think we stand to be among the most impacted by this build.
    • 02:55:01
      A lot of my concerns, I have safety and operational concerns and eventually financial concerns.
    • 02:55:08
      But I know that's not you all, so I will take that somewhere else.
    • 02:55:13
      But just wanted to speak up since I'm here, and this has been interesting.
    • 02:55:18
      Thank you.
    • James Zehmer
    • 02:55:24
      Anyone else from the public who can speak?
    • Jeff Werner
    • 02:55:34
      There were in the staff report, which was just right in front of me.
    • 02:55:43
      Just a couple of questions and not all of them.
    • 02:55:45
      This would be on page six.
    • 02:55:50
      not all are necessary for the discussion, but one, I wanted to make clear that the signage that's shown would not be allowed by the code ordinance, whether it's signed regs, but any signage requires a separate signed permit, so I tend to not worry about those unless it's something that's critical to the design, but
    • 02:56:17
      that would, I've let the applicant know that.
    • 02:56:20
      The bigger question I had for you all, or one of the questions, there's that vertical
    • 02:56:27
      Siding, which is not typical.
    • 02:56:31
      I don't know if it's metal or real wood, or I just am not certain that fits.
    • 02:56:37
      And I thought that deserves some attention from you all.
    • 02:56:41
      And then you all have touched on EFIS materiality, the design.
    • 02:56:50
      I do think I don't know how quite to address the landscaping plan, but
    • 02:56:55
      I think
    • 02:57:11
      There are some, and you've addressed some of that street level stuff, the interest to the pedestrian.
    • 02:57:18
      And then I think what would be helpful for the applicant to show is what's going on on the rooftop, screening, mechanical, we always have.
    • 02:57:28
      That's the thing that always surprises us in the end, so how that's going to be resolved or hidden or screened should be shown.
    • 02:57:38
      It's that wood question.
    • 02:57:39
      If you all wanted to discuss it, you don't have to.
    • 02:57:41
      But I think that would be helpful to resolve.
    • Carl Schwarz
    • 02:57:46
      I mean, it's sort of part of my ramble that I don't think fake wood is appropriate, at least not in that scale downtown.
    • SPEAKER_23
    • 02:58:03
      I agree.
    • James Zehmer
    • 02:58:08
      I would add Jeff to your list that we want to see lighting, any exterior lighting is important to show when you bring your COA application
    • SPEAKER_23
    • 02:58:20
      I would also add that I appreciate that you've added street level perspectives from the old Preston side, and I think that would actually be helpful from the market street side as well, because I think we would learn something from those, especially in terms of your signage location.
    • 02:58:40
      I'm not sure who's going to be seeing that, to be honest.
    • SPEAKER_27
    • 02:58:47
      Do you have a sign at the entry point?
    • SPEAKER_23
    • 02:58:58
      Yeah, as a pedestrian or as a vehicle, and I think I also want to echo the comments of the improving the pedestrian experience and just thinking about how we're bringing the storefront, articulating the storefront at the street level and how people are entering and exiting the building would be helpful to see.
    • SPEAKER_04
    • 02:59:28
      And I'd like to double up on the concept of having some sort of entrance from the mall to get up to the lobby stairs so that it would tie in better to the mall itself.
    • SPEAKER_17
    • 02:59:49
      have a question.
    • 02:59:49
      Maybe question time was over, but it's a discussion.
    • James Zehmer
    • 02:59:53
      There's all sorts of stuff.
    • SPEAKER_17
    • 02:59:54
      Right.
    • 02:59:56
      I mean, did the numbers just not work unless you go zero lot one?
    • 03:00:01
      Can you not go up?
    • Carl Schwarz
    • 03:00:05
      So I'm going to be really harsh here because I said this the last time you came here.
    • 03:00:09
      If you can't fit the street trees in, I'm going to deny it.
    • 03:00:12
      I'm going to vote for denial.
    • 03:00:13
      I don't know how everyone else will be.
    • SPEAKER_17
    • 03:00:14
      Well, that's actually what I'm getting at.
    • 03:00:16
      The trees, at least one of them, right?
    • 03:00:19
      Those are 30-inch trees.
    • SPEAKER_02
    • 03:00:22
      We know we have to do trees.
    • 03:00:24
      This doesn't include that landscape.
    • 03:00:27
      And we have to look through it.
    • 03:00:33
      But this part of it is there's good.
    • 03:00:36
      William W. Eastman and the Walkway Eastman, and you can use part of the right-of-ways.
    • 03:00:39
      So we wanted to get all the stuff that you're giving us, and I appreciate it.
    • 03:00:45
      And then we have to go into that detail.
    • 03:00:49
      So we know what the code provides.
    • SPEAKER_03
    • 03:00:54
      And I will add, and that's something we have to, the code provides a lot about those areas, and then the zoning administrator of
    • SPEAKER_02
    • 03:01:05
      and Michael Kochis.
    • Carl Schwarz
    • 03:01:38
      The zoning code allows you to, if you can't fit the street trees in, and the landscape requirements in, within the right-of-way, you're allowed to bump your set back back.
    • 03:01:53
      So you're building face, you're building footprint would get smaller.
    • SPEAKER_27
    • 03:02:03
      Obviously, I think it's a zoning issue, but we're going to end up seeing what aesthetically it looks like.
    • 03:02:11
      I don't want to speak too much for staff.
    • Jeff Werner
    • 03:02:31
      I'm not a zoning official.
    • 03:02:32
      And this is a conversation as Jeff alluded to that is ongoing internally.
    • 03:02:43
      At what point with this new zoning ordinance, there are certain three dimensional elements that
    • 03:02:52
      and all of
    • 03:03:11
      this meets the ordinance.
    • 03:03:16
      As I said, I'm not a code official.
    • 03:03:20
      I don't make zoning determinations.
    • 03:03:23
      There are things I can look at, but I think
    • 03:03:27
      We have the conversation now.
    • 03:03:30
      I don't think the BAR's job to be evaluating and making officially a zoning determination.
    • 03:03:38
      So that's something we have to figure out in staff.
    • 03:03:42
      I don't have an answer for it yet.
    • 03:03:44
      But I think that I don't quite personally understand yet where we have an ordinance that wants street trees, but yet
    • 03:03:57
      everything is going to the property line.
    • 03:03:59
      So where do you put the trees?
    • 03:04:02
      But there there are provisions in the code that address that trees have to be there.
    • 03:04:08
      Sort of a you got to turn the page and keep going.
    • 03:04:10
      So I think there's some work that has to be done with the planner in charge of this.
    • 03:04:16
      There was a meeting with the Development Review Committee.
    • 03:04:19
      Or what we do now is when a project comes in every Wednesday, say
    • 03:04:26
      It's the who's who, you know, city government, the fire officials, the utilities, public works, me, zoning planners, and but it's primarily addressing what we see in two-dimension and what are the issues and what are the, you know, kind of try to catch the big things.
    • 03:04:46
      But once that thing goes horizontal or vertical, you need to have 80% transparency on a wall.
    • 03:05:02
      through, as you all know, Carl has certainly been on the BAR long enough.
    • 03:05:06
      The evolution of a project and a design, it's that back and forth that leads to the final design.
    • 03:05:12
      Nobody comes in here and says, I want to build a code building, you know, here's my design, the AR.
    • 03:05:17
      Do you approve it?
    • 03:05:18
      And zoning it?
    • 03:05:19
      Are you okay with it?
    • 03:05:20
      So there are some things we have to work out.
    • 03:05:24
      We're moving forward.
    • 03:05:25
      I don't have all the answers.
    • 03:05:27
      But I do think that if
    • 03:05:30
      I mean, there are some significant trees here.
    • 03:05:32
      And I think if you all, and I know that during the preliminary discussion, those were critical.
    • 03:05:38
      And I remember Carl, you said, you know, you're concerned about it.
    • 03:05:41
      I know Breck was very concerned about the street trees.
    • 03:05:45
      The result of what's happening here, and I don't mean to be overly critical, but that, you know, you've got those are the trees that are there.
    • 03:05:52
      And you can see 30 inch, 30 inch, 30 inch, there's some large trees.
    • 03:05:58
      that's how I read the, now we didn't get a site plan with this but that was from the prior discussion but there is a, you get a tree out of it but a new one and all of those others are gone and you ask a good question and I can pass it up through staff that the BAR would like some guidance on you know how do we, how do we
    • 03:06:22
      Incorporate a landscaping plan with trees when the setbacks appear to not allow room for them.
    • 03:06:30
      Sorry for the epistle there, but that's your meeting.
    • SPEAKER_03
    • 03:06:38
      Sure.
    • 03:06:40
      I tell you what my approach was, and talk to Mr. Schwarz, is that in all previous projects, I always thought we had to present to you
    • 03:06:51
      The Exterior of the Landscaping Plan and the assumption was we would have to comply with code.
    • SPEAKER_02
    • 03:06:58
      So we were having a discussion about these of the trees we were going to use this year and do and we were never talking zoning or code.
    • SPEAKER_03
    • 03:07:06
      It was always, I was always going to meet the required setbacks and like the code talks now about taking trees down and putting them back up.
    • 03:07:16
      So I agree, I think we're going to have to show you that whole landscaping
    • 03:07:20
      And then if I don't adhere to something, I'm going to have to go to James or someone and say, we can't do the eight and the six.
    • 03:07:27
      We need to do whatever it is.
    • 03:07:29
      And I was just going to do that and say, and the BAR is opining on this, the beautification.
    • Carl Schwarz
    • 03:07:40
      The reason that I'm making a big point of it now is just because if it does require you to make your footprint a little bit smaller, I feel like, I mean, if I were your architect, I'd want to know that right now before I do any more drawings.
    • 03:07:54
      So I don't know.
    • 03:07:55
      Maybe it doesn't worry you.
    • 03:07:56
      Maybe it's not much of an effect.
    • 03:07:58
      So I mean, you know your plans, but just that stuff scares me.
    • 03:08:03
      And it seems like, you know, if your floor-to-floor heights are on one side of the building, aren't matching the zoning code, that would scare me a little bit, and I'd want to figure that out before I invested too much in structural design and everything else.
    • 03:08:16
      That's why I'm annoying Jeff, I continually bring these things up.
    • Jeff Werner
    • 03:08:28
      Our zoning code is unfortunately
    • Carl Schwarz
    • 03:08:35
      Not super easy to comprehend quickly.
    • 03:08:38
      It takes, yeah, some studying.
    • SPEAKER_08
    • 03:08:44
      I have a couple of remarks, but I'm not an architect.
    • 03:08:47
      I don't know very much about it.
    • 03:08:50
      But I do, I've been looking over the examples.
    • 03:08:53
      I believe they were supplied to us by staff of other AC hotels.
    • 03:08:57
      And I stayed in a couple of them, actually, in Bozeman, Lovely Hotel, and in Asheville.
    • 03:09:04
      But they're really comfortable.
    • 03:09:06
      I really like them.
    • 03:09:07
      But if you look at these examples, they're all basically contextless.
    • 03:09:13
      They're in the middle of areas that are not built up, that are not historic areas, that have any context.
    • 03:09:21
      And with all due respect to the design we have here, it also doesn't have any context.
    • 03:09:26
      It looks a lot like these buildings.
    • 03:09:29
      And these are lovely buildings.
    • 03:09:30
      And as I say, for personal experience, very comfortable hotels.
    • 03:09:35
      But I really think that this is not what we're... I don't know what it would be if I were an architect, I would give you advice, but I can't give you that, but it doesn't fit.
    • 03:09:45
      It just doesn't look like it fits.
    • 03:09:47
      It looks like it could be out on Route 29, north of town, as opposed to downtown.
    • 03:09:54
      And that's what my concern is.
    • 03:09:58
      I'm hoping that you will come back and think about the remarks of my colleagues here who are much more expert on this will make and see if that could be somehow referring more to the mall in the context.
    • 03:10:12
      As I say, these are these are lovely buildings, but they are in the middle of nowhere.
    • 03:10:16
      And this is not going to be in the middle of nowhere.
    • SPEAKER_27
    • 03:10:18
      I think one of the biggest challenges we have is to follow the zoning code ordinance and
    • 03:10:27
      I tried to create this, you know, the articulation in the exterior because it says it has to be on the property line.
    • 03:10:37
      80% of that has to be straight on the setback.
    • SPEAKER_02
    • 03:10:40
      You know, those things... But we can do it with colors and materials.
    • 03:10:45
      It does.
    • 03:10:46
      It looks.
    • SPEAKER_23
    • 03:10:50
      If I could add a suggestion, maybe one thing that would help.
    • 03:10:55
      I think with your perspectives, they were very helpful.
    • 03:10:58
      But I do think there was an issue with getting the scale exactly right.
    • 03:11:02
      I mean, and that happens when you're using Google Images and things.
    • 03:11:05
      But doing a measured elevation with context of the buildings next door and maybe a couple down will help you, perhaps.
    • 03:11:17
      respond perhaps to the context and you know the elevations and the facades and the materiality and things like that so that would be nice to see next time.
    • SPEAKER_26
    • 03:11:35
      I just had a final comment if we're about wrapped up.
    • 03:11:37
      I don't want to repeat any other substance that's been said by my colleagues.
    • 03:11:41
      But I did want to thank you for the thoroughness of the application compared to even when you came in April.
    • 03:11:48
      This was very thorough.
    • 03:11:49
      The perspectives were really helpful.
    • 03:11:53
      Hopefully you'll bring more and more as we refine this project.
    • 03:11:57
      But I really thought this was an exemplary application as far as information that you gave us.
    • 03:12:03
      Thank you.
    • James Zehmer
    • 03:12:13
      All righty.
    • 03:12:18
      Everybody ready?
    • 03:12:18
      All right.
    • 03:12:22
      Thanks for that presentation.
    • SPEAKER_10
    • 03:12:24
      Yes.
    • James Zehmer
    • 03:12:25
      Our next agenda item is a pre-application conference for 200 West Main Street.
    • 03:12:32
      And I believe we have one of our same presenters.
    • 03:12:35
      But Jeff, if you'd like to introduce this to us, please.
    • Jeff Werner
    • 03:12:42
      Oh.
    • 03:12:51
      Thank God it's not as bad as my desk.
    • 03:13:17
      This is a, and formally per the code, this is a pre-application conference for a proposed project at 200 West Main Street, currently the site of the Violet Crown Theater.
    • 03:13:32
      The existing building is somewhat difficult to decipher.
    • 03:13:38
      Something was there in the late 1800s,
    • 03:13:44
      and then around the late 1890s, I think the current brick structure that's at the rear was constructed and sort of grew a little bit over time out the back.
    • 03:13:57
      Primarily a commercial establishment of dry goods.
    • 03:14:01
      I thought it was interesting that the one Sanborn Map, 1913 Sanborn Map, I noticed a moving pictures theater and
    • 03:14:14
      It was in the late fifties, early sixties, the front facade was altered for what became Leggetts.
    • 03:14:21
      It was there for a long time.
    • 03:14:22
      And then in 96 that
    • 03:14:27
      Front facade, and similar to what happened at 310 East Main, the front part of that building was replaced with a facade for the regal cinema, and then in 2014, 2016, the current contemporary facade was built on there.
    • 03:14:49
      So you've got some brick walls that
    • 03:14:53
      Data 1890s and probably 1930s expansion, but the front of the building itself is, while it's a contributing structure in downtown ADC district, it's not a historic facade.
    • 03:15:11
      What is, and Jeff and I have had some conversations with this, and Jeff has had conversations also with some of you individually,
    • 03:15:21
      Call it what it is, there's a lot going on here.
    • 03:15:23
      And there's a lot of people talking about it.
    • 03:15:26
      A lot of people want to know what this means or that means.
    • 03:15:32
      All I can address is what the BAR's role in this is.
    • 03:15:36
      And I've had people say the BAR has to do this or the BAR can't do that.
    • 03:15:42
      So let's establish the box within you all are currently working.
    • 03:15:48
      This is a request to construct a new building at this site which would require the demolition of the existing building which would require a COA because it is a designated contributing.
    • 03:16:01
      So there's one step.
    • 03:16:03
      Second step is whatever was constructed there would require a design review and a COA from the Board of Architectural Review because it's in the downtown ADC district.
    • 03:16:17
      The design guidelines downtown are somewhat relative to height.
    • 03:16:22
      Out of sync, that's not the right word because the guidelines are only guidelines, not regulations.
    • 03:16:28
      But the current ordinance allows up to 10 stories by right.
    • 03:16:34
      And I'd like to, if I can,
    • 03:16:38
      Stories, there's a height and I don't recall the height that's allowed by right and then if certain affordable housing bonuses are met, the height could go as high as 184 feet.
    • 03:16:54
      Any project of this scale, it is required by code that the applicant hold a pre-application conference with the BAR.
    • 03:17:03
      There are no
    • 03:17:06
      and all the rules for what those should be or what the result is, but it is that.
    • 03:17:12
      Singularly, it is a pre-application discussion.
    • 03:17:15
      We typically refer to them as preliminary discussions.
    • 03:17:20
      You all will not take any action.
    • 03:17:22
      You will not approve anything.
    • 03:17:26
      The instructions are, and we discussed a little bit prior, but sort of this discussion format.
    • 03:17:34
      Actually, we've been using it for quite some time and I'm glad Cheri raised the question about
    • 03:17:41
      Consensus, because it's worth clarifying, but the instructions are this is a pre-application conference.
    • 03:17:47
      No BAR formal action will be taken.
    • 03:17:49
      However, by consensus, the BAR may express an opinion about the project as presented.
    • 03:17:54
      For example, the BAR might express consensus support for certain materials, identify features that require revision or clarification, or request additional analysis, etc.
    • 03:18:05
      and so on.
    • 03:18:23
      Obviously, the applicant would leave with eight, nine different opinions, but if you all had collectively said, well, yeah, I agree with that, I agree with that, the applicant would say, oh, the BAR is fine with it.
    • 03:18:34
      No.
    • 03:18:35
      Even if you agree unanimously on something, this is, we're just having a discussion at this point, and it does not mean that someone comes in and says you've approved this thing.
    • 03:18:46
      There has been no formal COA request.
    • 03:18:52
      I urge all of you to be honest and sincere.
    • 03:18:56
      I know you will.
    • 03:18:58
      I would hope that if you say you like something, I think where applicants get concerned is
    • 03:19:04
      We want these to be as constructive as possible, but to be measured in what your responses are so that we're communicating
    • 03:19:21
      Fair and actionable things.
    • 03:19:23
      So what another issue that came up about this is I know there are some zoning questions related to this project.
    • 03:19:30
      I know the applicant is asked the city consider certain things.
    • 03:19:34
      I know that the applicant has said, Oh, I'm going to build affordable housing in this.
    • 03:19:38
      You all review the exterior design.
    • 03:19:41
      What goes on or happens inside a building is not within your purview.
    • 03:19:48
      I've used this, I know I've overused this.
    • 03:19:51
      This building could be 184 feet tall and one giant room, or it could be 184
    • 03:19:58
      and a solid block of concrete, your review of it is singularly what does the outside of that block of concrete look like relative to the historic district.
    • 03:20:06
      So, and I'm offering that to anyone here, the BAR's purview is not to review or approve or deny or, you know, affordable housing.
    • 03:20:16
      There are issues related to
    • 03:20:21
      How would this be, the additional bonus height be allowed?
    • 03:20:24
      That's a process that's handled by another office within the city government.
    • 03:20:30
      And so the assumption before you is not whether, oh, does it deserve that or not?
    • 03:20:36
      But I think it's fair to say what Mr. Levine is saying, the assumption is I will receive this additional height.
    • 03:20:45
      And so that's what we will respond to.
    • 03:20:49
      You all have in the past, as I repeatedly said to people over the last couple years, the BAR is not afraid of heights.
    • 03:20:57
      We have, granted, we have some unfinished heights, a few blocks west of here, but that building is about 114 feet tall.
    • 03:21:07
      The code building, I don't have the measurements, nine stories tall.
    • 03:21:10
      There are
    • 03:21:12
      Tall buildings on West Main that the Board of Architectural Review has approved.
    • 03:21:15
      So it's not uncommon for you all to consider for large scale projects height.
    • 03:21:25
      However, you all also have the ability to mitigate the impact of that height.
    • 03:21:31
      And that could be done in a number of ways.
    • 03:21:33
      It could be done by where a building steps back if necessary or how it modulates its materiality design.
    • 03:21:41
      the things that are in the guidelines that are available to you.
    • 03:21:48
      I think the one thing that I did say to Jeff when we talked, he's got some hoops and hurdles to jump through, but what he kept saying is, well, I need to start somewhere.
    • 03:21:58
      And I'm not worried about it starting with you all.
    • 03:22:03
      I trust you all.
    • 03:22:04
      I've worked with you all for some time, and you know your job.
    • 03:22:07
      So, and I think that it's an opportunity to give some feedback like we would for any other project in a pre-app.
    • 03:22:13
      and so on.
    • 03:22:14
      And those come down to the things that I've outlined in the staff report.
    • 03:22:18
      What is it that you would want to see?
    • 03:22:20
      What information is necessary to do an evaluation of this project, etc., etc., etc.
    • 03:22:26
      And one of them, I told Jeff, is very much need to show the shadows on them all.
    • 03:22:32
      That is a big deal.
    • 03:22:35
      B. A.
    • 03:22:35
      R.
    • 03:22:35
      's review is not just the building, but its relationship to the historic district as well.
    • 03:22:40
      So and in the information that he shared this afternoon, I realized it's late was late than it actually was last night for preliminary discussions.
    • 03:22:50
      Again, there's no
    • 03:22:52
      There are no rules.
    • 03:22:54
      You all are welcome to say, I just got this last night.
    • 03:22:59
      I can't comment on it.
    • 03:23:00
      That is perfectly acceptable if you choose.
    • 03:23:04
      But when I received it, I was actually in council meeting last night.
    • 03:23:08
      So when I got back in my office, I sent it out around 10 o'clock last night.
    • 03:23:12
      So that's your call on how you want to treat it.
    • 03:23:16
      Did everyone receive that?
    • 03:23:19
      And so
    • 03:23:21
      Sorry, a lot going on there.
    • 03:23:22
      And then the final caveat is that, and I will read it so that we're clear with this.
    • 03:23:31
      Per code, the BAR is charged only with the authority to approve or deny a design review, a design review COA, following an evaluation applying the criteria under the code for a major historic review.
    • 03:23:43
      The BAR does not evaluate a proposed use.
    • 03:23:47
      Additionally, per code, the issuance of a COA cannot, in and of itself, authorize any reconstruction, reconstruction, alteration, repair, demolition, or improvements or activities requiring a building permit, where a building permit is required.
    • 03:24:02
      So the point in that is that
    • 03:24:07
      Approval of a COA doesn't, someone can't come in, that doesn't say I can get my building permit.
    • 03:24:12
      If you all, you're approving that design, if somehow it's a 200 foot tall building and half of it's on Jerry's property downtown, that doesn't mean someone can build it there.
    • 03:24:27
      So ultimately, to get a building permit, the project has to meet all applicable building code requirements, including zoning requirements.
    • 03:24:39
      So again, no action will be taken.
    • 03:24:42
      I hope we can be constructive and helpful, but I also
    • 03:24:49
      burdens on the applicant to ask questions of you that he might have, but so that everyone knows and everyone that's listening, we are not approving anything tonight.
    • 03:25:00
      Thank you.
    • 03:25:01
      Thank you, Mr. Warner.
    • SPEAKER_04
    • 03:25:03
      One quick question.
    • 03:25:05
      Is a we expected to do this pre application conference this evening?
    • James Zehmer
    • 03:25:12
      That's what we're about to do.
    • SPEAKER_04
    • 03:25:13
      Okay.
    • 03:25:14
      I mean, it seems like there's a lot of questions.
    • James Zehmer
    • 03:25:17
      Oh, yeah.
    • 03:25:18
      Now, this is, I mean, this is a pre-application conference, and that implies that they're going to apply for a certificate of appropriateness at some point in the future.
    • Carl Schwarz
    • 03:25:27
      But I guess what you're asking is, are we going to have another pre-op conference after this?
    • James Zehmer
    • 03:25:30
      Yes.
    • 03:25:31
      Or a preliminary discussion.
    • SPEAKER_26
    • 03:25:35
      There's no longer preliminary discussion.
    • 03:25:37
      It's called Pre-Application Conference under new ordinance.
    • 03:25:41
      It's the same thing.
    • 03:25:43
      If you all recall, it's required by major review.
    • Jeff Werner
    • 03:25:48
      I joked with Jeff quite a few times that they were our
    • 03:25:53
      Tess Case.
    • 03:25:53
      They were the petri dish for the process of when I was informed a couple years ago that BAR does not cannot issue partial COAs, that there's one, one golden ticket.
    • 03:26:05
      And so I think 612 was main was the first one we said, all right,
    • 03:26:11
      We're coming in.
    • 03:26:12
      It's a formal application.
    • 03:26:14
      We required that because at some point you can't, we didn't want to have 10 meetings and then at the end, you know, suddenly it was a final, everything was done, but it's on the consent agent.
    • 03:26:26
      So that public process required that we do get a formal application.
    • 03:26:31
      There was an understanding and working with Jeff Bushman and Jeff Dreyfus on it that, all right, it is a formal application.
    • 03:26:40
      We're going to come in and then at the end of that discussion, we're going to request a deferral, the applicant.
    • 03:26:47
      It was clunky, but it somehow worked.
    • 03:26:51
      I know that the request has been made for you all to approve something partially.
    • 03:26:58
      You cannot.
    • 03:26:59
      Well, certainly cannot tonight because there has been no application.
    • SPEAKER_26
    • 03:27:02
      Did you say there has been a request?
    • Jeff Werner
    • 03:27:04
      No.
    • 03:27:04
      Nothing formal.
    • 03:27:05
      Right.
    • 03:27:05
      But that was the process.
    • 03:27:13
      We would call them discussions, but they were part of that formal process with that understanding that at the end of the conversation there was going to be another deferral request.
    • James Zehmer
    • 03:27:29
      The presentation from the applicant that was emailed out last night, you know, I do for this pre-application conference, I think that's okay and we're going to allow it.
    • 03:27:41
      I think it's a little frustrating just because of, you know, having proper time to review it and I would just
    • 03:27:50
      to kind of encourage and remind our applicants, not just this applicant, but all applicants of getting their materials submitted in a complete fashion on the deadline three weeks before.
    • 03:28:02
      The intent is so that staff has time to prepare their reports and then also the BAR, but also these things get posted on the city website so the public can have a chance to review these materials ahead of time and before they come to these meetings so they can be prepared to come in.
    • 03:28:17
      So, you know, emailing us something, you know, kind of within 24 hours, it stresses us, but also doesn't give the public a chance to see that material ahead of time.
    • 03:28:28
      So, just moving forward, we want to try and really hit those deadlines.
    • 03:28:33
      Though I do think, in looking at this, when I kind of pulled them up on two screens and compared what was sent to us with what was in the presentation, or the application, not application, excuse me,
    • 03:28:43
      What was sent to staff, I'll just say, three weeks ago.
    • 03:28:46
      I think there's some images in here specifically that have to do with some of the shadows on the mall that are pertinent and important to see.
    • 03:28:54
      So I would like to see the one that was the more updated recent presentation.
    • 03:29:01
      So with that, I think we'd like to ask our applicant to please show us what you've got.
    • SPEAKER_02
    • 03:29:10
      Thank you.
    • SPEAKER_03
    • 03:29:16
      Thanks for hearing me and I do get the stuff that comes late is really just part of timing and because this is so open
    • 03:29:27
      It doesn't matter how prepared, I just want to really have an open forthright conversation about this project.
    • James Zehmer
    • 03:29:33
      I think my point is this is a sensitive project, so when you do submit your formal COA, just make sure it's complete.
    • 03:29:39
      100%.
    • James Zehmer
    • 03:29:40
      Thank you.
    • SPEAKER_03
    • 03:29:40
      Again, my name is Jeff Levine, 600 West Main Street.
    • 03:29:44
      I am under contract to purchase this site.
    • 03:29:47
      It's still owned by Viola Crown.
    • 03:29:51
      My architect Joel Kepin from Kailor Slater is on the phone if we get into any detail, but we don't have a ton of detail.
    • 03:30:00
      I will say I completely understand the magnitude of the importance of this property cannot be overstated.
    • 03:30:10
      I understand the responsibility that comes with this property.
    • 03:30:13
      I understand that it has to respect the history of the mall and it also has to propel the mall forward if we deem so.
    • 03:30:26
      Similarly, it's a very important first test of our code because what I want to discuss tonight is like
    • 03:30:38
      Do we want to unlock the development of this property?
    • 03:30:45
      Because what we put in writing is a city, we have to now start to think about how that's reflected truly as an urban planning and what it looks like.
    • 03:30:57
      It's clear we're going to spend, if we can go forward, numerous
    • 03:31:03
      hours and numerous meetings going through lintels and 100 million different things that are going to come way down the road.
    • 03:31:10
      But again, today we need to start the conversation about whether this site can be developed under the code.
    • 03:31:19
      So next slide, please.
    • 03:31:26
      So what would I first seek as a developer?
    • 03:31:29
      I need your permission to demolish the building.
    • 03:31:33
      Otherwise, it's a no-go.
    • 03:31:36
      I need an approval of, I'm going to call it the massing and satisfaction of this famous section that's in the code that gives you a tremendous amount of right to, I was going to say kill a deal, but to reduce the massing and change the setbacks considerably based on
    • 03:31:58
      and so on.
    • 03:32:19
      that any developer can proceed with any development unless they can get a partial COA saying that they've met the satisfaction of this 5.27 C2C because in no case can a developer go spate, spend maybe millions of dollars to go through an entire design, bring that to you for
    • 03:32:47
      every little detail that we just discussed on the hotel, and have you say, you know what, 184 feet doesn't really work.
    • 03:32:53
      By the way, it probably won't even be any, it'll be four years later, and say 184 feet doesn't really work, we're just gonna cut it down to 130 feet.
    • 03:33:03
      These are, and Jeff was right, I didn't know where to start, but we have to start the conversation if we're gonna test this code, and so this is the conversation.
    • 03:33:13
      with the next slide, please.
    • 03:33:15
      Quick site overview.
    • 03:33:17
      No, hold on.
    • Jeff Werner
    • 03:33:19
      I've been in such a point to have some.
    • 03:33:27
      Okay.
    • 03:33:27
      Mr. Gasper sent something and I just tried to respond.
    • 03:33:30
      Okay.
    • SPEAKER_03
    • 03:33:42
      and
    • 03:34:00
      The other side is Water Street.
    • 03:34:01
      It does not include the water bird corner right there.
    • 03:34:05
      So we would have to develop around that.
    • 03:34:07
      And second street is the flow through street.
    • 03:34:10
      So that's the context of the site.
    • 03:34:14
      Next slide, please.
    • 03:34:16
      That's the building.
    • 03:34:17
      That's the building context of code.
    • 03:34:20
      And those are the primary trees that would be affected by any development on the site.
    • 03:34:27
      Next slide.
    • 03:34:31
      So here's the conversation about the demolition, and there's a lot of words, and Jeff alluded to it.
    • 03:34:36
      So the history of the building has a lot of different iterations of it, but it doesn't really resemble any historical context.
    • 03:34:45
      It's not a historical building allowing the building to remain in place.
    • 03:34:55
      underutilizes the property based on the larger scale of the city's plan.
    • 03:35:01
      And it's very similar to the demolition COAs I've received for Artful Lager and Brown's Lock, which are older buildings and contributing structures, but not necessarily historical buildings that blend themselves to the true context of the mall.
    • 03:35:16
      So I'd love to get your opinion on that.
    • 03:35:20
      The second thing is the next slide.
    • 03:35:27
      This is the as of right massing in the DX zone.
    • 03:35:30
      It's 184 feet, no step backs.
    • 03:35:36
      Give or take some of the street.
    • 03:35:39
      That's what could be permitted.
    • 03:35:41
      I've worked with a beer long enough that's never going to get built, and I don't want to build it.
    • 03:35:46
      So what we started to look at was how do we just first address some initial critical factors that
    • 03:35:56
      we kind of thought, and so you can go to the next slide.
    • 03:36:01
      That was how do you break up the massing, make it look like several buildings, add step backs.
    • 03:36:11
      The step backs are from five to 25 feet and pull away
    • 03:36:19
      at the mall, so you're not left with a big wall in front of at the mall.
    • 03:36:25
      Again, respecting the pedestrian experience.
    • 03:36:30
      But that was our way of saying this is a more articulated, better suited building for that.
    • 03:36:39
      Again, we're going to spend a lot of time on how that really articulates.
    • 03:36:42
      But again, I'm trying to get an understanding of
    • 03:36:46
      that height, those step-backs, that articulation, because you can go to the next slide, I think, because it talks about it there.
    • 03:36:58
      Oh, it's a Jeff and I were talking about shadow studies.
    • 03:37:03
      So what I did was I took a look.
    • 03:37:07
      This is kind of a summary.
    • 03:37:09
      I took a look at what a six-story building would be and what this 184-foot building would be.
    • 03:37:15
      with the assumption that either we're going to either we're going to build nothing or arguably the BAR would say six stories is contextually right.
    • 03:37:26
      And so what would that bring?
    • 03:37:28
      And then if you look at actually 104 feet building, the shadows are not that difference as far as causing a shading effect on the trees.
    • 03:37:40
      I show here 12 p.m.
    • 03:37:41
      and 3 p.m.
    • 03:37:42
      Those are the most affected times of day.
    • 03:37:45
      And you'll see the 184 foot building might cover a little bit more of the mall.
    • 03:37:52
      It's not germane as to how far it goes across the mall and covers those buildings as much as it is on the actual mall side in the trees.
    • 03:38:02
      If you flip through, I go into a more detailed shadow study just
    • 03:38:07
      because I was told the shadow study is not a full step shadow study unless I show every single thing.
    • 03:38:11
      So that's what that does.
    • 03:38:12
      And again, I we don't have to go through it, but I've spent time kind of looking at it.
    • 03:38:16
      And the conversation is if we want to keep the shade the trees completely unshaded, then the existing building just stays or we're going to have to figure out how development on the mall may or may not affect those trees because it's not shaded all day.
    • 03:38:34
      And then next slide, please.
    • 03:38:39
      Next.
    • 03:38:40
      Next.
    • 03:38:41
      That's my detailed shadow study.
    • 03:38:43
      Okay.
    • 03:38:44
      So this is what I would go for for a partial certificate of appropriateness.
    • 03:38:48
      And again, I have spoke to council and I've done some research and I think it was more of a city attorney decision to not to suggest strongly that BAR not offer partial COAs.
    • 03:39:02
      I did get one a few years ago because it is really difficult for developer to go through the entire design process without.
    • 03:39:08
      But this is particularly now I would look for a partial C of O to
    • 03:39:14
      Demolish the building, so we would unlock that part of it to develop something there.
    • 03:39:20
      And then I would need to know from the BAR that you're satisfied, because to paraphrase the right you have on the mall, you can limit the height to within two stories of the prevailing story height of the block, and you can require upper story step-backs of up to 25 feet.
    • 03:39:37
      if you take it it's the wildest context you could arguably require this building to I guess be six stories and have three step backs of 25 feet and make it completely undevelopable.
    • 03:39:48
      So I'm
    • 03:39:56
      I will say that the importance of this is not just about kind of unlocking this development from a real estate perspective and a BAR on design.
    • 03:40:05
      For me in living in the city and talking to police chief and friends of Seville and everyone who listened to me, the mall needs 24-7 activation.
    • 03:40:15
      The code, the city's mission is designed to provide more housing.
    • 03:40:22
      This is what this project does.
    • 03:40:26
      The Vila Crown is a jewel.
    • 03:40:29
      It's a jewel that's just become outdated as far as a business model in the world of theaters.
    • 03:40:35
      That's my opinion based on a lot of fact.
    • 03:40:39
      And so our code was written to develop this site for this.
    • 03:40:43
      The question amongst all of us is, do we want to do it?
    • 03:40:50
      here.
    • 03:40:50
      Like I said, I'm the contract.
    • 03:40:52
      I don't own the site, so it's not any pressure on me.
    • 03:40:55
      If you don't agree, it'll just fall away and be what it will be.
    • 03:41:01
      Just make one last point.
    • 03:41:02
      I don't know if it's my last point, but I'll make one more point is the building really doesn't have an adaptive reuse component because it's a theater building.
    • 03:41:10
      Those aren't very conducive to being used for something else.
    • 03:41:15
      So it
    • 03:41:20
      I mean, let's talk.
    • 03:41:24
      Thoughts, ideas, tomatoes, insults, whatever.
    • James Zehmer
    • 03:41:31
      Yeah, exactly.
    • SPEAKER_08
    • 03:41:38
      If I may start, I just want to say that I agree with the whole notion that we need more people living downtown.
    • 03:41:44
      I live downtown on East Second Street, Northeast, and there really needs to be more housing downtown.
    • 03:41:51
      And I applaud the notion that you might be trying to do that.
    • 03:41:55
      There'll have to be discussions about how the building will fit in and so forth.
    • 03:41:59
      But I really do like the idea that somebody is trying to build something for housing downtown.
    • James Zehmer
    • 03:42:14
      Yeah, I wonder, I think that would be...
    • 03:42:16
      I'd like to invite members of the public, if they have any comments or questions, please come forward.
    • Michael Payne
    • 03:42:55
      Good to see some of you from last night.
    • 03:43:00
      Yeah, so just it was referenced for the record.
    • 03:43:04
      Sorry, Michael Payne, City of Charlottesville.
    • 03:43:09
      and just for the record, it was addressed, but just for the record, obviously, we all know the current code in terms of stories or the limiting factor.
    • 03:43:18
      The height bonus has an affordability requirement and City Council has not made any decision to waive any requirements in the existing code.
    • 03:43:27
      Other than that, I would just say just some musings that come to mind is, you know, I wonder if
    • 03:43:37
      Thank you very much for your time.
    • 03:43:55
      What would the amount of stories be?
    • 03:43:57
      And if there's a certain amount of stories, what are the building materials or design elements?
    • 03:44:02
      Likewise, what is the shadow impact in terms of your visual experience on the downtown mall, as well as the health of the trees?
    • 03:44:10
      And then finally, are there existing guidelines that allow you to put that in the context, not just of one project, but thinking 20, 30 years down the road, if the city made a zoning change,
    • 03:44:22
      that allowed this level of intensity in multiple areas throughout the downtown mall.
    • 03:44:26
      Again, 23 years down the road, do you have the ability for developers to assemble multiple lots?
    • 03:44:32
      And what does that look like if you see this level of intensity throughout the downtown mall or on blocks that extend a greater amount of the mall?
    • 03:44:42
      and I think, you know, maybe a lot more discussion is needed on these points.
    • 03:44:46
      I think you saw from the last presentation, if finances change and you have a project that changes to owners who own hundreds or thousands of properties, you're inherently going to see a standardized architectural design, even if you grant
    • 03:45:02
      Even after you've granted certain approvals, and again, what does that look like long-term on the mall?
    • 03:45:09
      Likewise, I genuinely think having more housing on the mall is a good area, but I think there is a big conversation for our community in terms of, is the long-term vision of the downtown mall to be a traditional mixed-use business district that has very good pedestrian access?
    • 03:45:25
      Or is it a piece of public architecture that is rooted in the specific history and design of Lawrence Halperin?
    • 03:45:31
      and actually has a unique sense of place and architecture and that's a very big debate that our community hasn't had and I don't know if you all have the guidelines to discuss it in that context.
    • 03:45:44
      Anyway, just my thoughts.
    • SPEAKER_27
    • 03:45:46
      Thank you.
    • James Zehmer
    • 03:45:49
      Thank you, Mr. Supreme.
    • SPEAKER_00
    • 03:45:58
      Good evening, Genevieve Keller, representing Preservation Piedmont.
    • 03:46:02
      I didn't know if you would take comment on preliminary discussions or really didn't prepare anything, but our advocacy committee did meet electronically, and I sent you a letter earlier today, which I guess are our preliminary thoughts on this, which is very important.
    • 03:46:20
      I would just like to say that
    • 03:46:22
      As the members of the BAR, in effect, you're the curators of the mall, which is our city's special space.
    • 03:46:30
      It's listed in the National Register.
    • 03:46:33
      The landscape is now listed in the National Register as well.
    • 03:46:36
      And so I'd just like to point out that any demolition of an existing building on the mall
    • 03:46:43
      Lawrence, Sirius Consideration, and you are the ones who make that decision.
    • 03:46:49
      A lot of the preliminary discussion today was about the height and setbacks and this and that, but it's a very serious thing to approve a demolition, especially one
    • 03:47:03
      of this size on the Mall and through the Water Street.
    • 03:47:11
      We aren't especially concerned about height, just as Jeff said, the BAR hasn't been especially concerned about height.
    • 03:47:17
      I'd be probably very enthusiastic to see a project of this type on Water Street, Bridge McIntyre, other places on the Mall,
    • 03:47:27
      at the West End, maybe okay, but as Councillor Payne said, if this were to be a trend on the entire mall, I would be very concerned.
    • 03:47:36
      Preservation Pima would be very concerned.
    • 03:47:39
      In effect, this ordinance has monetized our airspace.
    • 03:47:43
      I talked till I was blue in the face to people about do we want to do transfer development rights or something like that but we didn't and so here we are and you are our first guardrail you make those decisions and I just ask you to take your positional responsibilities and authorities very seriously
    • 03:48:02
      And then I'm going to do it aside because I'm the hometown gal.
    • 03:48:07
      And to me, this is Vinegar Hill.
    • 03:48:10
      And that hotel space is Vinegar Hill.
    • 03:48:12
      It was more the mixed-race, wider part of Vinegar Hill.
    • 03:48:16
      and
    • 03:48:32
      and
    • 03:48:48
      of Vinegar Hill
    • 03:49:08
      of Building in a Historic Context, and so I think he takes this seriously, but this is a big step for all of us, and we're happy to go this journey with you, but it's fraught with a lot of thanks.
    • 03:49:24
      Thank you.
    • James Zehmer
    • 03:49:28
      Thank you, Ms.
    • 03:49:29
      Keller.
    • 03:49:29
      Any other members of the public or online?
    • 03:49:43
      Rick, if you've got some thoughts, why don't you go ahead and share?
    • SPEAKER_28
    • 03:49:50
      Sure, thank you very much.
    • 03:49:54
      I'm probably really big and really loud.
    • 03:50:01
      Oh, that's great.
    • 03:50:02
      So I want to say a couple of things.
    • 03:50:05
      One is, I too, not super concerned about the height or tall building going in this location.
    • 03:50:14
      I do feel like it's a little bit awkward that this site would be developed so tall, but without the
    • 03:50:20
      former clock shop or the Waterbird property.
    • 03:50:23
      I know that's not owned by the owner, but it seems a bit awkward to be forcing height towards the mall when that site is just adjacent.
    • 03:50:34
      And it seems like this project would make that property
    • 03:50:37
      Quite obsolete in some ways.
    • 03:50:42
      The thing that I just had in my mind as I was thinking about so many of a great experiences and memories of them all, or is that time of day?
    • 03:50:52
      5, 6 p.m.
    • 03:50:55
      And I just did a quick Google search for Charlottesville.
    • 03:50:59
      And look at this image, we've all seen the mall at times when the sun slips down, the length of the mall shines under the trees off the bricks.
    • 03:51:08
      And I just wanted to know that I feel like the sun studies are really inadequate for the impact that this project could have.
    • 03:51:17
      I don't know because we can't.
    • 03:51:19
      We haven't looked at what that summertime at 5, 6, 7 p.m., the most busy and most vital time in the entire mall's life throughout the year.
    • 03:51:29
      And so I think it would be just really good for the owner to be aware of that impact.
    • 03:51:37
      It may or may not be, but to me, in my mind's eye, that sun slips right through that crack about that spot.
    • 03:51:45
      where I might not be concerned about necessarily the height per se, the setback might be a really important consideration and the sun studies might be way more, they may not make a big difference for the land right outside of the project immediately in the block adjacent, but it could have still very big impact on the experience of them all generally.
    • 03:52:10
      And this is not about the health of the trees, this is about just the environmental,
    • 03:52:16
      Aesthetic impact of our most precious public space at the most popular time of the evening.
    • James Zehmer
    • 03:52:29
      Thank you, Breck.
    • 03:52:30
      I think that's a really good image that you pulled up and you make a good point.
    • 03:52:40
      I think, well, I'm going to hold my comments and invite the rest of you.
    • SPEAKER_26
    • 03:52:45
      So I'd just like to address Mr. Levine is asking us, I mean, the first bullet point was about demolition.
    • 03:52:54
      And when you come to us and ask us to demolish
    • 03:52:59
      It's incumbent on you to convince us why you should demolish.
    • 03:53:03
      And I'm sure you've looked at the guidelines, but I'm just going to read them out just because we don't get demolitions all that often.
    • 03:53:09
      The last time was actually for Browns if I'm not mistaken, which was a while ago.
    • 03:53:15
      So the review criteria for demolition
    • 03:53:22
      Public necessity of the proposed demolition, public purpose or interest in the land or buildings to be protected, whether or not a relocation of the structure would be a practical or preferable alternative, whether or not the proposed demolition would adversely or positively affect other historic buildings or the character of the historic district.
    • 03:53:43
      The reason for demolishing the structure and whether or not alternatives exist
    • 03:53:49
      and finally whether or not there has been a professional and economic structural feasibility study for rehabilitation or reusing the structure and whether or not it's finding support the proposed demolition.
    • 03:54:03
      Further, the specific criteria and I don't have the new zoning ordinance reference, sorry, but basically looking at whether
    • 03:54:16
      in general, whether we move, remove, encapsulate, or demolish in whole or in part any protected property.
    • 03:54:24
      The historic architectural and cultural significance of any specific structure or property
    • 03:54:31
      including without limitation the age of the property, whether it has been designated nationally or on the state level, whether and to what extent the building or the structure is attached to a historic person, architect or master craftsman or a historic event, whether the building or structure or any of its features represent an infrequent or first or last remaining example within the city,
    • 03:54:54
      of a particular architectural style or feature, whether the building or structure is such of an old or distinctive design structure or material that it could not be reproduced or could be reproduced only with great difficulty, the degree to which distinguishing characteristics, qualities, features or materials remain
    • 03:55:16
      Excuse me as I go on and on, but this is important stuff, guys.
    • 03:55:19
      This is what we should be talking about tonight.
    • 03:55:22
      The applicant wants us to demolish.
    • 03:55:24
      He's stood up and not given us a reason, so I just want to refocus this.
    • 03:55:28
      I'll be done in about a minute.
    • 03:55:30
      Whether and to what extent a contributing structure is linked historically or aesthetically to other buildings or structures within an existing major design control district, or is one of a great group of properties within such a district,
    • 03:55:44
      whose concentration or continuity possesses greater significance than many of the component buildings.
    • 03:55:51
      The overall condition and structural integrity of the building and structure as indicated by studies prepared by a qualified professional engineer and provided by the applicant and other information provided to the board.
    • 03:56:03
      Whether and to what extent the applicant proposes means, methods, or planning for moving, removing, or demolishing the structure property that preserves portions, features, or materials that are significant to the property's historic, architectural, and cultural value.
    • 03:56:22
      That's what we should be talking about if you're asking us that we want to demolish.
    • 03:56:27
      And I think we have to talk about the demolition before we can really talk about what's going to go in place of it.
    • 03:56:35
      If we don't say yes to the demolition, I don't know how we can fantasize about a replacement building that Mr. Levine wants us to approve there.
    • 03:56:46
      I just think it's cart in front of the horse or horse in front of the cart.
    • James Zehmer
    • 03:56:49
      I think we've also had discussions on this board about granting a COA for demolition without having an idea of what's being built back in its place.
    • 03:57:00
      So you can kind of run in circles.
    • 03:57:03
      I don't disagree with what you're saying.
    • SPEAKER_26
    • 03:57:05
      Well I think there was there was an approach previously with
    • 03:57:08
      and all of our previous staff that we should not pay any attention to what would replace the proposed demolished building.
    • 03:57:18
      I don't think that's the case here.
    • 03:57:19
      We've been given a pretty good idea by Mr. Levine.
    • 03:57:22
      I think what we know would be there, what he anticipates
    • 03:57:28
      He'd like to get out of us under the new zoning ordinance.
    • 03:57:31
      Like we all have said, it's brand new territory.
    • 03:57:34
      But I don't think by any means we would be ignoring that and looking at the demolition.
    • 03:57:41
      I mean, I think he's been really transparent about it.
    • 03:57:43
      And I think we've seen it.
    • 03:57:44
      So I don't think we're doing that charade.
    • 03:57:46
      Like the last time I was on the BAR, we would do that.
    • James Zehmer
    • 03:57:50
      Mr Bailey.
    • Jeff Werner
    • 03:57:55
      The architect on the project has raised his hand.
    • 03:57:58
      I don't mean to interrupt, but just point that out when Ron's done.
    • SPEAKER_08
    • 03:58:05
      Having listened to those requirements, those guidelines, I don't think that demolition of this property would violate any of those guidelines.
    • James Zehmer
    • 03:58:16
      Architects speak.
    • SPEAKER_09
    • 03:58:21
      You can draw the card in here from J. L. Slater.
    • 03:58:23
      I actually just wanted to address quickly the comment
    • 03:58:29
      on the screen here about the kind of the golden hour 5 to 6 p.m.
    • 03:58:34
      sunset.
    • 03:58:36
      Just wanted to note that we are on the east end of the wall.
    • 03:58:38
      We would not be blocking any sunlight coming through from the sunset on the west.
    • SPEAKER_08
    • 03:58:43
      That's absolutely incorrect.
    • 03:58:45
      Wrong.
    • 03:58:46
      You're on the west.
    • SPEAKER_26
    • 03:58:47
      Is he the project architect?
    • SPEAKER_09
    • 03:58:50
      I'm sorry.
    • 03:58:50
      I'm sorry.
    • 03:58:53
      Excuse me.
    • 03:59:06
      Time of day during the warm months would be north of our project.
    • 03:59:12
      That's what I wanted to say.
    • 03:59:13
      Excuse me.
    • Jeff Werner
    • 03:59:15
      Mr. Gaskiner's point is that this is a moment on the maw, an experience on the maw, and not necessarily a locational of, oh, this will occur or not.
    • 03:59:28
      So I think he was, that's, that was my understanding of it.
    • 03:59:30
      So I think I'll.
    • 03:59:31
      Yeah.
    • SPEAKER_28
    • 03:59:32
      And I just, okay.
    • James Zehmer
    • 03:59:39
      And I think it's, I think Breck, if I can speak for you, I think your point was that the sun study needs to be further flushed out.
    • 03:59:47
      And really, we saw like three slides that were quickly, quickly flipped through.
    • SPEAKER_28
    • 03:59:52
      Yes.
    • 03:59:53
      And the sun in this image is coming directly over the site where the project is being proposed, even though this is like four blocks to the east.
    • 04:00:06
      Yes.
    • James Zehmer
    • 04:00:10
      So I agree with Ms.
    • 04:00:11
      Lewis to think, you know, demo is certainly one hurdle we have to get over, but I do think that there's
    • 04:00:18
      We should provide some feedback on at least the massing and scale of the building.
    • 04:00:26
      We get to do all night talking about demo and not get any further.
    • 04:00:29
      So I think you make some good points and that is certainly something that the... Thank you for making one comment.
    • 04:00:34
      Well, I do think, I agree with you that the burden is on the applicant to prove to us why we should allow for the demolition of a building, especially a contributing structure on the downtown mall.
    • 04:00:46
      So
    • 04:00:49
      and then I think we would have to figure out the whole partial COA or if that would be its own standalone COA and then a separate COA for the building project.
    • Jeff Werner
    • 04:00:57
      Oh, it absolutely would be, yeah.
    • 04:01:00
      Zehmer.
    • James Zehmer
    • 04:01:00
      That's the more proper way to go about that.
    • 04:01:05
      So, does anybody else have any other thoughts on the demolition in particular?
    • Carl Schwarz
    • 04:01:12
      I mean, I agree with Ron that it's, I think if you brought us that argument and looked at all those items that we're supposed to review, that it, yeah, I'm not sure I would have much trouble accepting a demolition.
    • 04:01:26
      There's not much left of that building that I think dates to the department store that used to be there.
    • 04:01:32
      I mean, obviously it got changed to be the Regal Theater and then I think the whole front of it, it got demolished and rebuilt for the
    • 04:01:40
      Not just the front facade, but going back about 10 feet for the violet crown.
    • Jeff Werner
    • 04:01:46
      A note on the, when you all were looking at this in 2014, Mary Joy noted that the front, at that time, the regal cinema facade was non-contributing.
    • 04:01:57
      So it's, I mean, not that it particularly matters, because we would be talking about the entire site, but if someone wanted to remove that facade,
    • 04:02:10
      would necessarily require a P&A approval.
    • Carl Schwarz
    • 04:02:14
      The brickwork that's on 2nd Street, that could be old, but I know the stuff that goes around the back that wraps around the back of Waterbird, that is definitely 1980s, 90s brickwork, the way it's detailed and it matched what was on the front of the Regal Theater at one point.
    • Jeff Werner
    • 04:02:35
      This building is a lot like that house on Hartman's Mill Road, like the Winchester house that's grown.
    • 04:02:44
      When I was trying to evaluate this through the old sandborns, it was difficult to piece it together.
    • 04:02:50
      So but certainly looks like we're going to possibly have an opportunity to do that.
    • 04:02:54
      So I will take a hard look at those things.
    • James Zehmer
    • 04:02:59
      So in terms of like scale and massing, I mean, I think Mr. Levine is kind of
    • 04:03:04
      I think
    • 04:03:19
      Encouraging Housing downtown is an important one.
    • 04:03:23
      It could bring vivacity back to downtown in a major way.
    • 04:03:28
      But I think that this is also the test case of how to do that sensitively within a historic district, and especially, arguably, one of our most important historic districts.
    • 04:03:38
      The downtown mall is on the national register of historic places.
    • 04:03:42
      So we need to do this thoughtfully and carefully if it moves forward.
    • 04:03:49
      I think that the BRR certainly does have the right to exercise its authority to limit the height of this building to within two stories or two stories of the existing height of the buildings on the downtown mall.
    • 04:04:07
      I do think Second Street, at least a little ways back, as you can see it from the mall, is kind of contextually part of the mall.
    • 04:04:16
      Ms.
    • 04:04:16
      Keller's email earlier today, I think, had some
    • 04:04:19
      Valid Points about allowing for height to increase as you work your way back up towards Water Street.
    • 04:04:29
      And so I think there's ways to work with the applicant and the design to try and mean the middle and achieve our goals of allowing more housing, but also doing it sensitively in a historic district.
    • 04:04:46
      The code building is successful in my mind because it does step back and it isn't like this huge mass that overwhelms the downtown mall.
    • 04:04:56
      In the images that were shown earlier, kind of looking at the violent crown as if the pedestrian were standing on
    • 04:05:02
      The Mall, you don't see the code building from that perspective.
    • 04:05:06
      And so from the human scale, it's not looming over you.
    • 04:05:10
      And so I'm wondering if there's a way to try to kind of, I think Mr. Levine's shown some stepbacks in, like you said, the sort of by code what you could build would never pass.
    • 04:05:23
      I think you would agree.
    • 04:05:25
      I think what your next proposal is, I think, probably would need to get
    • 04:05:32
      Get some massaging, at least from my perspective, to try and kind of finesse that.
    • 04:05:37
      And I think stepping back would also help maybe address some of Breck's concerns in terms of sunlight getting through to the mall and shining down the mall.
    • 04:05:49
      So those are my initial reactions, but we'd love to hear everyone else's thoughts.
    • Jeff Werner
    • 04:05:54
      Can I just offer some clarification again that
    • 04:05:58
      for the folks in the room, and I know a lot of people are paying attention to this, and I think some of them are experienced last night.
    • 04:06:06
      Folks not understanding exactly what the BAR's purview is.
    • 04:06:11
      So your guidance, your direction, or your charge from council is to apply the design guidelines.
    • 04:06:19
      As I mentioned, arguably the design guidelines would
    • 04:06:23
      rigidly applied would suggest a shorter building here.
    • 04:06:27
      I don't think that that's where you all are going to go.
    • 04:06:30
      I never thought you would head in that direction.
    • 04:06:33
      But when people will say to me, the BAR can't allow this or the BAR would be horrible if they didn't allow this.
    • 04:06:44
      The BAR can only approve a COA for that
    • 04:06:50
      has conditions that might limit the height or it can deny a COA for a requested height.
    • 04:06:57
      But they are approval or denial or approval with conditions is you all are not the final say.
    • 04:07:03
      And so I think I appreciate where we want to go with me to sort of understand where
    • 04:07:14
      You know, everyone wants to kind of go along here, but you know, you all are, if the applicant disagrees with what your judgment is on this, they can appeal that to counsel.
    • 04:07:26
      Correspondingly, if someone doesn't like that you've approved something, they can appeal to counsel and say, you know, BAR didn't follow its rules.
    • 04:07:36
      So there are, there is a mechanism in place within this process, and then you all have been through it.
    • 04:07:41
      So I just want to make sure
    • 04:07:42
      Everyone has clear out there that, yeah, the BAR has a role in this, but the decision on whether or not a building in the city of Charlottesville gets built within an ADC district is counsel in all, all decisions are appealable to counsel and so just to keep that in mind.
    • 04:08:04
      So, I apologize for the injection there, but I wanted to be clear with everybody.
    • SPEAKER_04
    • 04:08:12
      With the shading studies, I would like to know what specific trees are affected and get a sort of a report from the tree people if this would affect their health and or kill any of these trees because of the height of this building and the shading that it's throwing.
    • Carl Schwarz
    • 04:08:48
      about the shade studies.
    • 04:08:50
      I actually find what you provided us very helpful.
    • 04:08:56
      In one sense it is helpful that it shows how much a step back actually helps.
    • 04:09:04
      for example, the six-story buildings that you're showing on the site.
    • 04:09:09
      Generally, even though it looks like the shadows crossing the entire mall, knowing how shadows work, the treetops will probably still be in the sun.
    • 04:09:17
      Now, I know that doesn't work when you have your 184 foot tall building right there, but I think some step backs might allow you to have your height, but still not completely shade out the downtown mall all times of the day.
    • 04:09:36
      I'm going to jump right into massing.
    • 04:09:40
      I think you are going to need to have, we're going to have to require that 25 foot step back that we're allowed to require review on the mole face.
    • 04:09:48
      And maybe you go up three stories to match the height of the lowest portion of the code building.
    • 04:09:55
      And that's, I'm using stories in the sense of
    • 04:10:00
      Council has limited us
    • 04:10:16
      So I think limiting the mall front to about the height of what's currently on the mall, which is, I think, you know, going up to the height of the lowest portion of the code building is still three very tall stories for you.
    • 04:10:29
      Coming back 25 feet, maybe you pop up another two or three stories, then maybe you come back another 25 feet, maybe a little more, you know, go as high as the zoning code will let you.
    • 04:10:44
      I would like to
    • SPEAKER_02
    • 04:11:04
      If I measured on GIS correctly, you've got 160 feet from the mall to the water bird property.
    • Carl Schwarz
    • 04:11:22
      So I'm taking 25 off first and that gets you 155 feet or 135 feet.
    • 04:11:28
      Another 25 off of that gets you 110 foot long building.
    • 04:11:32
      And that's the water bird.
    • 04:11:34
      You still have another chunk that sticks out towards Water Street.
    • 04:11:38
      I understand that's not that's that's really cutting a huge, you know, third off of your building.
    • SPEAKER_03
    • 04:11:44
      But I'll take a look at it, but I think just talking
    • 04:11:53
      and Michael Kochis
    • Carl Schwarz
    • 04:12:10
      And this is where I think we need to listen to what Councillor Payne said, and the BAR and the council needs to have a discussion, probably with, you know, not just our two parties, but others as well, to figure out, all right, what does the city want?
    • 04:12:25
      I personally, you know,
    • 04:12:27
      To me, density downtown does not necessarily mean density right up on Main Street.
    • 04:12:32
      It could mean density on the two parking lots on Water Street, or we have another parking lot that Woodard owns on Market Street.
    • 04:12:40
      There's various locations that are downtown that would greatly increase the number of people downtown that aren't necessarily right on the mall.
    • 04:12:51
      So, yeah, I guess this is what I think you would need to do to
    • 04:12:57
      Satisfy Preserving the Mall
    • 04:13:13
      I think that you're going to need to use our, we're going to have to impose the step-backs on you that we've been allowed to impose.
    • 04:13:18
      You're thinking too?
    • 04:13:23
      Yes, yeah.
    • SPEAKER_02
    • 04:13:24
      Because there's no limit as to how many you can ask for in a code.
    • Carl Schwarz
    • 04:13:28
      I'm thinking you need to come back a good 50, at least 50 if not more feet before you go up the height that you think you can get with this unencoded.
    • 04:13:42
      That's somewhat arbitrary and that's, again, I think your shadow studies are really helpful and I think seeing more of that would be helpful.
    • 04:13:52
      Yeah, I'm going to stop there.
    • James Zehmer
    • 04:13:55
      No, I mean, I think you echoed a lot of what I was trying to say.
    • 04:13:59
      When I mentioned the two stories, I think I was meaning on the downtown mall side and not really going much higher at that street face.
    • 04:14:07
      Totally agree with you that there are plenty of other places to go really big downtown that aren't right up on the mall.
    • 04:14:15
      Yeah, I echo Carl's sentiments as well.
    • SPEAKER_21
    • 04:14:19
      I'd like to point out a different issue, and I don't know where it is exactly in the drawings.
    • 04:14:26
      I don't know my computer in front of me, but in some of the sections, you had your bottom retail and you had your midsection that was somewhat dedicated to parking?
    • SPEAKER_16
    • 04:14:38
      Not necessarily.
    • SPEAKER_21
    • 04:14:40
      Yeah, I would be very, I would be, you know, concerned about that.
    • 04:14:46
      Like that to me seems like a use or a formulation of a building while it works okay down to 32 or 323 over on Water Street.
    • 04:15:00
      It doesn't seem applicable.
    • 04:15:02
      This is one of those situations where
    • 04:15:05
      You know, given where we are, given where your location is, even though it's just two blocks away, it's a completely different, you know, a different scenario.
    • SPEAKER_03
    • 04:15:17
      I'm sorry to go back to what Jeff Werner said, the purview of the BAR is not to look inside the building.
    • SPEAKER_21
    • 04:15:23
      That's true.
    • SPEAKER_03
    • 04:15:24
      It doesn't matter whether it's one story or it can't be more than 13 stories, but it doesn't matter how high a story is.
    • 04:15:31
      So that elevation probably should be in there because I don't even know
    • 04:15:34
      The context of what would be in that 184 or 134 feet, it could be as long as it complies with the use code if we want an enormous parking machine.
    • SPEAKER_21
    • 04:15:47
      That's true, but then again, the reality is that when you drive by the 323 and you look at that facade, you know that's parking in there.
    • 04:15:57
      There's a direct exterior effect of the function sometimes that happens.
    • SPEAKER_03
    • 04:16:02
      The new facades these days, you can't tell whether it's parking or just
    • 04:16:07
      Well, I would actually maybe disagree with that.
    • 04:16:10
      Depending on how it's, there's a good chance that it could affect the exterior.
    • 04:16:16
      I think the other issue there is
    • SPEAKER_21
    • 04:16:33
      just the traffic circulation.
    • 04:16:35
      That's a tight site.
    • 04:16:36
      And so then I'd start to consider how all the, you know, the traffic starts to influence, you know, the surroundings.
    • 04:16:47
      You know, that's in our purview as well.
    • SPEAKER_02
    • 04:16:50
      So I think it's a... Yeah, the street, the street development, the streetscape.
    • SPEAKER_21
    • 04:17:00
      Yeah, definitely.
    • 04:17:02
      So it's a, you're right, it's not, the interior is not, but it's something to consider, especially in this particular case, just given the effects on the outside.
    • Jeff Werner
    • 04:17:22
      You know, it's not in the BAR's purview to say, oh, that's going to put 100 cars on 2nd Street.
    • 04:17:28
      But it is within your purview, that streetscape and that sort of where are things going in and out of that building.
    • 04:17:35
      So it's a, it's traffic related, but it's not evaluating traffic.
    • 04:17:40
      Correct.
    • SPEAKER_03
    • 04:17:40
      I look at more that's in the risk-egress.
    • 04:17:43
      Yeah.
    • SPEAKER_02
    • 04:17:43
      Exactly.
    • SPEAKER_04
    • 04:17:54
      Were you going down under this building?
    • 04:18:00
      Just one.
    • 04:18:02
      Is it possible to do more?
    • SPEAKER_03
    • 04:18:05
      Not really.
    • 04:18:06
      With the soil conditions, this rock gets extremely expensive.
    • 04:18:10
      It's all prohibitively expensive.
    • SPEAKER_02
    • 04:18:15
      I studied that for 218 actually.
    • SPEAKER_03
    • 04:18:26
      and
    • James Zehmer
    • 04:18:43
      are raising their hand to speak.
    • SPEAKER_03
    • 04:18:45
      I still have a comment from Missy Creasy.
    • 04:18:46
      She's just offered to speak up about literally having a hard time
    • SPEAKER_26
    • 04:19:12
      Thank you.
    • James Zehmer
    • 04:19:25
      Yeah, you can take the microphone if it's helpful, but that microphone is, the reason we ask people to use the microphone is so that people online can hear.
    • 04:19:37
      So who's the other person?
    • 04:19:40
      Sorry, Breck, we'll get back to you in a second.
    • SPEAKER_10
    • 04:19:43
      Who's the other person?
    • James Zehmer
    • 04:19:47
      Mr. Vanda Sumpel, would you like to speak please or Mrs. Sorry, Mo.
    • SPEAKER_15
    • 04:19:53
      It is a mistake, but I appreciate it.
    • 04:19:56
      So I guess I can't find a way to turn my camera on.
    • 04:20:00
      I just, I have a feeling, again, I'm just a matter of a member of the public on this, and it's possible that I'm missing out upon the authorities that you do have.
    • 04:20:10
      However,
    • 04:20:13
      I can't feel that you're missing fundamental information here, but I do think it could be provided by Mr. Levine, which is simply what the counterfactual is if your role as a body
    • 04:20:29
      Maximize is the aesthetic appeal of the mall and what doesn't doesn't fit within the aesthetic purview of the mall.
    • 04:20:35
      If the counterfactual for this site is that we have a boarded up one story used to be movie theater, then frankly, I think we should be on our hands and knees begging Mr. Levine to build anything here that might inject some more life.
    • 04:20:52
      If the alternative is not that, if the current layout of it is economically feasible and could retain in the long run, that seems like an entirely different story, and that this entire debate is sort of fundamentally built on what the counterfactual is, and I think without information on what that would be, whether
    • 04:21:14
      for example a movie theater but maybe more importantly whether a two-story building which is currently what we have there is long-term economically viable.
    • 04:21:23
      That seems like a much more relevant question here and I frankly don't see how you can really have any of the discussions you've been having until you know what the counterfactual is to this.
    • 04:21:35
      And that's really the only point I wanted to make.
    • 04:21:37
      I appreciate your time.
    • 04:21:38
      Thank you.
    • James Zehmer
    • 04:21:39
      Thank you for participating.
    • 04:21:44
      Breck, would you like to speak?
    • SPEAKER_28
    • 04:21:48
      Sure, I'll be brief.
    • 04:21:50
      Since my audio, it seems like somebody has an extra audio on or something.
    • 04:21:56
      Anyway, this is perhaps, since my vote doesn't count tonight and I don't count towards quorum, I'll make a comment as a Charlottesville citizen.
    • James Zehmer
    • 04:22:04
      We're not voting, Breck.
    • SPEAKER_28
    • 04:22:07
      Yeah, no, I know.
    • 04:22:08
      I'm saying since I don't count towards quorum anyway tonight, I'll make a
    • 04:22:13
      a comment based on me being a citizen and not a member of the BAR.
    • 04:22:17
      I would just be asked, I would just suggest to the city to be very, if they are looking to grant particular bonuses based on affordable housing, I just will be very skeptical of affordable housing being truly affordable in probably one of the highest
    • 04:22:41
      You know, valued sites in the entire city.
    • 04:22:44
      I don't particularly, I'm not afraid of the height architecturally, but I do think that that's a very big bonus, and I'm skeptical of that claim.
    • James Zehmer
    • 04:23:03
      Thank you, Mr. Gastinger.
    • 04:23:07
      Not, not representing the AR.
    • SPEAKER_17
    • 04:23:18
      I've got a brief comment.
    • 04:23:21
      I agree with a lot of my colleagues about the step backs, especially on Main Street, on the Mall.
    • 04:23:30
      But I think I also want you to concentrate on the pedestrian experience on Second Street, because I think that is a really important, also important extension of the mall in a lot of ways.
    • 04:23:43
      And I just don't want that to have sort of second fiddle.
    • SPEAKER_03
    • 04:23:53
      and
    • 04:24:10
      It should be connected to the mall, but it's so far.
    • 04:24:12
      It's not, but Second Street connecting it would help a lot of those areas kind of collect, you know, collectively come together, which is also why I think we need housing on the mall because it takes away from cars.
    • 04:24:24
      It allows people to walk to the apex of 323.
    • 04:24:28
      We don't have that opportunity now.
    • 04:24:29
      So I'm with you.
    • SPEAKER_23
    • 04:24:34
      I have a question for you.
    • 04:24:35
      In some of the subsequent shadow studies you sent, you showed a six-story building option.
    • 04:24:44
      Is that something you're considering or is that just for illustrative purposes?
    • SPEAKER_03
    • 04:24:50
      No, I don't think the economics work for a six-story building.
    • 04:24:53
      I was just using, unless it's maybe a hotel, like that's
    • 04:24:58
      I was just saying, if the BAR had a vision that contextually, that's what it should be, a six-story building, I wanted to point out that the shadows are not that different, but I understand I have to study more hours of the day in different angles and we will provide all that, which is important to our architecture anyway, but that's why I did it.
    • SPEAKER_23
    • 04:25:21
      Thanks.
    • SPEAKER_08
    • 04:25:24
      Going back to an earlier point where Ms.
    • 04:25:27
      Lewis made about the demolition, I'm trying to get a sense of, do most of the folks here think that it would get a demolition COA at this table?
    • 04:25:39
      We're not supposed to reach consensus, but I think it would be helpful to let Mr. Levine know what the thinking is in that regard, at least as a preliminary matter.
    • SPEAKER_17
    • 04:25:49
      Yeah, I don't see any real historic
    • SPEAKER_04
    • 04:26:00
      I would hate to allow the demolition if we are going to put conditions on that he would then say that he would not build and we would then end up with a hole in the ground and so I think we are we need to think through the whole process
    • James Zehmer
    • 04:26:25
      Yeah, that gets back to that same age old question because we don't want to end up with a parking lot.
    • SPEAKER_03
    • 04:26:31
      Can I address?
    • 04:26:32
      I think we've done that.
    • 04:26:33
      I think we've done that before because I'm really respectful of it.
    • 04:26:35
      I think we've tied the demo to a building permit.
    • 04:26:40
      It's not just to demolish it.
    • 04:26:41
      Yeah.
    • 04:26:43
      First of all, that, yeah, that offends me also from from but but we can work that out.
    • 04:26:48
      It's not.
    • 04:26:49
      And also, I do want to point out
    • 04:26:52
      to Ms.
    • 04:26:53
      Lewis that, as I've done in the past, I will completely give a full COA of answering all those questions and I believe those will be answered and those will be satisfied.
    • 04:27:05
      It was a lot of work for this preliminary commerce, and you're not voting on anything.
    • 04:27:08
      But I understand that.
    • SPEAKER_26
    • 04:27:10
      I would observe that you didn't address it, but I'd also observe that even after I bored everybody with reading all the criteria, there wasn't much discussion.
    • 04:27:19
      In fact, Mr. Bailey said, and I'm not scolding anybody, I'm just saying, I think everybody's in agreement that they would demolish.
    • 04:27:25
      I think that's why we've had no discussion on it.
    • James Zehmer
    • 04:27:27
      I tend to agree with Carl and Roger that there's little left there that's
    • 04:27:35
      of Architectural Significance in terms of historic structure.
    • 04:27:37
      You know, you could argue there's a brick wall.
    • SPEAKER_26
    • 04:27:40
      Can I just talk like an architect for a moment?
    • 04:27:43
      Sure.
    • 04:27:44
      Which I'm not, but just say that there is an argument for sustainability that you're taking down not a perfectly good building, not a perfectly historic building, but a building that exists on the Mall and to just demolish it.
    • 04:28:02
      I think it's worth having a conversation.
    • James Zehmer
    • 04:28:05
      And Ms.
    • 04:28:06
      Keller actually raised that same point in her email earlier today that it's against the city's sustainability goals.
    • 04:28:15
      Rachel, not part of our purview?
    • 04:28:17
      I think it's our purview to take into account the city's comprehensive plan.
    • SPEAKER_03
    • 04:28:28
      What I could provide is probably a balance of the benefits to carbon footprint and sustainability by building a new building and what it would do for the environment versus having that building, if that helps make the decision just even clearer because I think on the line also with the cities, I believe, approach for the 2030 goal, having these projects lends itself more to that than having old buildings that are less efficient.
    • 04:28:54
      But I respect that, yeah.
    • James Zehmer
    • 04:29:06
      Mr. Parisi, would you like to speak, please?
    • SPEAKER_07
    • 04:29:09
      Hey, thanks.
    • 04:29:10
      My name is Mike Parisi.
    • 04:29:11
      I live at 932 Charlton Avenue.
    • 04:29:15
      I'm looking at a view on Google Maps on the Mall Street View, more or less, from Millers.
    • 04:29:26
      No one's talking about the effect that the trees would have on the visibility of the building.
    • 04:29:32
      From here, when the trees were leafed out, you're not really going to notice the building as much.
    • 04:29:39
      I bring this up just because I'm hearing a lot of critiques or observations about the building from a point of view of aesthetics and experience at the mall, but not about our housing crisis.
    • 04:29:56
      I would really encourage you to think about this project from that point of view if you're going to take into account the comprehensive plan and things that might be technically outside of your purview.
    • 04:30:12
      Sustainability-wise, the most sustainable kind of building for people to live in is an apartment building.
    • 04:30:18
      and this would make a lot more of those units possible.
    • 04:30:23
      So I would just encourage you going forward to kind of look at this at a different lens, not entirely in opposition, but in addition to the lenses I'm hearing so far.
    • 04:30:34
      Thanks a lot.
    • James Zehmer
    • 04:30:38
      Thank you.
    • SPEAKER_04
    • 04:30:46
      Ready?
    • 04:30:48
      A general question for all of us.
    • 04:30:50
      This plan is in front of the court.
    • 04:30:56
      And it's possible that the zoning thing could be thrown out.
    • 04:31:01
      Is this going to change what we as the bar are going to deal with?
    • 04:31:07
      Let me say this plan.
    • James Zehmer
    • 04:31:08
      Do you mean this particular?
    • 04:31:09
      The zoning code.
    • Jeff Werner
    • 04:31:10
      The zoning code.
    • 04:31:15
      I would answer it this way.
    • 04:31:20
      What information would you all need to evaluate a project?
    • 04:31:23
      There are some general things that are germane
    • 04:31:43
      I don't say regardless, I don't like that word, but if something changed in your ordinance, there are parts of this discussion that are still valid and helpful.
    • 04:31:52
      But that would be one of those I don't know answers and we would have to respond accordingly.
    • 04:32:00
      I did want to offer that and I
    • 04:32:04
      a mentor of mine and Sally Thomas who was on the board of supervisors forever.
    • 04:32:09
      She used to tell me, Jeff, you were really good at your job when I worked at another place because I always reminded the county and city of what their comprehensive plan said.
    • 04:32:20
      And I've had a lot of folks point out to me, you know, the BAR needs to follow the comprehensive plan and the city's policy.
    • 04:32:27
      And I agree with that.
    • 04:32:28
      And I, as a city resident, I agree with that.
    • 04:32:31
      But
    • 04:32:33
      The comprehensive plan also speaks to, you know, as far as our direct, your direction on the BAR.
    • 04:32:38
      For example, their goal six main, you know, refers to the downtown mall about it's a vibrant historic district and, you know, study how the downtown mall can be more welcoming and inclusive for people.
    • 04:32:51
      So that's in there.
    • 04:32:52
      But they're also recognizing it as a historic central place.
    • 04:32:57
      There are
    • 04:32:58
      and all of
    • 04:33:18
      The form in the downtown core, primary, central mixed, a primary, central mixed use activity hub for the city, the form should be compatible with and respond to the existing urban scale and historic civic context.
    • 04:33:32
      That's in the comprehensive plan.
    • 04:33:33
      So, so I agree that there are elements of the comprehensive plan.
    • 04:33:39
      Yes, that's the city's policy, but but I
    • 04:33:43
      There are, there's a broad range of things in here which are instructive to the BAR.
    • 04:33:49
      So I just want to keep that in mind.
    • 04:33:51
      I'm not speaking against or for anything and just saying that, yeah, that appreciate that person's reference to the comprehensive plan.
    • 04:34:00
      And there are instructions in there for the BAR to follow relative to development on the downtown mall.
    • SPEAKER_26
    • 04:34:11
      Are you doing any sort of commercial use on the ground floor or is it completely like walk in, walk up, coffee shop or anything?
    • SPEAKER_03
    • 04:34:22
      Well definitely on the mall side there'll be retail to continue that and there'll be lobby as far as the exact programming I don't know but it's important to have activity and a retail experience on the mall.
    • SPEAKER_26
    • 04:34:39
      I mean I think that's part of what Jeff was saying, one of the things that we look at, just looking at other buildings, certainly when, maybe this was a department store, I don't know if there was activity in front of it, but it's, that movie theater for the last 25 years has been a place where people gather all the time, they meet each other, they're
    • 04:35:02
      Lingering after that and deciding where they're going to dinner afterwards.
    • 04:35:06
      And it does really provide a lot of vibrancy at the end of that mall, along with other amenities there.
    • 04:35:14
      But there is a livelihood of kind of pedestrian activity and use.
    • 04:35:21
      a real use that would be lost if people are just walking in a front door and going up an elevator.
    • 04:35:30
      So that's why I asked.
    • 04:35:32
      It makes a difference to me.
    • 04:35:34
      You're just not providing a penthouse where people head in and there's no activity on the street level and we lose 100 feet on the mall to, you know, maybe pretty architecture but not really street engagement.
    • James Zehmer
    • 04:35:49
      Yeah, I mean, I think that just speaks to the character of the downtown mall.
    • 04:35:52
      Yeah.
    • 04:35:52
      There's retail and commercial front on the ground floor level.
    • SPEAKER_21
    • 04:35:57
      But it'd be wonderful to have, you know, that kind of, that sort of ratio of mixed use where it's commercial on the first floor and just all residential.
    • 04:36:06
      I mean, I don't think anybody here disagrees with the need for housing and affordable housing and everything.
    • SPEAKER_03
    • 04:36:15
      I mean, heck, to your point of the tall, I mean, a theater could go back in.
    • 04:36:19
      There's no conclusion of that.
    • 04:36:20
      If the economics
    • 04:36:22
      We have to acknowledge that a theater is selling the building, and I didn't approach them.
    • 04:36:30
      A theater operator who operated a theater for a very long time here decided to sell their property.
    • 04:36:38
      The fact that there's someone operating there under release short term is a completely different, so that should tell us something about that.
    • 04:36:48
      So what I'm really trying to get to is an envelope.
    • 04:36:52
      You know, the stuff you're talking about the retail and the stuff on Second Street is that, and I've talked to James about this, one of the challenges is I thought we were going for kind of a form-based code to understand what is as of right.
    • 04:37:06
      So people like me could do our job and come back to you with the design aesthetics and talk about all the things that we talk about.
    • 04:37:13
      But I don't even know the envelope I'm allowed to build because of this permission to change step backs and height.
    • 04:37:23
      And so that's the guidance.
    • 04:37:26
      And a lot of what you're talking about
    • 04:37:29
      Carl Schwarz
    • 04:37:44
      We can have a conversation and Councillor Payne brought it up about all these things we want to discuss, but right now we're acting under a code that spent a lot of time that says this area around here within a certain is a DX zone of 184 feet.
    • 04:37:58
      That's the rules right now.
    • 04:38:00
      The exception to the rule is that you have the power to reduce that, and I respect that.
    • 04:38:07
      I just try to
    • 04:38:09
      and
    • 04:38:30
      Um, sense and feeling of them all.
    • 04:38:33
      So that's, and I'm open to, I mean, if we could do a hundred foot step, we could do whatever.
    • 04:38:38
      I just try to understand what are the rules so I can go and that's what's been really frustrating in this city for a long time as to, you know, if you told me I need six things of cheese on a burger, then at least I know that's what I do.
    • 04:38:53
      I have to provide cheeseburger with six things of cheese.
    • 04:38:55
      I just don't know here.
    • 04:38:58
      and so on.
    • 04:39:20
      That's why I'm here having the discussion.
    • SPEAKER_26
    • 04:39:22
      Can I reply?
    • 04:39:24
      The reason why I asked about commercial activity was that that makes a difference to me.
    • 04:39:30
      If you're saying that you're putting a Park Avenue penthouse there with a security guard out front and there's no activity on the downtown mall, I'm probably going to want to step you back a little bit.
    • 04:39:41
      And I probably will want to step you down two stories.
    • 04:39:43
      I'll be honest.
    • 04:39:45
      This is the purview that we have.
    • 04:39:47
      This is why the guidelines are there.
    • 04:39:49
      That's why I brought it up.
    • 04:39:51
      You're coming back and saying, what are you going to give me?
    • 04:39:53
      I'm like, what are you going to negotiate and give me?
    • 04:39:55
      This is the beginning of our conversation, Mr. Levy.
    • 04:39:59
      My conversation about what you're putting on your first floor was not irrelevant.
    • 04:40:03
      It was absolutely geared towards, what are you going to give us?
    • 04:40:07
      What are you going to give the city?
    • 04:40:08
      What's your public necessity?
    • 04:40:10
      What's your public purpose with this building?
    • 04:40:12
      and we know it's going to be partly affordable and I'm certain better minds than us will determine whether the units you're building are affordable.
    • SPEAKER_03
    • 04:40:21
      Well, that's already written in stone of what it has to be a certain AMI so it will be affordable.
    • SPEAKER_26
    • 04:40:27
      But the rest of it, we do have a purview over.
    • 04:40:29
      And certainly how this big building interacts and impacts our downtown mall, that is our purview.
    • 04:40:37
      And that's why I asked that question.
    • 04:40:39
      It wasn't just like,
    • 04:40:40
      We're going down a slippery slope because we should also discuss the economic
    • SPEAKER_03
    • 04:40:58
      and I.
    • 04:41:16
      Texas.
    • 04:41:17
      We could talk about money spent on the mall.
    • 04:41:19
      We could talk about jobs that are created.
    • 04:41:21
      So we're, I mean, we're going all over the place.
    • 04:41:25
      And all I was saying is, is the envelope we trying to set an envelope.
    • 04:41:30
      So we at least know what we're building in the city.
    • James Zehmer
    • 04:41:32
      I think what what I'm kind of
    • 04:41:36
      To summarize a little bit of what I've heard this evening is just to kind of hit some major points, I think there's a general feeling that demolition of the existing structure would be allowed.
    • 04:41:49
      Again, you'd have to provide the proof of the benefit to do that and the reasoning why we should allow it.
    • 04:41:56
      I think, as some of us have summarized, you know, I think stepping back is something we should explore, especially on the main street downtown Malfasad.
    • 04:42:07
      I would argue also on Second Street, at least, you know, maybe a quarter of the way up the block or something like that, so that
    • 04:42:17
      You know, the kind of the angle, the corner of the building, you know, is stepping back.
    • 04:42:20
      I think that the facade on the downtown mall needs to be maintained at a human scale, similar to the rest of the downtown mall is currently.
    • 04:42:32
      I don't know if you've got a copy of Ms.
    • 04:42:34
      Keller's email.
    • 04:42:35
      We can certainly send that to you as well.
    • 04:42:36
      But like she did make some points that resonated with me that sort of as you work your way up towards Water Street, the building can work its way up as well.
    • 04:42:44
      And I think that that makes a lot of sense.
    • 04:42:47
      You know, those types of things, I'm hoping are helpful feedback.
    • 04:42:53
      They are.
    • 04:42:53
      Excuse me.
    • 04:42:55
      I mean, I'll agree with Ms.
    • 04:42:57
      Lewis that
    • 04:42:59
      The commercial activity on the ground floor is something that's come in place up and down the downtown mall.
    • 04:43:04
      That's beneficial.
    • 04:43:05
      I agree with Mr. Bailey that getting people living downtown and on the downtown mall is absolutely critical.
    • 04:43:12
      I think that your point that it brings vibrancy back to the downtown mall
    • 04:43:17
      And this is a first step.
    • 04:43:35
      forces vibrancy and forces safety and security.
    • 04:43:38
      So, you know, I do support trying to get people downtown.
    • 04:43:43
      I hope I've summarized some of our main points well.
    • SPEAKER_26
    • 04:43:45
      It's kind of amazing you're on three major streets and we're only two vehicular crossways.
    • 04:43:52
      I just used it twice this morning.
    • James Zehmer
    • 04:44:03
      The other main point we talked about was the shading study, looking at that all throughout the day and also all throughout all four seasons.
    • 04:44:13
      Still got four seasons.
    • 04:44:16
      And then to see what impact that has on the trees, you know, someone, one of the callers called in and said, well, the trees help block the building, the view of the building.
    • 04:44:25
      Well, until you kill the trees, they do.
    • 04:44:28
      So let's hopefully work around that.
    • 04:44:31
      The trees are an important part.
    • 04:44:32
      We've had a major tree study that was done at downtown mall.
    • 04:44:35
      Part of that plan, the long-term plan is to actively and thoughtfully remove trees and replant them so that we don't end up with trees that get so big and then they just start dying and there's no replacements.
    • 04:44:47
      So I think thoughtfully doing that.
    • 04:44:51
      is important in making sure that young trees have a chance to grow up and get above any sort of shade line is important.
    • 04:44:59
      And I think just, you know, and Councillor Payne mentioned this last night that the downtown mall has been here for close to 50 years, right?
    • 04:45:09
      There's very few places in the country where pedestrian malls have been that successful.
    • 04:45:14
      And I think that's a sign that we're doing something right.
    • 04:45:19
      and so that it also means that as we move forward in this process we should do so thoughtfully and carefully and that we have a responsibility as stewards of this place to pass it down to the next generation so they can maintain that, the culture that we've developed here.
    • 04:45:39
      But I think growth is a part of that and I think it's valuable to partner with people like yourself in doing that.
    • SPEAKER_03
    • 04:45:45
      One of the first words I use, responsibility, and it's a great responsibility to work on this site and an opportunity.
    • 04:45:52
      So I understand that wholeheartedly.
    • SPEAKER_21
    • 04:45:55
      I think one other item, just to add to your list, is that I didn't sense a lot of resistance to the height limits.
    • 04:46:04
      I think there were a number of people that, you know, if used appropriately and sensitively, you know, I think that we all understand that density is a good thing.
    • 04:46:15
      It's just that, and I also understand, you know, the frustrations, or I don't know what you would call it, but the lack of a clear recipe.
    • 04:46:25
      I mean, you know, we all understand that, that sometimes there's contradictory information coming out of some, you know, the boards, but I think that
    • 04:46:38
      This particular site is complicated, you know, and it is, I think it is really important to, you know, if we were looking at this over two blocks over, it would be a little bit more clear cut.
    • 04:46:51
      We wouldn't get some of these vagaries, you know, in gray areas.
    • 04:46:55
      You probably wouldn't get as many contradictory statements.
    • 04:46:59
      And so I think it's just important to keep in mind that
    • 04:47:02
      Just like across the way and the site that we were looking at directly before, these are pretty important locations and that's why we're going to look at them really closely and we're not going to pull any punches.
    • 04:47:19
      So we feel pretty, we feel strongly that
    • 04:47:23
      about the result of a design or a massing or whatever it is, we're going to speak up.
    • James Zehmer
    • 04:47:35
      The other final thoughts?
    • Carl Schwarz
    • 04:47:41
      Just for ourselves, I don't think you meant it this way, but I don't think we should be saying, where are you going to give us?
    • 04:47:48
      The Planning Commission can't even ask for that.
    • 04:47:50
      So we're not getting proffers.
    • 04:47:51
      But just being careful with that, that's not what we mean.
    • SPEAKER_26
    • 04:47:55
      more things that we don't know yet about it.
    • 04:47:58
      Besides, I mean, I understand you wanted to just show us massing and show, here's what I could do, the maximum, here's the step-axe, here's shit.
    • 04:48:05
      I mean, I appreciate it as a first meeting, which is important, but there is discretion in what we need to hear.
    • Carl Schwarz
    • 04:48:12
      Right, but just the wording was just saying that.
    • SPEAKER_26
    • 04:48:15
      Yeah, the factors that the applicant brings to us would tend to slay us with those, because we do have that little bit of discretion still left in zoning code.
    • James Zehmer
    • 04:48:26
      So Mr. Levine, I hope this has been helpful.
    • SPEAKER_03
    • 04:48:29
      It has.
    • 04:48:29
      I hope it's been helpful for all of us, because I think we're all going into like, I think the city did a phenomenal thing.
    • 04:48:38
      It took a wide shot at zoning out.
    • 04:48:40
      The question is, can we put it into practice?
    • 04:48:42
      Because it's theoretical, doesn't mean anything to anybody.
    • 04:48:47
      I build buildings for a living so I'm the one who's supposed to act within these things and you control the design so you're supposed to, so we all have our roles just trying to get those laid out so either something can happen or not.
    • 04:49:02
      I think the mall is at a huge inflection point.
    • 04:49:05
      I think it has been more successful.
    • 04:49:08
      I think it's a jewel.
    • 04:49:09
      I think it's something that
    • 04:49:11
      You know, people kill to have in other cities because of its authenticity.
    • 04:49:16
      But the way the city has originally zoned, where you see development going up 29 in our downtowns becoming more stone field and I'll call it Disneyland of downtowns, this is the time.
    • 04:49:32
      And I don't think we want to wake up three to five years later and say we should have done something or because
    • 04:49:37
      As I said to every counselor and Jane, if we got this exactly right today, we won't see a unit for like three years by the time we go through all the construction.
    • 04:49:46
      So I don't think we have that time to wait.
    • 04:49:50
      And that's my little glory, glory, hallelujah speech.
    • 04:49:54
      But it's meaningful to me.
    • 04:49:56
      So I thank you.
    • Jeff Werner
    • 04:49:57
      Thank you.
    • 04:49:58
      And in fairness, again, Jeff and I have talked, we've worked on quite a few things since I've been in the BAR.
    • 04:50:07
      This is on me and my colleagues.
    • 04:50:10
      We've got in City Hall.
    • 04:50:12
      You all are volunteers.
    • 04:50:19
      appointed to a board and to have given a task to review the guidelines, not figure out how to make the wheels of government move.
    • 04:50:33
      But I realized the burden on me to figure out how to keep this process moving for Jeff.
    • 04:50:40
      And I'll do what I can.
    • 04:50:42
      And I appreciate your comments tonight.
    • 04:50:44
      I do think you've offered some direction.
    • 04:50:47
      that allows some continued dialogue on the design and I think as we have with other projects
    • 04:50:54
      I've always welcomed an applicant.
    • 04:50:56
      If they've got questions, come to the BAR.
    • 04:50:59
      And we don't want to go on forever with preliminary discussion.
    • 04:51:02
      But I think it's a worthwhile process.
    • 04:51:05
      And I apologize for volunteering your time.
    • 04:51:08
      But if it keeps a project moving forward.
    • James Zehmer
    • 04:51:13
      I mean, it was going to happen someday.
    • 04:51:15
      Why not tonight?
    • 04:51:16
      We're going to have to talk about this sometime.
    • Jeff Werner
    • 04:51:21
      Jeff, thanks.
    • 04:51:23
      And we've got a couple of quick things I've got to bounce off of you.
    • 04:51:27
      One I shared in the packet.
    • 04:51:31
      There is a National Register nomination for a house over on Fendall Avenue.
    • 04:51:39
      It's, we do not have to comment, but we were asked to by the Department of Historic Resources.
    • 04:51:48
      We certainly can.
    • 04:51:50
      I mean, I think primarily they're, if someone has objections to it, but it does not hurt to have a recommendation from the local BAR.
    • 04:51:59
      But the letter I wrote is very drafted is rather short to the point, but I
    • James Zehmer
    • 04:52:09
      I didn't have a chance to read it all the way through.
    • 04:52:11
      Is it designated at the local level at all?
    • 04:52:14
      Oh, it certainly could be.
    • 04:52:15
      It's not designated now.
    • Jeff Werner
    • 04:52:22
      I was just curious.
    • 04:52:23
      So I suspect there's some tax credit coming, something like that.
    • SPEAKER_17
    • 04:52:27
      Sorry, I have to dismiss myself.
    • 04:52:30
      You got to go?
    • 04:52:31
      I got to go.
    • 04:52:32
      My daughter's in town for one night.
    • 04:52:33
      Oh my goodness.
    • James Zehmer
    • 04:52:35
      He didn't bring mine?
    • 04:52:36
      She might be what?
    • Jeff Werner
    • 04:52:40
      Thank you, Roger.
    • 04:52:42
      Thank you, I appreciate it.
    • SPEAKER_26
    • 04:52:44
      I was just curious on that.
    • 04:52:47
      Is it nominated because it's a
    • 04:52:52
      vintage shape, or lack of a better word, and also because Milton Berle argues the two kind of prongs.
    • James Zehmer
    • 04:52:59
      I read a, I mean I glanced at it and essentially I did not read the whole thing.
    • 04:53:04
      What I gathered was it was an example of his early residential architecture within the first five years, et cetera, et cetera.
    • 04:53:12
      I mean I would just read the nomination.
    • 04:53:14
      I didn't read it all the way to work or work.
    • 04:53:15
      I did read it.
    • SPEAKER_26
    • 04:53:16
      I'm just asking Jeff, that was my question.
    • 04:53:18
      Why this house?
    • Jeff Werner
    • 04:53:21
      I think it's association with the architect.
    • 04:53:24
      It's an interesting house.
    • 04:53:27
      It is a compelling argument that it is his early work.
    • 04:53:33
      You often see what someone finished at the end of their career.
    • 04:53:37
      So in that regard, I think it would be
    • 04:53:44
      I would certainly encourage it if DHR asked me, but I said it's not, you all are not obligated to respond.
    • 04:53:53
      If you haven't read it, I don't want to, you know, we don't need to do anything perfunctory.
    • 04:53:58
      If you didn't get to it, didn't get to it, because I have some other questions I need to ask you.
    • James Zehmer
    • 04:54:04
      I don't think anybody has any major objections.
    • 04:54:07
      We should hold that up.
    • Jeff Werner
    • 04:54:11
      All I wanted to... So, James, and I know it's late, everybody, we touched brace...
    • 04:54:22
      briefly about what happened last night.
    • James Zehmer
    • 04:54:24
      Yeah, we talked about it in the pre-meeting.
    • 04:54:26
      Just for those, if anybody's listening online in Breck, you weren't here.
    • 04:54:30
      We can fill you in, Breck.
    • 04:54:33
      For the cafe spaces, I know one of our city councilors still here.
    • 04:54:36
      Essentially, it's my understanding, correct me if I'm wrong, if that y'all are going to, you're basically going to defer it to hopefully two weeks out and potentially also maybe have a setup meeting and discussion with staff and or BAR.
    • 04:54:51
      on the cafe spaces.
    • 04:54:52
      Would you like to speak to that?
    • 04:54:57
      I'm sorry.
    • 04:54:57
      Can you say that again?
    • 04:54:59
      For the cafe spaces, Jeff had on the agenda an update for the rest of us.
    • 04:55:04
      I know Jeff and I were there last night, but since Brex on Zoom, y'all's next step is you're essentially deferring your vote for two weeks so that you guys can discuss or potentially a month based on the Thanksgiving holiday.
    • SPEAKER_22
    • 04:55:19
      Yeah, we're gonna kind of get together amongst ourselves and have some internal conversations and chat with staff and kind of figure out like a resubmittal from our end of what we'd be interested in seeing and I think go from there.
    • 04:55:33
      I mean, we're interested in figuring out as soon as possible.
    • 04:55:41
      So Sam gave us some some leeway with time there, but I think we want to kind of knock it out sooner rather than later.
    • Jeff Werner
    • 04:55:48
      That would be great.
    • 04:55:50
      Thank you.
    • SPEAKER_22
    • 04:55:50
      Yeah, thank you.
    • Jeff Werner
    • 04:55:52
      Yeah, I had a meeting today with the city manager, the city manager and my boss and Natalie.
    • 04:56:00
      We'll certainly get a follow up on that, but just to try to think through a strategy for it.
    • 04:56:04
      But to share with you all, some of the questions were, well,
    • 04:56:10
      and Michael.
    • 04:56:32
      The primary goal is that we know the leases are renewed first of March and we'd like to have something mid-January so we're not catching anybody off guard.
    • 04:56:41
      So we'll work on that's in process.
    • James Zehmer
    • 04:56:45
      That's appreciated.
    • 04:56:47
      I mean, I think I would agree.
    • 04:56:48
      I think we did put a lot of work into it and they're just our recommendations.
    • 04:56:51
      They're ultimately council's guidelines.
    • 04:56:52
      So if you guys have revisions and you want to bounce them off us, you would certainly look at them and chime in.
    • 04:57:00
      And so, very quickly, we also have
    • Jeff Werner
    • 04:57:12
      I didn't know 2024 BAR Awards.
    • 04:57:16
      If you guys want to start thinking about them, I'll have it on the agenda for December, if you wish to do that.
    • 04:57:23
      Mr. Gastinger is leaving us, so we need to fete him appropriately.
    • James Zehmer
    • 04:57:27
      We also need a landscape architect to replace him.
    • Jeff Werner
    • 04:57:30
      Right, and we have not had he said he was working on it, but I've been proud of folks a month or two ago.
    • 04:57:39
      We've closed the discussion on the 200 West Main, so I'm not sure if that's what it's about.
    • SPEAKER_15
    • 04:58:06
      Yes, Helen.
    • 04:58:06
      Thank you.
    • 04:58:06
      Sorry.
    • 04:58:07
      It is not about that anymore.
    • 04:58:09
      Fair enough.
    • 04:58:11
      I just wanted to flag, especially since we currently still have people of BAR and of council in the building, I personally thought that it was possibly a slight oversight that the same standards that are being applied to businesses on the downtown mall in these cafe standards would also be applied to the places on the corner.
    • 04:58:34
      Based on my
    • 04:58:36
      assessment of that map, it looked like it was just BOTOS, the Virginian Intrinity, at least as the current tenants are.
    • 04:58:42
      It seems unlikely to me that the aesthetic demands on the mall are identical to the aesthetic demands of places on the corner, and I think that it might be at least worth considering alternative standards for those two groups.
    • 04:58:57
      I recognize that you had most of your work sessions on this in the past, but I only became aware of it recently, and I thought it might be at least worth mentioning.
    • 04:59:05
      Thank you.
    • James Zehmer
    • 04:59:06
      No, I think that's a good point.
    • 04:59:08
      I'd say 99% of our conversation was focused on the downtown mall.
    • 04:59:13
      And I think it's a point well taken.
    • 04:59:17
      It's tough to almost separate and have a whole nother section just for the corner.
    • 04:59:21
      But I wonder if there's a path forward there.
    • 04:59:26
      It's worth considering.
    • 04:59:27
      I think that's a valid point.
    • 04:59:29
      And maybe City Council wants to actually address that.
    • SPEAKER_22
    • 04:59:31
      Yeah, we can take that into consideration, too, in our revisions.
    • SPEAKER_26
    • 04:59:36
      We were just trying to recognize the fact that there are city-owned cafe spaces that are leased on the corner within an ADC district and by the chapter 28 of the city code.
    • Jeff Werner
    • 04:59:57
      and
    • 05:00:11
      I got a lot of emails, people saying the BAR hates colors, the BAR doesn't want colors and I don't know where any of that came from but the truth is we took a rather a single page of guidelines that was rather rigid and I think the result was something a lot more flexible and a lot more colorful but I don't it's gonna go to council and they can send it back but I
    • 05:00:41
      We'll have that
    • 05:00:57
      They have the classic problem of a dirt yard, and at least they haven't asked for artificial grass.
    • 05:01:06
      They've requested review of a hardscape terrace.
    • 05:01:13
      This gets into one of those where I'm
    • 05:01:16
      I'd love to find a way to formally do it, but to nudge towards more administrative reviews of some things that are not altering a historic building or a historic landscape.
    • 05:01:30
      This almost falls within a fence, but it's late.
    • 05:01:35
      Maybe an unfair question at this time.
    • James Zehmer
    • 05:01:42
      I'm pretty familiar with this property.
    • 05:01:45
      I lived right next door to it for two years.
    • 05:01:48
      And I will say the hedgerow that's in front of this property is
    • 05:01:53
      I've got to say at least 10 to 12 feet tall, so it's pretty darn invisible from the street.
    • 05:01:58
      You kind of have to basically stop at the sidewalk and look in to see this front yard.
    • 05:02:03
      So I don't have any major objections other than like we would certainly...
    • Carl Schwarz
    • 05:02:12
      I will set the astroturf in front of the beta house.
    • 05:02:16
      Looks like crap.
    • 05:02:18
      I was going to say, at least it's not astroturf.
    • SPEAKER_26
    • 05:02:19
      It looked good when it was put down.
    • 05:02:21
      It's recently, it looks worse.
    • Carl Schwarz
    • 05:02:23
      I mean, it's, I think, I forget when I walked by there, it's been some months now, but it was trampled and it looked like it had been, it was a little more.
    • 05:02:32
      Like you thought it was going to look like.
    • Jeff Werner
    • 05:02:35
      Wow.
    • SPEAKER_28
    • 05:02:37
      Are there some other rules within the city about how much of your yard can be impervious?
    • Carl Schwarz
    • 05:02:44
      There's... Sounds like a zoning issue.
    • Jeff Werner
    • 05:02:46
      I have to check zoning.
    • 05:02:47
      I know you're taxed on it in pervious service.
    • 05:02:52
      I don't know whether they consider hard-packed clay.
    • SPEAKER_26
    • 05:02:54
      A terrace could be pervious.
    • Jeff Werner
    • 05:02:56
      I'll take a look at that, and I'll tell them to bring it forward with an application.
    • 05:02:59
      It taxed me on my brick driveway.
    • 05:03:04
      This is one that's
    • 05:03:07
      with the Cafe Spaces Trains.
    • 05:03:11
      So this is Skybar, which has a leased space.
    • 05:03:17
      Because of it being on an angle, and there was a deck there that rotted out, caused a lot of problems.
    • 05:03:24
      They're going to reconstruct it.
    • 05:03:27
      My question to you, I was more, if you guys had any thought on that lower panel below,
    • SPEAKER_10
    • 05:03:38
      Lattice, Solid.
    • Jeff Werner
    • 05:03:38
      I'm not worried about above, that's open railing and we would apply, but it's just some thoughts on
    • 05:03:53
      What would we want underneath?
    • 05:03:56
      Is lattice okay?
    • 05:03:57
      Is it solid okay?
    • SPEAKER_16
    • 05:03:59
      Want wheels?
    • Jeff Werner
    • 05:04:01
      Yeah, I like solid better.
    • 05:04:08
      The thing was to have it not become a dirt collector or a trash collector or something like that.
    • 05:04:17
      It's actually, the doors are operable.
    • 05:04:20
      They want to elevate it a little bit more so that it's level with the... Who's bringing this to us?
    • 05:04:30
      But it's like, I just wanted to get it opening.
    • SPEAKER_26
    • 05:04:32
      Is this going to come to us with a CLA?
    • Jeff Werner
    • 05:04:36
      That's what I want.
    • 05:04:37
      It's a cafe space where... Is it Allie?
    • James Zehmer
    • 05:04:41
      Time out.
    • 05:04:45
      This is a cafe space on the downtown mall.
    • 05:04:49
      I think they should bring it to us maybe in January so that we can hopefully have our revised guidelines approved by City Council and then use those to judge what we think.
    • Jeff Werner
    • 05:04:58
      That's fine.
    • 05:04:59
      I'll work with them on it.
    • 05:05:00
      But the input is helpful, so that's at least one.
    • James Zehmer
    • 05:05:04
      Because I think our revised cafe guidelines would discourage a solid panel all the way across there.
    • SPEAKER_04
    • 05:05:09
      Our building is empty.
    • James Zehmer
    • 05:05:10
      No, no, no.
    • 05:05:10
      Underneath.
    • Jeff Werner
    • 05:05:11
      Underneath that skirt board.
    • 05:05:15
      What am I looking at then?
    • SPEAKER_08
    • 05:05:16
      What is that?
    • Jeff Werner
    • 05:05:19
      That's what's there now.
    • 05:05:20
      That's right.
    • 05:05:21
      They took it down.
    • 05:05:22
      I'm just trying to show the elevation.
    • 05:05:23
      So they're going to be building something like this.
    • 05:05:27
      That's that skirt board.
    • 05:05:29
      And I was just sort of torn on.
    • 05:05:32
      I think the skirt board works.
    • SPEAKER_26
    • 05:05:34
      That's high level.
    • Jeff Werner
    • 05:05:38
      Did you do that?
    • SPEAKER_26
    • 05:05:40
      Or did the applicant do that?
    • 05:05:41
      I'm confused.
    • Jeff Werner
    • 05:05:41
      They did.
    • 05:05:42
      They did that.
    • 05:05:43
      So it's these four.
    • SPEAKER_26
    • 05:05:45
      Why is it this on it?
    • Jeff Werner
    • 05:05:47
      Windows, right there.
    • 05:05:48
      They're actually operable doors.
    • 05:05:51
      I'm sorry.
    • 05:05:52
      There's a cafe space there that brought it out.
    • 05:05:54
      I don't know what I'm looking at.
    • SPEAKER_26
    • 05:05:55
      I don't even know what we're looking at.
    • 05:05:57
      I thought we were talking about the Sky Bar at first.
    • Jeff Werner
    • 05:06:00
      It is the Sky Bar, whatever this place.
    • 05:06:02
      That's what I call it.
    • SPEAKER_08
    • 05:06:03
      The Sky Bar is upstairs.
    • Jeff Werner
    • 05:06:04
      Sky Bar is upstairs.
    • 05:06:06
      The building that has underneath the Sky Bar.
    • 05:06:08
      So these windows.
    • 05:06:09
      It was called Commonwealth.
    • SPEAKER_26
    • 05:06:11
      The Sky Bar has not been open for eight years.
    • James Zehmer
    • 05:06:15
      So, I think this should come before the BAR.
    • Jeff Werner
    • 05:06:18
      Yeah, no doubt.
    • 05:06:19
      I just was a little, I wanted some thought on some, if it's open stuff is going to get pushed through there, the rats are going to go under there.
    • 05:06:28
      We don't give up free bees.
    • 05:06:31
      Look, I can just, it's 10 o'clock at night.
    • 05:06:34
      I don't think we should be giving, you know, I get calls from people and I apologize for the hour.
    • James Zehmer
    • 05:06:41
      But I try to just, this is my opportunity to ask you guys some questions.
    • Jeff Werner
    • 05:06:49
      I will, I will, we'll deal with these next month.
    • Carl Schwarz
    • 05:06:52
      No, no, no, I'm sorry.
    • Jeff Werner
    • 05:06:54
      You guys wish to wrap up?
    • 05:06:56
      Let's wrap up.
    • 05:06:56
      No, I gotta go.
    • SPEAKER_26
    • 05:07:01
      I guess I don't know what's being proposed.
    • 05:07:05
      I don't know what the materials are.
    • 05:07:06
      I don't know who's asking.
    • 05:07:08
      I think we're without a lot of information.
    • 05:07:11
      I complained about the hour, but mostly I don't even know.
    • 05:07:15
      Half of us couldn't tell what the illustration was, whether it pertained to the lower cafe or the actual sky bar.
    • Jeff Werner
    • 05:07:23
      It's okay.
    • James Zehmer
    • 05:07:32
      Do I hear a motion to adjourn?
    • SPEAKER_08
    • 05:07:33
      Well, before that, could I probe the panel here if they would like to have Christmas cheer at the Bailey-Fiedmann House after the next meeting, which will hopefully be short.
    • 05:07:46
      And not ten o'clock.
    • 05:07:48
      And not ten o'clock like last year.
    • 05:07:51
      Is there any interest in that?
    • 05:07:54
      All in favor.
    • 05:07:55
      Aye.
    • SPEAKER_26
    • 05:07:56
      Just tell us what we can bring.
    • SPEAKER_08
    • 05:07:59
      That would be the 17th.
    • 05:08:01
      Immediately after the meeting at our house.
    • SPEAKER_26
    • 05:08:04
      After a very brief meeting.
    • SPEAKER_08
    • 05:08:05
      After a very brief, very focused meeting.
    • SPEAKER_26
    • 05:08:07
      Very focused.
    • 05:08:09
      No rambling.
    • SPEAKER_08
    • 05:08:11
      And of course, no children allowed, but you can bring your significant others.
    • SPEAKER_04
    • 05:08:18
      and I would like to also thank Carl and Cheri for having read through the minutes and the other stuff and brought items to everybody's attention before the meeting so that it helps move things along.
    • 05:08:37
      as we get into this.
    • James Zehmer
    • 05:08:38
      All right, so it's agreed there.
    • 05:08:42
      Thank you very much.
    • SPEAKER_26
    • 05:08:43
      Yeah, thank you, Ron.
    • 05:08:45
      Should we just hit the next?
    • 05:08:46
      I mean, there are only three.
    • 05:08:48
      Yeah, I think we're here.
    • James Zehmer
    • 05:08:51
      I'm happy to.
    • 05:08:52
      Jeff, my comment was I at least I anticipated this evening to be a long evening, so I was prepared to stay late.
    • 05:08:58
      Me too.
    • 05:08:59
      And we are.
    • 05:09:00
      So yeah, if you, I think you can touch on these few things.
    • 05:09:02
      It's no problem.
    • 05:09:03
      We're happy with that.
    • 05:09:04
      I think that last particular one, the image was just very confusing.
    • Jeff Werner
    • 05:09:08
      Right.
    • 05:09:09
      And I, in all due respect, and I don't like to use that phrase, I was trying to explain what I try to take advantage of with you all this access to
    • 05:09:25
      I get a lot of questions.
    • 05:09:27
      I get a lot.
    • 05:09:29
      And sometimes there's a lot of them I can solve.
    • 05:09:33
      But sometimes I just need a little bit of input.
    • 05:09:35
      I think that
    • James Zehmer
    • 05:09:43
      You've got us here.
    • 05:09:44
      We're all dedicated to one Tuesday a month at least.
    • 05:09:51
      And I think you're right to, if there's some simple things you can kind of take our temperature on and it helps an applicant prepare a better application, that pays for it.
    • SPEAKER_26
    • 05:10:01
      I just feel like that space I happen to know has been empty for a very, very, very, very long time.
    • 05:10:07
      And if this is alley or a prospective tenant, they could just come before us quickly.
    • James Zehmer
    • 05:10:15
      It doesn't have to be a COA.
    • SPEAKER_26
    • 05:10:17
      It can just be, yeah.
    • James Zehmer
    • 05:10:19
      And then we can say, yeah.
    • 05:10:20
      So what's the fence at First Press they care?
    • Jeff Werner
    • 05:10:25
      First Press, they want to build a fence.
    • 05:10:28
      along that the Maple Street and 8th Street corner.
    • 05:10:33
      That would be a metal fence, something similar to what's been.
    • SPEAKER_26
    • 05:10:37
      There's currently like a railing.
    • Jeff Werner
    • 05:10:41
      There's a brick wall.
    • SPEAKER_26
    • 05:10:43
      It's a big retaining wall, but I think there's a little railing on the top, too.
    • 05:10:47
      But it's only like whatever, two feet.
    • 05:10:50
      Do you have a picture?
    • 05:10:52
      Do they send you one?
    • Jeff Werner
    • 05:10:53
      They don't have a design yet.
    • SPEAKER_26
    • 05:10:58
      Is it basically to keep people out from intruding?
    • Jeff Werner
    • 05:11:01
      It is enclosed.
    • 05:11:02
      Do they want to extend it to 7th Street, maybe?
    • James Zehmer
    • 05:11:22
      Well, I think we've got design guidelines for fences.
    • SPEAKER_26
    • 05:11:23
      Because there's a playground down there, and there has been for like 30 years.
    • Jeff Werner
    • 05:11:26
      Yes, it's pulling that playground out all the way out to the sidewalk.
    • 05:11:32
      Okay.
    • James Zehmer
    • 05:11:33
      And I don't seem to be... Well, I think my initial reaction was, you know, we've got design guidelines for fences.
    • Jeff Werner
    • 05:11:45
      Right.
    • 05:11:45
      So I feel very comfortable... Yeah.
    • 05:11:48
      Okaying it, and I just...
    • 05:11:52
      learned a lesson on the last project we had, so that I was just informing you that I was going to do this.
    • 05:12:00
      This was one of the, it's just the 4th Street going through and the owner of the building would like to close or to install a door there.
    • 05:12:16
      This has become a
    • 05:12:19
      You get a lot of issues on the mall people.
    • 05:12:21
      This has become someone's encampment.
    • 05:12:24
      And so I said that, you know, I think that I don't have a problem with it.
    • 05:12:34
      I said I would ask the BAR, it's not something I'd necessarily admin review, but it would be like, is this something that, because it's also got the other opening up there, you could conceivably see that coming.
    • 05:12:46
      Is it something that would,
    • 05:12:48
      a solid door, a gate.
    • SPEAKER_16
    • 05:12:58
      Good point.
    • SPEAKER_26
    • 05:13:10
      I would say the sidewalk is super wide there.
    • 05:13:13
      I don't know why.
    • 05:13:15
      and the picture makes it look wider, but it's not just two or three feet.
    • SPEAKER_21
    • 05:13:29
      I have enough trouble with the Marriott in West Main has sliding doors and people just walk right out and I've hit people so many times as I'm walking on the sidewalk
    • SPEAKER_16
    • 05:14:00
      Oh, I do.
    • SPEAKER_26
    • 05:14:03
      The second one?
    • 05:14:04
      Yeah.
    • 05:14:05
      Yes.
    • 05:14:06
      All the time.
    • 05:14:07
      I think although I guess whoever, whatever, I thought it was red light, but I don't think they're there anymore.
    • 05:14:16
      But there are a lot of people that go in there in the morning, the work there.
    • Jeff Werner
    • 05:14:23
      Alright, I'll check on the egress thing.
    • 05:14:26
      I think we had a question before the building code official.
    • SPEAKER_26
    • 05:14:34
      Is that it?
    • 05:14:35
      The last one was BAR Awards.
    • 05:14:37
      Do you mind circulating like the past couple years to give us a tickler on what the categories are and stuff like that?
    • Jeff Werner
    • 05:14:46
      Last year we didn't do anything and we were not obligated to.
    • 05:14:50
      It's an opportunity if you wanted to, so I just wanted to put that out there and think about it.
    • 05:14:54
      I think it's fun.
    • James Zehmer
    • 05:14:56
      It'd be helpful to have sort of a highlight reel of
    • 05:15:00
      What's happened in the last year?
    • Jeff Werner
    • 05:15:04
      Yeah, so, typically it's been, if something, you know, exceptional new design, something that's really been an amazing restoration project, it's, you know, we've even, you know, Sheri suggested something a few years ago, awarding Mary Troy Scala for her prior work.
    • 05:15:28
      So, there are,
    • SPEAKER_26
    • 05:15:32
      It's not ripe to award it yet, but I would say next year the courthouse project is really phenomenal.
    • 05:15:43
      I mean, it really is
    • 05:15:46
      I don't often see things on this board that are built exactly like we asked for them.
    • 05:15:51
      But it's a really, and they've had to shoehorn that project in and they knocked my power out yesterday and I almost, I got sparks and a flame from a transformer, but it's been really interesting to see it.
    • James Zehmer
    • 05:16:05
      I would say I feel like the ability itself and the portico are much further forward than I guess I had imagined.
    • SPEAKER_26
    • 05:16:14
      See, I was thinking they're more recessed.
    • James Zehmer
    • 05:16:15
      Really?
    • SPEAKER_26
    • 05:16:16
      Yeah.
    • James Zehmer
    • 05:16:17
      I thought there was a much bigger courthouse.
    • SPEAKER_26
    • 05:16:18
      Anyway, I think it's going to be, I mean, new courthouses don't get built very often.
    • 05:16:22
      Guys, we're kind of lucky for this project, just, and that, you know, finally the city and the county were able to pull their S together and get this done.
    • 05:16:30
      And I think it's going to be an attribute, you know, to the courts career area, but it's not done yet, so I don't know if we can name it.
    • 05:16:40
      There's another project downtown.
    • 05:16:42
      I don't want to belay everybody, but there's one I'll just send around by email.
    • 05:16:49
      I think Jeff said that it didn't get approval.
    • 05:16:52
      It's on East Jefferson.
    • 05:16:53
      I've asked you about it before.
    • 05:16:55
      It's about, it's ready and it really looks pretty good.
    • Jeff Werner
    • 05:16:59
      Is it the one that's not in a district?
    • 05:17:01
      Right.
    • SPEAKER_26
    • 05:17:01
      Oh, that's right.
    • 05:17:02
      Yeah, that's why.
    • 05:17:03
      But we still can recognize.
    • Jeff Werner
    • 05:17:04
      You absolutely can.
    • 05:17:05
      It did nice work on it.
    • 05:17:06
      But I do think with the courts, what's interesting is that one of the goals was that it was subordinate to the courthouse and that it didn't overwhelm the city building.
    • 05:17:17
      And I think it very much achieves that.
    • SPEAKER_26
    • 05:17:19
      It really...
    • Jeff Werner
    • 05:17:21
      the rehabilitation work on the levy buildings.
    • SPEAKER_26
    • 05:17:24
      The windows look great.
    • 05:17:26
      I didn't think they would.
    • 05:17:27
      But once they put them in, I was like, Oh, she really needed.
    • 05:17:30
      She needed a facelift.
    • 05:17:32
      She I mean, she is really looking good right now.
    • SPEAKER_08
    • 05:17:35
      Thank you.
    • James Zehmer
    • 05:17:41
      Yes, we have a motion to adjourn.
    • 05:17:45
      Thank you, everyone.