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Board of Architectural Review Meeting   4/19/2022

Attachments
  • April 2022 BAR Agenda.pdf
  • April 2022 BAR Packet_3.pdf
  • Board of Architectural Minutes.pdf
    • SPEAKER_07
    • 00:00:01
      So for the sake of being timely, I'll go ahead and start my introductions.
    • 00:00:06
      And folks on the BAR can just filter back on as needed.
    • 00:00:11
      But good evening, everybody.
    • 00:00:13
      Welcome to the March 2022 Charlottesville Board of Architectural Review virtual meeting.
    • 00:00:19
      April.
    • 00:00:21
      I'm sorry?
    • 00:00:22
      Oh.
    • 00:00:23
      April, not March.
    • 00:00:25
      Oh, goodness.
    • 00:00:26
      April.
    • SPEAKER_06
    • 00:00:28
      Thank you.
    • SPEAKER_07
    • 00:00:31
      We're now live on channel 10 and we are continuing to stream on the city's social media channels.
    • 00:00:38
      My name is Robert Watkins.
    • 00:00:39
      I'm city staff and I'll be handling virtual things for tonight's meeting.
    • 00:00:45
      Before I hand things over to Cheri Lewis, who will be chairing the meeting tonight, I'll go over a few guidelines and housekeeping tips just to make sure that the meeting runs smoothly.
    • 00:00:55
      So for everybody who might be watching at home,
    • 00:00:58
      I will introduce the meeting participants who are online right now.
    • 00:01:02
      First, we have Cheri Lewis.
    • 00:01:05
      She's the vice chair of the BAR and she'll be chairing the meeting tonight.
    • 00:01:10
      We're also joined by BAR members Ron Bailey, Jody Lehendro, James Zehmer, Robert Edwards, as well as David Timmerman.
    • 00:01:23
      And we're also joined by Jeff Werner, who's my colleague on city staff.
    • 00:01:29
      Throughout the meeting, applicants and other participants will join the meeting as needed.
    • 00:01:34
      For members of the public who are online right now who'd like to provide comments, there are several places on the agenda where you can provide comment.
    • 00:01:42
      At the beginning of the meeting, we allow time for comments from the public for items not on the agenda.
    • 00:01:48
      And then before the BAR deliberates on each individual application, we allow time for public comment as well.
    • 00:01:55
      In order to provide comment, though, you'll need to register for the Zoom meeting, which you can do through the city calendar online.
    • 00:02:03
      and for applicants who are on the call already, you're currently, or when we get to your application, I will share my screen and scan through pages of your application, but let me know if you want me to go to specific images or pages and I'll navigate there.
    • 00:02:22
      Like we've done in past meetings, we'll have short periodic breaks if needed and our chair will direct us for when those are necessary.
    • 00:02:31
      I'll go ahead and hand things over to Cheri Lewis, but please continue to ask me any questions if you need help navigating the meeting tonight.
    • SPEAKER_15
    • 00:02:40
      Thanks.
    • 00:02:40
      Thank you, and thank you to applicants, members of the public, and also to the board for your patience and indulgence with my first Zoom BAR meeting tonight.
    • 00:02:53
      So just dive in and tell me
    • 00:02:57
      if I'm doing anything wrong here.
    • 00:03:00
      So welcome everyone to the regular meeting of the Charlottesville Board of Architecture Review.
    • 00:03:05
      On each of the items that we'll be reviewing tonight, staff will introduce the item and then the applicant will make a presentation which should not succeed 10 minutes if possible.
    • 00:03:22
      I'll then ask for questions from the public, followed by questions from the BAR.
    • 00:03:27
      And after we've closed the questions, I'll ask for comments from the public.
    • 00:03:32
      And then we'll have
    • 00:03:35
      and actually members of the public we asked to limit their comments to three minutes at that portion and then I'll ask for comments from the BAR and just to note for members of the public and I'll repeat this this evening that
    • 00:03:56
      Comments regarding applications should be limited to exterior aspects of the prospect and the things that the BAR has purview over, which is basically considering an application vis-a-vis our architectural guidelines.
    • 00:04:13
      We don't look at things like use of the property,
    • 00:04:17
      We don't look at zoning regulations.
    • 00:04:20
      We typically don't look at nor decide on building envelope and other building regulations.
    • 00:04:27
      Those are not matters that we look at.
    • 00:04:30
      So we did receive an email I saw today through the portal and I think some of the comments on that and
    • 00:04:40
      It would be great if staff would maybe read that or acknowledge that or I can as a comment from the public.
    • 00:04:45
      But some of the issues that they raised by that member of the public don't really have to do with their purview.
    • 00:04:52
      But that's just a reminder.
    • 00:04:54
      And then following the BAR's discussion and public comments,
    • 00:04:58
      The applicant can have a little bit of opportunity to respond if anything has been raised that they need to comment on or respond to or answer questions about.
    • 00:05:10
      First on our agenda is matters from the public.
    • 00:05:14
      I don't see any hands raised, but Mr. Watkins, tell me if you see otherwise.
    • SPEAKER_07
    • 00:05:18
      No, I don't.
    • 00:05:20
      But if you do, we have one attendee right now.
    • 00:05:23
      And if you'd like to provide comment, you can use this time now to raise your hand.
    • SPEAKER_15
    • 00:05:32
      I assume we'll give you just a second, but everybody else is a panelist and participant, so we'll assume that for now he doesn't have any comments, so that's great.
    • 00:05:45
      And next up is the consent agenda.
    • 00:05:48
      That includes just one item, and that is a certificate of appropriateness for 864 at Locust Avenue.
    • 00:05:57
      I don't know if there needs to be any discussion about the consent agenda, any members of the board.
    • 00:06:06
      If there is no need for discussion, then would I get a motion for approval, please?
    • SPEAKER_04
    • 00:06:14
      I so move.
    • SPEAKER_15
    • 00:06:15
      Is there a second?
    • SPEAKER_05
    • 00:06:16
      Second.
    • SPEAKER_07
    • 00:06:19
      Thank you.
    • 00:06:20
      Oh, I can go ahead and call a vote, Ms.
    • 00:06:23
      Lewis, unless you had something else to say.
    • 00:06:27
      Okay, with Mr. Bailey making the motion and Jody LeHindro seconding, Ms.
    • 00:06:33
      Lewis?
    • SPEAKER_15
    • 00:06:35
      Aye.
    • SPEAKER_07
    • 00:06:36
      Mr. Timmerman?
    • 00:06:40
      Aye.
    • 00:06:40
      Thank you.
    • 00:06:41
      Mr. Edwards?
    • 00:06:42
      Aye.
    • 00:06:44
      Mr. Zehmer?
    • 00:06:44
      Aye.
    • 00:06:47
      Mr. LeHindro?
    • Jody Lahendro
    • 00:06:49
      Aye.
    • SPEAKER_07
    • 00:06:49
      And Mr. Bailey.
    • Jody Lahendro
    • 00:06:51
      Yes.
    • SPEAKER_07
    • 00:06:52
      The motion passes unanimously.
    • SPEAKER_15
    • 00:06:55
      Great.
    • 00:06:56
      So we've taken care of the consent agenda.
    • 00:06:58
      And the first item on our agenda is a certificate of appropriateness for 500 Court Square.
    • 00:07:05
      I'll ask Mr. Warner or Mr. Watkins to take over.
    • SPEAKER_03
    • 00:07:10
      For some reason, I didn't open it.
    • 00:07:14
      There it is.
    • 00:07:20
      Hang on, I'm waiting for him.
    • 00:07:25
      Well, my computer is slow.
    • 00:07:27
      So this is a COA request for 500 Court Square to Monticello Hotel.
    • 00:07:32
      It's a building, it's constructed in 1906, North Downtown ADC District, and it is a contributing structure to the ADC District.
    • 00:07:45
      There is multiple projects that come through for this one.
    • 00:07:49
      Most recently, you've looked at some windows and some gates were approved at the openings, but there is a wireless communication site up on the roof.
    • 00:08:01
      And the way that we work those is
    • 00:08:06
      Most of those are handled administratively if they're adding an antenna or changing something around up there.
    • 00:08:13
      And last fall, the T-Mobile were installing emergency generators
    • 00:08:24
      either generator or generators, I can't recall which.
    • 00:08:27
      And the plan was to run the gas supply through the building.
    • 00:08:33
      So being that nothing would be seen, I was able to sign off administratively on that request.
    • 00:08:40
      However, they came back and I suspect for cost reasons are routing the gas pipe up the exterior of the building or this is the request to do that.
    • 00:08:54
      So the pipe would start, there's a
    • 00:09:00
      a meter they would be accessing at the back in the rear parking lot and the pipe would be going up on the south side so that's the rear and anchored into the wall and then up and over the parapet and into the generators on the roof.
    • 00:09:18
      Now I threw a lot of
    • 00:09:21
      photos and graphics in the staff report and really make sure everybody knows what is being proposed and if the decision's made on where exactly if the BAR sees it, where exactly this thing would be run.
    • 00:09:42
      And I think, and so right there, Robert and I,
    • 00:09:48
      The applicants are proposing to run it up adjacent to that downspout that's on the corner there, you'd see in the red line.
    • 00:09:56
      And in that photo below that I took, that's that same wall, this would be the downspout on the right.
    • 00:10:03
      So for example, if you were to consider this, is there a preference for which side to put the pipe?
    • 00:10:10
      I also...
    • 00:10:13
      One other idea would be to run it into that, and I'm sorry, Jody, I'm hoping you and James, I can't think of the right word, small corner in the brick there, possibly run it there.
    • 00:10:26
      The next piece of it would be, they've offered to paint this pipe, it's an inch and a quarter, we had
    • 00:10:37
      The thing I reflected on was the conduits that were approved at the downtown library a couple of years ago that they ended up painting brown instead of a red and it actually worked out really well.
    • 00:10:50
      So there's a question in there about that if you have a preference.
    • 00:10:56
      I had, I floated the idea of, I know in some buildings we've, and I have images if you all want to reflect on those.
    • 00:11:03
      They're not, I think, in here, but the places around town where we have things running up the side of buildings, up and over parapets, how we've treated them.
    • 00:11:14
      Obviously, this is a unique building.
    • 00:11:16
      We don't have many of these in Charlottesville, so we don't have a lot of pipes running up, I think, you know, 10 stories, but
    • 00:11:27
      The guidelines essentially say that something like this should be screened or concealed.
    • 00:11:33
      So there's not a lot of, it's limited guidance.
    • 00:11:38
      So the options are to say, no, we don't want to see it at all.
    • 00:11:43
      Yes, it's okay, but put it here.
    • 00:11:46
      And if you put it there, here's how we'd like to at least visually mitigate the impact.
    • 00:11:52
      So it's,
    • 00:11:56
      I'm sure you have some questions.
    • 00:11:57
      Like I say, I've got here, I've offered some examples.
    • 00:12:00
      This is over on Fontaine where the UVA ran some duct work up the side of a building.
    • 00:12:05
      Obviously not something, I don't think we need to be wrapping this thing.
    • 00:12:10
      Now here is on, you know, familiar on West Main, the West Street or Main Street Market.
    • 00:12:17
      Obviously, but a lot of stuff going on there, but that was an industrial type of building.
    • 00:12:22
      What else did I have Robert in here that scroll down?
    • 00:12:25
      So, you know, we do have things going up and over the parapets.
    • 00:12:30
      So it's not unprecedented.
    • 00:12:35
      But it's, again, the idea of where exactly you all might prefer this to be and if at all, and how to mitigate that.
    • 00:12:44
      So I'm going to, I don't know if Brandon is on, any of the folks from CHIVO who are on, I don't know if there's probably more, if you all in BAR have questions for them.
    • SPEAKER_15
    • 00:12:54
      Yeah, I see Dan Wilson on and it says on behalf of T-Mobile and I don't know whether he's here for the applicant, Mr. Wilson.
    • SPEAKER_07
    • 00:13:04
      Brandon also, and Mr. Bose as well, for this project.
    • 00:13:08
      If you if you care to provide any additional presentation, you're welcome to and I can share my screen for your application if you'd like.
    • SPEAKER_17
    • 00:13:16
      Yeah, absolutely.
    • 00:13:16
      So this is Dan Wilson.
    • 00:13:18
      I'm with SmartLink on behalf of T-Mobile for this project.
    • 00:13:22
      Just a quick note wasn't monetarily.
    • 00:13:24
      This is a landlord request.
    • 00:13:25
      They didn't want to run through the building.
    • 00:13:27
      So this was our proposal to satisfy them.
    • 00:13:33
      I think everything there that was presented on the application is pretty straightforward.
    • 00:13:41
      So if you have any questions, we're happy to answer.
    • 00:13:43
      I don't have any additional comments.
    • 00:13:45
      Thank you.
    • SPEAKER_15
    • 00:13:47
      Thank you.
    • 00:13:48
      Are there any questions from the public at this time?
    • 00:13:50
      I know we've got now a total of two attendees, and there are also panelists that could be interested in this application.
    • SPEAKER_07
    • 00:13:57
      Please raise your hand if you wish to provide comment.
    • 00:14:03
      Ms.
    • 00:14:04
      Lewis, I don't see their hands raised.
    • SPEAKER_15
    • 00:14:05
      Thank you.
    • 00:14:06
      And questions from the BAR for the applicant.
    • SPEAKER_14
    • 00:14:10
      Quick question from me, if I might.
    • 00:14:12
      This line would be going up the back of the building, correct?
    • SPEAKER_07
    • 00:14:17
      Yes, facing Market Street.
    • SPEAKER_15
    • 00:14:19
      Yeah, I'll let the applicant answer.
    • Jody Lahendro
    • 00:14:25
      I have a question.
    • 00:14:27
      The details I've seen are for applying a pipe on a flat wall surface.
    • 00:14:37
      I didn't see a detail for tucking it into a corner, a brick corner.
    • 00:14:43
      So does that mean it can't be done?
    • 00:14:46
      Or is there is that another detail?
    • SPEAKER_15
    • 00:14:55
      Mr. Wilson or Mr. Bose, either of you.
    • SPEAKER_17
    • 00:14:59
      Yeah, so I also have my construction manager, Brian here.
    • 00:15:03
      Brian, can you speak to whether we can tuck that pipe in to the corner of the bricks or if we need additional clarification on that?
    • SPEAKER_09
    • 00:15:14
      We could get additional clarification, but it would be virtually the same technique utilizing Unistrat, just tucked back into the corner as closely as possible.
    • Jody Lahendro
    • 00:15:32
      as closely as possible.
    • 00:15:35
      So the strut is a foot wide and it looks like the pipe's centered on the strut.
    • 00:15:42
      So that's six inches from the corner.
    • SPEAKER_09
    • 00:15:47
      So wouldn't necessarily have to go with a one foot piece.
    • 00:15:53
      As mentioned, we're utilizing an inch and a quarter gas line.
    • 00:16:02
      I imagine, and of course, I'm not a PE here, but we could utilize a six inch strut.
    • 00:16:10
      And we basically just need enough to anchor into the brick itself, as well as the clamp that attaches to the unit strut and the pipe itself.
    • 00:16:22
      Frankly, I don't see the need for a full one foot piece.
    • Jody Lahendro
    • 00:16:26
      And that brings up another question.
    • 00:16:29
      Can you anchor it into the mortar joints and not the brick?
    • 00:16:34
      It would be the mortar.
    • 00:16:35
      OK, good.
    • 00:16:36
      Thank you.
    • 00:16:38
      And why the south side?
    • 00:16:40
      And this is for the rest of the BAR.
    • 00:16:48
      It seems to me that the south elevation is a more prominent elevation than the east side, only because Fifth Street is a frequently walked street going back and forth between the mall and the courthouse.
    • 00:17:08
      and I can't remember when I've ever seen the east side of this building, but the south side is something that you see when you're walking up and down 5th Street and from Market Street.
    • 00:17:21
      So what do other BAR members think about that?
    • SPEAKER_18
    • 00:17:32
      I think that's a really good point.
    • 00:17:34
      I can't think of the last time I've been able to
    • 00:17:38
      Appreciate that building from that perspective.
    • 00:17:42
      I think it's probably because you're, you know, looking at the east side.
    • 00:17:50
      Where can you actually get a good vantage point of the east side?
    • 00:17:54
      There's not that block or so expanse that you can back up from the building like you can on the other corner.
    • 00:18:02
      You know, when you're in the
    • 00:18:06
      when you're in the park where it gives you a clear sight lines up.
    • 00:18:10
      So I think that's a good, I think it's a really good point.
    • 00:18:13
      And I was thinking of the same thing myself as I was walking along Main Street way back from work.
    • SPEAKER_15
    • 00:18:23
      Does the applicant want to make any comments or respond to that?
    • 00:18:28
      I think that was kind of almost a question from Mr. Lejandro.
    • SPEAKER_17
    • 00:18:35
      Yeah, this is Dan Wilson here again.
    • 00:18:37
      And Brian, I don't remember exactly the details, but I believe we need to go on this side of the building due to where the actual gas main is and where we can get access to that.
    • SPEAKER_09
    • 00:18:51
      That's correct.
    • SPEAKER_15
    • 00:18:55
      I don't
    • 00:19:01
      I'm not in a position to argue with the applicant about engineering things, but if you look at the... I'm looking at the image that's on appendix one that shows kind of the rooftop generator.
    • 00:19:17
      Sorry, it's on page... Sorry, page...
    • 00:19:23
      a numbered page five and page 25 of our materials.
    • 00:19:28
      Looks like you could take it around that side, that east side.
    • 00:19:33
      You're kind of heading in that direction anyway.
    • 00:19:34
      And I appreciate that once you get to that lower addition, you're going to have to navigate that, but it almost seems like you could go straight down the side of that building rather than going over its roof and
    • 00:19:52
      and down, I don't know.
    • 00:19:56
      Anybody seeing what I'm seeing?
    • Jody Lahendro
    • 00:19:57
      Yeah, I see that the gas line is originating at the southeast corner.
    • 00:20:03
      So why couldn't it go east just as easily as it goes south?
    • 00:20:07
      Sorry.
    • SPEAKER_03
    • 00:20:18
      If I can, there are photographs further along in the appendix that I'm on the page that keep going right that next one down is zoom out.
    • 00:20:29
      I don't know if that helps.
    • 00:20:33
      I guess what operates that there's, at least on the south elevation, we're dealing with some things that are on the side of the building versus introducing something new on the east side.
    • 00:20:49
      And then I guess only from a construction side, I would wonder, I don't know if they're working off of
    • 00:20:57
      you know big cherry picker or hanging something over the side I don't know what the accessibility is on that side but that was when I was looking at it and thinking of options I left that out just thinking it's there's nothing there now let's not add to it so just my two cents.
    • SPEAKER_14
    • 00:21:15
      I actually agree with Jeff on that is that if you put it parallel to those gutters there or whatever that is those downspouts it could get lost
    • 00:21:23
      Whereas if you put it on the east side where there is nothing now, it would be obviously adding something that wasn't there before and perhaps more prominent.
    • SPEAKER_15
    • 00:21:35
      On page 28 of our materials is a really good picture of that corner with the, you know, for lack of a better word, HVAC garden in the addition.
    • 00:21:49
      There are certain conduits that are coming out of the, basically it's 300 court squares annexed, the building next door to it, and that may preclude these gas lines going there, I don't know, but did we see that the white conduits that are coming out of the back of 300?
    • 00:22:19
      So comments from the board.
    • 00:22:21
      I guess, are we hearing from the applicant that they definitely want to do the south wall?
    • 00:22:40
      Dan and Brennan.
    • SPEAKER_17
    • 00:22:46
      Yeah, so this is Dan again.
    • 00:22:49
      Brian, I don't
    • 00:22:51
      I wasn't a big part of this design.
    • 00:22:53
      Do you have thoughts on this?
    • SPEAKER_09
    • 00:22:57
      I mean, frankly, from a construction standpoint, either would be viable.
    • 00:23:05
      Obviously, closer to the downspout would be better for concealment.
    • 00:23:09
      I believe that's why we just chose to stick with that.
    • 00:23:12
      OK.
    • SPEAKER_15
    • 00:23:16
      So I do have a question and I'm trying to find a good photograph that would illustrate this condition, but it does appear as we get up to, there's no cornice on the side of the building, but as we get up to the parapet wall that the building is wider.
    • 00:23:35
      So when you come over the roof, you've got to sort of, for lack of a better word, hug the building.
    • 00:23:44
      You'd have to do some,
    • 00:23:45
      turns there.
    • 00:23:47
      Is anybody able to articulate better than I am?
    • 00:23:50
      Yeah, it corbels out.
    • SPEAKER_03
    • 00:23:51
      Yeah, thank you.
    • SPEAKER_15
    • 00:23:52
      Corbels work.
    • 00:23:53
      Yeah, awesome.
    • 00:23:55
      And just I'm curious with the applicant how you handle that condition.
    • 00:24:00
      You probably don't have right hand, you know, 90 degree turns in a gas line, but would there be a subtle turn that would allow it to have the building or would you just come over the wall and drop straight down?
    • 00:24:15
      which would leave these lines after you get down six or 10 feet, leave the lines far out from the building.
    • 00:24:25
      And that kind of impacts the way it would make it more prominent and probably a whole lot less appealing.
    • 00:24:35
      And sorry, I'm not being very eloquent about what I'm trying to describe.
    • 00:24:38
      Dan or Brannon or Brian.
    • SPEAKER_09
    • 00:24:44
      I understand we would be building as closely as possible.
    • 00:24:49
      Obviously, if it protrudes at the top, we wouldn't keep that space off for the following 10 stories all the way down with 90s and what have you, you would hug.
    • 00:25:04
      Okay.
    • SPEAKER_15
    • 00:25:14
      Any other questions or comments for the BL members on this?
    • SPEAKER_18
    • 00:25:19
      Just following up on that comment, on appendix one on the right hand, the top right hand corner, there's the image, I don't know who produced that image, you know, of the red line going up and then the little diagonal.
    • 00:25:34
      I don't know if that diagonal was intended on showing that condition.
    • 00:25:40
      I don't know if anybody can comment on that.
    • 00:25:44
      And then I just had a few other just wanted to confirm that it's just one line and that this isn't like one line of many future lines that are going to be installed.
    • 00:25:54
      And then I was just curious about how many anchors, you know, there were working their way up.
    • SPEAKER_17
    • 00:26:10
      Dan, I can speak to the red line question at the first.
    • 00:26:14
      Yeah, that's just to kind of show that the building kind of comes out.
    • 00:26:17
      It'll be a straight run.
    • 00:26:19
      So there's not going to be a weird angle at the top there, wrapping over.
    • 00:26:23
      And it's also a single line.
    • 00:26:27
      Right, Brian?
    • SPEAKER_09
    • 00:26:28
      A single line, correct.
    • 00:26:30
      And in that diagonal, I think that's just for to see where it lands.
    • 00:26:37
      at T-Mobile's equipment, that will actually flow on the backside of the parapet and on the rooftop itself.
    • 00:26:44
      So it won't be visible at all from the ground.
    • SPEAKER_15
    • 00:26:52
      Thanks for that clarification.
    • 00:26:53
      And was there a question about how many struts or basically holders will be all the way down this building of 10 stories?
    • Jody Lahendro
    • 00:27:09
      As I recall, there are two details.
    • 00:27:11
      One says every eight feet, and the other one says every 10 feet.
    • SPEAKER_17
    • 00:27:19
      I'm looking at the latest detail we have.
    • SPEAKER_05
    • 00:27:20
      It says it's every 10 feet.
    • SPEAKER_08
    • 00:27:28
      And sorry to back up to a question.
    • 00:27:30
      It's a steel pipe, right?
    • 00:27:31
      So is it going to be gray if it's not painted?
    • SPEAKER_05
    • 00:27:41
      I assume.
    • SPEAKER_17
    • 00:27:47
      Brian, it's grape mite, right?
    • SPEAKER_09
    • 00:27:48
      Yeah.
    • 00:27:49
      I mean, to be honest, it'll be black and likely rust if it's not painted.
    • SPEAKER_15
    • 00:27:59
      Can you repeat that again?
    • 00:28:00
      Did you say if it'll be rust if it is going to be painted?
    • SPEAKER_09
    • 00:28:04
      No.
    • 00:28:04
      So gas lines are typically black pipe.
    • 00:28:09
      is galvanized, which means they're steel and they will rust rather quickly if they're not painted.
    • SPEAKER_08
    • 00:28:16
      I think there's, aren't you supposed to paint them?
    • 00:28:20
      Isn't it required to paint them after the meter?
    • 00:28:25
      I could be wrong, but I think I remember that.
    • SPEAKER_09
    • 00:28:28
      A safety yellow in traffic areas.
    • 00:28:31
      Right.
    • 00:28:31
      Yeah.
    • 00:28:32
      Correct.
    • 00:28:33
      Besides the buildings, no, a safety yellow wouldn't be required.
    • 00:28:37
      Right.
    • SPEAKER_15
    • 00:28:39
      So that, just to clarify, the color would be black, Brian?
    • SPEAKER_09
    • 00:28:45
      Correct.
    • 00:28:47
      In its natural state, it would be black and then, of course, ultimately rust.
    • SPEAKER_08
    • 00:28:54
      But you're proposing to paint it to match adjacent surfaces according to this diagram?
    • SPEAKER_14
    • 00:29:00
      Yes.
    • 00:29:01
      Right.
    • 00:29:03
      And by adjacent surfaces, do you mean those downspouts?
    • SPEAKER_09
    • 00:29:12
      Yes.
    • SPEAKER_15
    • 00:29:18
      Any other questions from the BAR members?
    • 00:29:25
      If there are none, are there any comments from the public at this time?
    • 00:29:29
      Mr. Watkins, do you see anyone?
    • SPEAKER_07
    • 00:29:34
      We have three attendees.
    • 00:29:35
      If you'd like to provide any comment, please raise your hand.
    • 00:29:42
      Ms.
    • 00:29:42
      Lewis, I don't see any raised hands.
    • SPEAKER_15
    • 00:29:43
      OK, so no comments from the public.
    • 00:29:46
      I'll move to comments from BAR members.
    • 00:29:50
      And just dive in, gentlemen.
    • 00:29:58
      Dive in, or I'll call on you.
    • 00:29:59
      How about that?
    • SPEAKER_08
    • 00:30:03
      Yes, I tend to agree that the South Side actually makes sense if it is able to be tucked up
    • 00:30:11
      Really close to the downspout, you know, you've already got a bunch of vertical interferences, if you will, on that side of the building.
    • 00:30:18
      And there's this will be introducing something new on the east side.
    • 00:30:21
      So if it can be tucked in and painted to match the downspout, I feel like that's a pretty good answer.
    • 00:30:26
      I agree.
    • 00:30:29
      I agree.
    • SPEAKER_18
    • 00:30:38
      Just throwing this out there but maybe I wonder if an alternate would be if you went in that route instead of painting it the color of the downspout where there's a there's a pretty you know consistent series of black downspouts you know if you if you found a color that's more consistent with the brick so that it really kind of disappears more it doesn't lie with the
    • 00:31:03
      with the downspouts because you're going to see it.
    • 00:31:05
      If it's the color of the downspout and it goes up above that, that one on the corner, you're going to see it.
    • Jody Lahendro
    • 00:31:17
      Just thinking this through.
    • SPEAKER_08
    • 00:31:18
      Yeah, that'd be fine.
    • 00:31:19
      There's always time it can be difficult because bricks change color.
    • 00:31:27
      But yeah, if you can find a red or brown tone that is a decent match, it's fine.
    • SPEAKER_15
    • 00:31:35
      And Jeff, remind me on the application we had recently on the library.
    • 00:31:42
      Did we specify brown because the brick was more brown or?
    • SPEAKER_03
    • 00:31:51
      We had said we'll look at the colors in the field and the assumption had been something similar.
    • 00:31:57
      And when we went out there, and I think I maybe had included the different colors, or maybe I meant to, but when we looked at what was close to the brick, it just looked like it didn't work.
    • 00:32:11
      And I've been joking that that brown that
    • 00:32:16
      You know, and I circulated and said, hey, here's what I'm thinking.
    • 00:32:18
      You all say, yeah, you're right.
    • 00:32:20
      I've been joking.
    • 00:32:21
      We should give them an award because it really works.
    • 00:32:24
      That brown color somehow just dissipates into the background.
    • 00:32:27
      Now, I don't know.
    • 00:32:28
      The masonry over here is a little bit different.
    • 00:32:32
      Obviously, the exposures on a different side of the building.
    • 00:32:36
      But I would tend to say something that is
    • 00:32:40
      Not bright, not red.
    • 00:32:43
      Sometimes when you try to match something, it ends up being worse.
    • 00:32:46
      And something that's sort of flat and uniform would be preferable to kind of artificially trying to make it disappear.
    • 00:32:56
      You know, we know it's there.
    • 00:32:57
      Let's not try to make it look like something it's not.
    • 00:33:01
      So I think that the option for that would be
    • 00:33:07
      to, I think I laid it out in the report, is to give me the ability to look at options and that if I have, if I need some feedback on it, I'll circulate it.
    • 00:33:20
      And then we kind of can do it by, again, kind of an email check.
    • 00:33:26
      I have no problem with that.
    • SPEAKER_15
    • 00:33:30
      Thank you.
    • 00:33:32
      Any other comments from the BAR?
    • 00:33:34
      We've heard from a few.
    • 00:33:36
      Mr. Leandro, Mr. Roberts, or Edwards, sorry.
    • SPEAKER_13
    • 00:33:45
      Yeah, I agree with what everyone else has said, either go black or try and match this as close as possible.
    • 00:33:52
      But I vaguely remember my first month with the BAR, we had a similar case where I think the applicant tried to paint using a color that was pretty close to brick as possible.
    • SPEAKER_15
    • 00:34:16
      I think we've kind of used up our comments from the BAR unless there's anything else anyone wants to say.
    • 00:34:21
      Does the applicant wish to respond to any of this?
    • 00:34:24
      Are you good with the comments and questions so far?
    • SPEAKER_17
    • 00:34:28
      Yeah, hey, this is Dan again.
    • 00:34:35
      Yeah, I think we're good with these comments and questions.
    • 00:34:40
      In terms of painting, we're happy to go with whatever the board recommends.
    • 00:34:46
      from there, so.
    • SPEAKER_06
    • 00:34:48
      Great.
    • Jody Lahendro
    • 00:34:49
      Hey Dan, how close can you get it to the downspout?
    • SPEAKER_17
    • 00:34:55
      We can tuck it in right next to the downspout, I believe, right Brian?
    • 00:35:02
      Correct.
    • 00:35:03
      Yeah, basically touching, so.
    • 00:35:05
      Great.
    • 00:35:08
      Thank you.
    • SPEAKER_15
    • 00:35:10
      Anybody want to take a stab at a motion to kind of capture
    • SPEAKER_03
    • 00:35:16
      And before you, I just make sure you kind of articulate, I think what you're talking about, a location, right or the left side, which facade, and then a color option, something appropriate that if you wish to let me use my judgment, just say so.
    • 00:35:36
      And like I said, I think there's something in the discussion that might help.
    • SPEAKER_14
    • 00:35:44
      I'll take a stab at it if you'd like.
    • SPEAKER_15
    • 00:35:47
      Please proceed, Mr. Bailey.
    • SPEAKER_14
    • 00:35:48
      All right, thank you.
    • 00:35:50
      Having considered the standards set forth in the city code, including the city's ADC design guidelines, I move to find the proposed gas pipe at 500 Court Square satisfies the VAR's criteria and is compatible with this property
    • 00:36:04
      and other properties in the north downtown ADC district and that the BAR approves application with the idea that the pipe will be as close to the downspout on the south side as possible and that the color will be submitted to and approved by the city staff as appropriate.
    • SPEAKER_15
    • 00:36:29
      Is there a second?
    • SPEAKER_16
    • 00:36:34
      I second.
    • SPEAKER_07
    • 00:36:36
      Thank you, with a motion by Mr. Bailey and a second by Mr. Timmerman, I will call a vote.
    • Jody Lahendro
    • 00:36:43
      Can there be some discussion?
    • SPEAKER_15
    • 00:36:46
      Yeah, there should be discussion after a motion's made.
    • 00:36:50
      Go ahead, Mr. Lehendre.
    • Jody Lahendro
    • 00:36:52
      I would ask for an amendment to replace as close as possible to right next to.
    • SPEAKER_15
    • 00:37:01
      Do you accept that, Mr. Bailey, as a friendly amendment?
    • SPEAKER_14
    • 00:37:04
      Absolutely, yes.
    • 00:37:06
      Thank you.
    • SPEAKER_15
    • 00:37:08
      Any other further discussion or any other fun amendments out there anybody wants to make?
    • 00:37:15
      Great.
    • 00:37:16
      Mr. Watkins, if you can call the roll.
    • SPEAKER_07
    • 00:37:18
      Sure.
    • 00:37:19
      Mr. Bailey?
    • 00:37:21
      Yes.
    • 00:37:22
      Ms.
    • 00:37:22
      Lewis?
    • Jody Lahendro
    • 00:37:23
      Aye.
    • SPEAKER_07
    • 00:37:24
      Mr. LeHindro?
    • Jody Lahendro
    • 00:37:26
      Aye.
    • SPEAKER_07
    • 00:37:27
      Mr. Zehmer?
    • 00:37:29
      Aye.
    • 00:37:30
      Mr. Edwards.
    • SPEAKER_14
    • 00:37:31
      Aye.
    • SPEAKER_07
    • 00:37:32
      And Mr. Timmerman.
    • 00:37:34
      Aye.
    • 00:37:36
      Thank you.
    • 00:37:36
      The vote passes unanimously.
    • SPEAKER_15
    • 00:37:40
      Congratulations, gentlemen.
    • SPEAKER_04
    • 00:37:45
      Thank you.
    • 00:37:46
      Thank you very much.
    • 00:37:47
      This is Brandon Bose on behalf of Team Noble and SmartLink.
    • 00:37:50
      I just wanted to thank the board for your time.
    • SPEAKER_07
    • 00:37:55
      Thank you.
    • SPEAKER_15
    • 00:37:57
      Next up is our certificate of appropriateness request for 707 West Main Street.
    • 00:38:02
      And I think Mr. Warner has that.
    • SPEAKER_07
    • 00:38:05
      And we're also joined by Cliff Fox and Orham Dykman, who are representing this project.
    • SPEAKER_04
    • 00:38:11
      OK.
    • SPEAKER_03
    • 00:38:17
      Oh, sorry.
    • 00:38:18
      I'm always worried my computer's gone unstable, but that's you, Robert, shaking it up.
    • 00:38:23
      OK.
    • 00:38:25
      This is a COA request for 707 West Main Street.
    • 00:38:31
      This is within the West Main ADC District.
    • 00:38:34
      The request is to replace the storefront glass so it's not
    • 00:38:42
      And there's lots of terms for storefront that we can refer to tonight, but this is for the glazing on the front.
    • 00:38:49
      And then there's the small panel on the side as you go into the entrance.
    • 00:38:54
      This building was built around 1925.
    • 00:38:56
      It is contributing to the ADC district.
    • 00:39:05
      is kind of partnered with the, well it's one building, but this facade is partnered with the adjacent address.
    • 00:39:13
      So when you're looking at the photo here though, this is the storefront on the right hand side.
    • 00:39:19
      There have not been any prior requests for this address.
    • 00:39:25
      There was some, I think an admin review of some ventilation back in 2013.
    • 00:39:32
      So the request is, and Robert, if you just roll down to that next top of the page there and zoom in a little bit.
    • 00:39:40
      So this is a,
    • 00:39:44
      You can see there's three pieces of glazing here, the fixed window and well, they're all fixed now.
    • 00:39:54
      And the intent is to replace that front where there are now two panes of glass with a five unit operable, I call it an accordion window.
    • 00:40:05
      And the fixed panel there as you go into the entrance on the right hand side would just be fixed glass.
    • 00:40:15
      This was not the easiest one to unfold at the staff level.
    • 00:40:23
      We've had projects where we've talked a long time, and this one is up there, just trying to evaluate how best to kind of balance
    • 00:40:38
      Our recommendation, I don't think we can come down and say a staff recommendation, but to try and offer some perspectives of some observations that might help sort of work through your decision making on this.
    • 00:40:56
      What we know is, you know, there's some critical elements in this and particularly that transom overhead is
    • 00:41:05
      Stang.
    • 00:41:07
      Robert, what did you refer to that as?
    • SPEAKER_07
    • 00:41:11
      Just the transom, the prism glass transom that's referred to in the survey.
    • SPEAKER_03
    • 00:41:16
      And the bulkhead, which is the bottom, will remain and so this comes down to these three panes of glass being removed and
    • 00:41:32
      We were discussing earlier, it's not a lot that's leaving, but there's what going back in is very different in design.
    • 00:41:40
      And so I think that's the primary question for you all to work with.
    • 00:41:47
      As far as detail kind of questions, Robert, if you would scroll down to my page five and to kind of walk through
    • 00:41:58
      a couple of the observations we had.
    • 00:42:00
      So yeah, that's it.
    • 00:42:02
      So just, and we have better images if we want to flip to them, but I just go through it now.
    • 00:42:08
      So you've got that transom above, and then there's a
    • 00:42:13
      I don't know if it's a metal piece.
    • 00:42:16
      I suspect it's a part of the original storefront that kind of a plinth looking piece that, or at least the trim profile running across the top that will remain.
    • 00:42:28
      And then there is a corner post that's metal that will be replaced with a similarly sized piece of metal.
    • 00:42:39
      It is not a structural element, but it would
    • 00:42:42
      something to anchor the new window frames into there is you see the number two there is a piece of bronze strip that is used just as sort of the glazing stop to hold in the glass that
    • 00:42:57
      The piece would be removed and obviously the new frame would fit in there.
    • 00:43:01
      So again, the bulkhead remains the same, the transfer remains the same, that trim across the top remains the same.
    • 00:43:08
      Corner posts were replaced with something identical to it and the
    • 00:43:15
      the bronze glazing strips are removed.
    • 00:43:17
      So as far as, and obviously the glass.
    • 00:43:19
      So as far as those historic elements that are there now.
    • 00:43:23
      And then on the opposite side, you can see in the bottom left photo, there's a frame portion that goes against the brick and that would be removed as well.
    • 00:43:33
      And then I did, Robert, do you have that?
    • 00:43:39
      I don't think I, go back up, go back up, I'm sorry, sorry, go back up.
    • 00:43:42
      So the other question I had for the BAR to kind of weigh, and hopefully this makes, it's clear here, so the, there's
    • 00:43:55
      on the underneath where head, that's the, that there's two details.
    • 00:44:00
      The one on the left is a, that's the frame of the accordion window.
    • 00:44:04
      And the one on the right is the frame of that fixed panel that's next to the entrance.
    • 00:44:10
      So you can see there's a difference in that dimension, the thickness of that frame.
    • 00:44:15
      I think, you know, roughly five,
    • 00:44:20
      five and five sixteenths of an inch at the head.
    • 00:44:26
      And then it's a similar, I think it's like four and five eighths, whereas the fixed frame on the side is an inch and three quarter frame.
    • 00:44:33
      So there's that difference in thickness.
    • 00:44:37
      I don't know if that is something that could be, I guess they could close it down a little bit.
    • 00:44:43
      I don't know if that's of issue, but I wanted to raise that.
    • 00:44:47
      And then as far as if you all were,
    • 00:44:52
      Considering approving this, I would recommend that at least these bronze pieces that are removed, and I don't know to what condition or to what extent the original are still there, but at least they'd be bundled, tagged, and left on site that the opportunity is there if there's a future restoration of the storefront.
    • 00:45:14
      As far as going around town, Robert and I have also been talking about what's happened, what have we had.
    • 00:45:23
      some accordion type windows and roll-up windows that I don't think ever came to the BAR, but there are examples around town where storefronts have been altered.
    • 00:45:33
      We have several in the mall.
    • 00:45:34
      We have a lot of buildings with the original storefronts are still there.
    • 00:45:40
      So it's a mix.
    • 00:45:43
      I think by and large, where we have operable windows that have gone in that you all have looked at,
    • 00:45:51
      Primarily think of the Otto's there on Water Street, although that is more of a contemporary building, not a historic building.
    • 00:46:01
      And I know that the whiskey jar, BAR approved sort of some operable accordion type doors.
    • 00:46:09
      Back in 96, I know that the red pump storefront was replaced and
    • 00:46:19
      with operable doors.
    • 00:46:21
      You know that at CHAPS we approve the replacement, complete replacement of the storefront that's there.
    • 00:46:26
      So there's no one size fits all, and there are examples across the board.
    • 00:46:32
      But I think really the question here is more, to me, we know elements are being removed, but does what's going in there
    • 00:46:42
      Is that change in look and design, is that acceptable within the district?
    • 00:46:49
      So with that, any questions for me?
    • SPEAKER_05
    • 00:46:52
      That was easy.
    • 00:46:56
      I don't know if Cliff's here.
    • SPEAKER_07
    • 00:47:01
      and then Mr. Dykman.
    • 00:47:02
      I'm happy to go back through either representatives of this project and share my screen if you provide to wish an additional presentation.
    • Jody Lahendro
    • 00:47:17
      So Jeff and Robert, you all agree that the elements that are being proposed to be replaced with the storefront, they're original, they're historic.
    • SPEAKER_03
    • 00:47:31
      If you look closely at the photos, it looks like there's some small pieces of crown mold.
    • 00:47:39
      It's yes and no.
    • 00:47:42
      It appears to be, by and large, yes, of a 20th century
    • 00:47:50
      materials.
    • 00:47:52
      I don't know if it's 1920s materials, but given the similarity with the storefront adjacent to it, yeah, my sense is that this is primarily original material.
    • 00:48:03
      Just not the original glass.
    • 00:48:04
      We know that because the glass got smashed, I believe.
    • Jody Lahendro
    • 00:48:08
      Yeah, that was my assessment walking across the street, spending some time with it this afternoon.
    • 00:48:15
      It's the same kind of bronze stops that are used with the prismatic transom matrix.
    • 00:48:24
      The exact same types of trim and
    • 00:48:29
      corner mullions that are used in the mirror image store just on the other side.
    • 00:48:37
      So they appear to be the historic materials.
    • 00:48:43
      Thank you.
    • SPEAKER_15
    • 00:48:49
      Applicant, Mr. Fox, Mr. Dickman.
    • SPEAKER_05
    • 00:48:54
      Sure, it's all yours.
    • 00:48:58
      Orem.
    • 00:49:03
      I think you're muted.
    • SPEAKER_02
    • 00:49:03
      Okay, there you are.
    • 00:49:04
      Yeah, go ahead Orm.
    • SPEAKER_07
    • 00:49:15
      Orm, you're muted, but I just asked and you know, yeah, you're good now.
    • SPEAKER_12
    • 00:49:20
      All right.
    • SPEAKER_07
    • 00:49:20
      Hi, everyone.
    • SPEAKER_12
    • 00:49:21
      This is Orm Dikman.
    • 00:49:23
      And we are here to apply all the regulations of the city.
    • 00:49:27
      And also you have our proposal plan.
    • 00:49:31
      and thank you for Mr. Warner explaining everything, our plan.
    • 00:49:39
      And we will coordinate with the Datsun Glass Door to make sure we are following all the city rules.
    • 00:49:49
      And if you have any questions, also the reason that we are changing our glass, there was a cracks
    • 00:50:02
      Isolation problem on the corner.
    • 00:50:06
      We had to change it.
    • 00:50:08
      And then we decided to make like folding glass, but we don't want to change to any frame or outside historical view.
    • 00:50:16
      We are just trying to make new glass and people after pandemic wants to sit outside or want to feel like outside refreshing.
    • 00:50:31
      and that's why we wanted to change, like we wanted to make a folding glass.
    • SPEAKER_04
    • 00:50:38
      This is the reason for this project.
    • 00:50:48
      And you also have our proposal plan.
    • SPEAKER_15
    • 00:51:00
      Thank you, Mr. Fox.
    • 00:51:01
      Did you have any comments on behalf of the applicant?
    • SPEAKER_02
    • 00:51:05
      I'm just here.
    • 00:51:06
      I'm the property manager.
    • 00:51:08
      I've been working with the property owners for the past 12 years.
    • 00:51:15
      They're supportive of the change.
    • 00:51:19
      And we've read staff's report.
    • 00:51:22
      We understand some of the concerns.
    • 00:51:27
      Some of the bronze trim is in substantial disrepair.
    • 00:51:33
      I don't know if Mr. Leandro had a chance to look at it closely, but it's been drilled multiple times, either taking it down and replacing it or whatever.
    • 00:51:51
      Anyway, that's all.
    • SPEAKER_15
    • 00:51:55
      Thank you.
    • 00:51:56
      Are there any questions from the public?
    • 00:51:58
      I think we've got one attending.
    • 00:51:59
      We've got a couple of panelists that may be considered members of the public.
    • 00:52:04
      They're not related to this.
    • SPEAKER_11
    • 00:52:07
      Hi.
    • 00:52:09
      May I add a couple of things also?
    • SPEAKER_15
    • 00:52:12
      Absolutely.
    • SPEAKER_11
    • 00:52:12
      Thank you.
    • SPEAKER_15
    • 00:52:14
      I also registered for the... Could you just identify yourself and give us your name?
    • 00:52:20
      Yeah.
    • SPEAKER_11
    • 00:52:20
      Yes, my name is Yocan Dennis Dickman.
    • 00:52:23
      I am Oren's brother.
    • 00:52:25
      Also, I've been doing business since five years in the city of Charlottesville.
    • 00:52:31
      I own a restaurant called Salty Kebab in the Second Street and Garrett Street.
    • 00:52:37
      And in this project, I am supporting my brother.
    • 00:52:41
      We are in the process of preparing a new place for them.
    • 00:52:46
      And we are originally from Turkey.
    • 00:52:49
      That's going to be also, you know, kind of like Mediterranean, Aegean cuisine oriented Turkish cuisine they're going to represent in this restaurant.
    • 00:53:01
      And since we are coming from very historical old country, we really love old looking, old historical stuff and preserve that and, you know, not to mess with the historical pieces.
    • 00:53:16
      We love history.
    • 00:53:17
      We are coming to the history of the country.
    • 00:53:20
      In this project the idea started, there were a couple of small cracks already in the window in the corner but at the same time the place is a really boutique old restaurant space but unfortunately they didn't have an outdoor space
    • 00:53:36
      and since two years now, you know, with the pandemic, giving the option to the customers and giving some fresh air, some outdoor feeling, it's really like one of the main reasons to survive for the restaurants.
    • 00:53:51
      I was lucky I survived as a restaurant because I have a huge airy space and I have a huge outdoor space.
    • 00:53:59
      But in this case, in this place, my brother didn't have that chance.
    • 00:54:05
      and then since the kind of like the when we were talking about replacing the window we came to the idea that changing that this window pieces two pieces five folding pieces that we have also the different examples in the in the around the city and they already did the application and they are working with the dots and glass company and in the application I think everything is explained and earlier
    • 00:54:33
      Mr. Jeff also explain everything.
    • 00:54:36
      So as a frame, every historical look, nothing is going to change.
    • 00:54:41
      Only that, you know, the glass piece, glass front, it will be the idea it's switching that to the folding glass.
    • 00:54:49
      So when the weather is nice, when the good weather's in the springtime, fall time, to give the people some fresh air and some the outdoor.
    • 00:54:57
      So that's the idea.
    • 00:54:58
      Thank you very much for letting me talk.
    • SPEAKER_15
    • 00:55:01
      Thank you, Brothers Dickman.
    • 00:55:07
      I don't think we have any questions from the public.
    • 00:55:10
      Are there questions from the BAR for the applicant?
    • SPEAKER_14
    • 00:55:15
      You said there are cracks in the current window.
    • 00:55:18
      Could you describe that a little bit more?
    • SPEAKER_11
    • 00:55:22
      That was, I think, it might be maybe from the before or, you know, in the process that when we get, there were like, you know, in the like, kind of like, when you see that the pictures, there is only the, we replaced that, we had to replace that with the plastic pieces there to kind of like, because there were a couple of cracks and also there was some like, you kept there, losing some air.
    • 00:55:47
      and we had to replace that window but while they were moving some pieces inside that bracket got bigger that's why for temporary we replaced with this plastic piece there just to keep that you know air inside that's how everything started
    • SPEAKER_14
    • 00:56:09
      So the window would have to be replaced in any case, whatever the window is.
    • SPEAKER_11
    • 00:56:13
      And also on the left side, next to the door, there's like one piece there.
    • 00:56:18
      It's not removable.
    • 00:56:20
      It's fixed piece glass that has also glass cracked in the corner that will be replaced, but it's not going to be removable.
    • 00:56:28
      It's going to be fixed glass there.
    • 00:56:30
      So it was similar to that crack.
    • SPEAKER_08
    • 00:56:38
      I've got a question, clarification.
    • 00:56:43
      So you're just proposing to replace the window at 707, but not proposing to replace the window at 709, which is the same building, but the other side of the entrance.
    • 00:56:58
      Is that correct?
    • SPEAKER_04
    • 00:56:59
      No.
    • SPEAKER_12
    • 00:57:00
      No, yeah.
    • 00:57:00
      Yes, that's correct.
    • 00:57:03
      Just 707.
    • 00:57:03
      Just 707, yes.
    • 00:57:04
      OK, thank you.
    • SPEAKER_18
    • 00:57:13
      I see some drawings of the window frames.
    • 00:57:16
      Is there a drawing of what the window frame would look like in the actual building?
    • SPEAKER_05
    • 00:57:23
      Yes.
    • SPEAKER_03
    • 00:57:30
      There's elevations in the submittal and then there
    • 00:57:39
      Not elevations of the building, but showing the window, the accordion window, and then they're spraying details.
    • 00:57:46
      But there's not a photo sim or anything like that, no.
    • SPEAKER_15
    • 00:58:02
      Any other questions from BAR members for the applicant?
    • 00:58:10
      Let's move on to comments.
    • 00:58:12
      Are there any comments from members of the public?
    • 00:58:14
      We still just one attendee here.
    • SPEAKER_07
    • 00:58:20
      Doesn't look like they're offering any comments.
    • SPEAKER_15
    • 00:58:28
      We did receive an email that I'm going to try to just summarize.
    • 00:58:34
      It was sent to BAR members from Carl Schwartz, who is a past BAR member and past chair, and I'll try to read the relevant portions that pertain to the application.
    • 00:58:48
      He encourages us to walk the block and look at the existing storefront.
    • 00:58:53
      He says it's not a typical two by four aluminum extrusion, but
    • 00:58:57
      He believes that all but two of the retail spaces on the block still retain their original storefront.
    • 00:59:03
      He notes that the BAR denied informally, he doesn't think it came as an application, the replacement of the storefront at the neighboring Doma restaurant.
    • 00:59:14
      And he said he could be wrong, but he believes that inserting a folding window without having basically removing that existing bronze frame might be impossible.
    • 00:59:27
      He does think that the storefront is historically important.
    • 00:59:40
      Any other comments from the public at all?
    • 00:59:42
      And if not, I'll move on to comments from VR members.
    • SPEAKER_08
    • 00:59:53
      I can start if you'd like.
    • 00:59:56
      So I personally see this as one building unit, and I think that installing a folding accordion-style window on one side and not the other would be very asymmetrical to this facade.
    • 01:00:11
      and I think it would distract from the historic character.
    • 01:00:16
      So I don't personally think I could support this application as it's submitted.
    • 01:00:22
      However, I might venture a recommendation that possibly the applicant might consider some sort of large pane like sliding window that would therefore maintain the center mullion.
    • 01:00:38
      You know, the Dodson would have to figure out if that's feasible, but that may be a solution to provide some fresh air, but while maintaining the kind of the historic look and maybe that could be placed behind the historic bronze frame.
    • 01:00:53
      Just an idea, but those are my comments.
    • SPEAKER_15
    • 01:01:01
      The members.
    • SPEAKER_18
    • 01:01:08
      I think I think what's being proposed is quite a bit different than what we're looking at.
    • 01:01:17
      And I think what's there now, while obviously not in good shape, there's something special about the transom, the prismatic effect.
    • 01:01:28
      I think it was maybe my first night in town in Charlottesville.
    • 01:01:32
      I went to a concert there and I just I remember that.
    • 01:01:37
      feature.
    • 01:01:38
      And when you look at some of these, any of the photographs, but in particular, the one, the black and white, I think it's from 1996.
    • 01:01:54
      You get a really good view, I think, of the whole composition of it.
    • 01:02:02
      And I think what stands out
    • 01:02:04
      What makes it special is the, and you know, architecturally significant, is the profiling that happens everywhere.
    • 01:02:16
      And I think Jody pointed out earlier that, you know, everything is sort of a one piece.
    • 01:02:25
      There's a, there's really a fineness sort of to the articulation of the frame up above and down below.
    • 01:02:33
      and the sort of proposed substitute has a much thicker frame and it would start to break up the sort of this wonderful kind of expanse of just glass underneath that transom in a way that I find to be detrimental.
    • 01:02:53
      And I also agree with James in that
    • 01:02:56
      Doing it on one side and not doing it on the other would also detract from the overall effect of the building.
    • 01:03:07
      But I do appreciate what you're trying to do here.
    • 01:03:12
      And, you know, certainly, I think your intentions are good.
    • 01:03:18
      And I do agree with James that there may be that there's likely an alternative
    • 01:03:25
      that will work.
    • 01:03:26
      I think you have to think about it much harder and explore it a little bit more deeply.
    • 01:03:33
      I think whatever that proposal is, for me, I think it's really important to see the
    • 01:03:42
      the drawings, not just what the windows are, but the windows in the space.
    • 01:03:47
      So understanding how thick the frame is up above and down below.
    • 01:03:51
      Also understanding exactly how that works within the walls.
    • 01:03:58
      So seeing a wall section of that, I think is pretty important.
    • 01:04:02
      So that when we approve it, we know what we're approving.
    • 01:04:06
      I would hate to approve
    • 01:04:08
      a window assembly, and then when you get into it and you start looking at the constructability of it, you come to the realization that it's actually not what the proposal is.
    • 01:04:23
      So those are my comments.
    • SPEAKER_15
    • 01:04:30
      Thank you.
    • 01:04:30
      Other members of the BAR with comments on this application?
    • Jody Lahendro
    • 01:04:38
      I'll chime in with the fact that I did spend some time looking at it and Cliff is right.
    • 01:04:48
      There is damage to the bronze trim, but I believe it can be repaired.
    • 01:04:56
      I've known it similar kinds of trim to be repaired in the past.
    • 01:05:03
      And it's a distinctive design.
    • 01:05:07
      Clearly, I mean, it's done to maximize the views from the street into what was a furniture store for both of these buildings, well, for the pair of buildings.
    • 01:05:24
      Also, the same owner developer, Carter,
    • 01:05:29
      did the corner building to the west.
    • 01:05:35
      And it also has that really interesting prismatic glass transom in the square matrix.
    • 01:05:44
      So there's a style that's continuous.
    • 01:05:49
      It says something about the history of development of the three buildings together.
    • 01:05:55
      and I find the storefront design to be distinctively interesting and it's historic and it would be a real
    • 01:06:11
      It would be inappropriate to change one side and not the other side when they mirror each other so well.
    • 01:06:23
      So it's something that I really cannot support.
    • SPEAKER_15
    • 01:06:37
      Mr. Bailey, Mr. Edwards,
    • 01:06:40
      I think we haven't heard yet from you.
    • 01:06:42
      If you have any comments.
    • SPEAKER_14
    • 01:06:47
      I'm intrigued by James's idea of large flat panes of glass that could be sliding and that you could mirror the exact
    • 01:06:57
      look perhaps we're very close to what it was before and still provide fresh air and maybe that would be a way to go in that direction to achieve both the goals that Mr. Dickman would like to do and also maintain some of the character that other members of the board are worried about.
    • SPEAKER_15
    • 01:07:30
      If Mr. Edwards doesn't read comments, I just have one that I don't think has been expressed yet.
    • 01:07:37
      I find the folding doors really interesting, and we've seen them elsewhere.
    • 01:07:42
      But in this setting, it's a folding window.
    • 01:07:46
      And when we get these accordion windows, the window will be more prominent on the street side than the historic storefront.
    • 01:07:56
      And I feel like it's,
    • 01:07:58
      will a little bit subordinate the historic storefront in that plane to these operating windows and what they may look like.
    • 01:08:09
      And I think that's
    • 01:08:11
      One of the reasons why several members, and I think I'd throw myself in the camp, agree with Mr. Zehmer's suggestion that holding that plane and having movable windows that would move vertically, but they wouldn't break that historic storefront plane might be just a lot more compatible with our guidelines.
    • 01:08:47
      Does the applicant wish to make any additional comments after hearing our comments?
    • 01:08:52
      No.
    • SPEAKER_05
    • 01:08:57
      Thank you.
    • SPEAKER_15
    • 01:09:05
      Was that, was that, was that, was that no?
    • 01:09:10
      Oh, actually.
    • SPEAKER_02
    • 01:09:15
      I would like to say one thing, but Orem, you go ahead.
    • 01:09:18
      This is your show.
    • SPEAKER_12
    • 01:09:21
      No, please.
    • 01:09:22
      I'm okay.
    • 01:09:26
      I don't have any additional comments.
    • 01:09:30
      Okay.
    • SPEAKER_03
    • 01:09:31
      It sounds like a BAR, Cliff, and Ms.
    • 01:09:35
      Darkman, is that possibly there's some options to explore that
    • 01:09:44
      So the way to do that would be, you all could request a deferral, and that just bumps it to whenever you have something to bring back.
    • 01:09:57
      And if, you know, to meet with, probably meet with folks at Datsun and float some of these ideas.
    • 01:10:03
      But that would be
    • 01:10:08
      me offering a recommendation to you all in this case, or the BAR could defer this, in which case, if they did that, then it would have to come back in May.
    • 01:10:22
      So by an applicant requesting the deferral, essentially you all control the calendar.
    • 01:10:29
      If the BAR does it, then we would have to see this again in May.
    • 01:10:34
      And so I'm sorry if I'm being presumptuous about where the board's heading, but I just wanted to add that if it was helpful.
    • SPEAKER_15
    • 01:10:44
      I would say it looks like the majority don't support approving this.
    • 01:10:48
      So I'll just ask the applicant, Oren and Cliff, what you'd like to do here.
    • 01:10:56
      Mr. Warner's giving you some options.
    • 01:10:59
      Hey.
    • SPEAKER_06
    • 01:11:02
      No.
    • SPEAKER_02
    • 01:11:03
      Or arms the applicant.
    • SPEAKER_12
    • 01:11:06
      Yes.
    • 01:11:07
      We would like to do that last because of that reason.
    • 01:11:15
      And we explained but yeah, we can work on it to make sure that it will look definitely like rustic historical color.
    • 01:11:27
      And also we can wrap with the we're gonna wrap with the
    • 01:11:34
      Same color that looks like right now.
    • 01:11:39
      We will work on it to look definitely not changing the view, historical view.
    • 01:11:48
      And for the safety, we had to do it because there was cracked that that gloss had to change.
    • 01:11:56
      That's why we are doing that long process and then
    • 01:12:01
      Also, we are the new interpreters.
    • 01:12:06
      It's a big cost, but we said we had to do it because we are trying to do a new restaurant in Charlottesville.
    • 01:12:13
      We want to serve new, good food.
    • 01:12:19
      And then we need to change the glasses.
    • 01:12:25
      Yeah.
    • 01:12:26
      And if you have any,
    • SPEAKER_02
    • 01:12:32
      Orm, what they're asking you to do is decide whether you want to defer the application and bring it back.
    • 01:12:48
      Once you've made the changes that they seem to want, they don't want the accordion door
    • 01:12:55
      They want a sliding window or something close to that.
    • 01:13:00
      They're particularly concerned about the asymmetry.
    • 01:13:05
      If you walk on the north side of the street, if you go back to that 1996 photo, it looks like three storefronts, not two or one building.
    • 01:13:17
      So I would task, you know,
    • 01:13:20
      the bar with that.
    • 01:13:23
      Even from a crawl on the south side of the street, it's the photograph that helps that read as one building.
    • 01:13:37
      Anyway, they're going to do what they're going to do, but you're going to have to change your window to get it approved here.
    • SPEAKER_11
    • 01:13:47
      Yes, we have one last question earlier.
    • 01:13:52
      The bar mentioned about the, you know, 707 part, 709 part.
    • 01:13:57
      If the 709 will do the same kind of like folding glass window, the project would be accepted?
    • SPEAKER_15
    • 01:14:09
      I'll let members of the BAR respond to that question kind of individually just to kind of do a poll, Mr. Dickman.
    • 01:14:16
      So
    • 01:14:18
      Would anybody I guess by show of hand be supportive if they did the other side of the door opening with the accordion windows?
    • 01:14:32
      So Mr. Edwards is signifying that he's supportive and Mr. Bailey is.
    • 01:14:36
      So you need four people, because there's six of us right now, you need four people to approve that.
    • 01:14:46
      And I think you're a couple people short of that right now if we were to vote on that.
    • 01:14:52
      I'm trying to avoid taking a vote and having this not approved.
    • 01:14:58
      So if you'd like to, you can take a deferral, which means you would go back, collect, you know, and you're welcome to call staff or any of us, collect
    • 01:15:11
      Comments that we've given to you, maybe redesign the movable windows in a way that we've discussed.
    • 01:15:19
      They would be maybe flat and opening on a vertical plane instead of folding.
    • 01:15:24
      And see if it's feasible to do the other side as well.
    • 01:15:30
      You're right that there's two things going on here.
    • 01:15:35
      And then maybe come back next month.
    • 01:15:37
      If you could work with Dodson and you can get some plans back to us.
    • 01:15:42
      I know that staff will help you.
    • 01:15:43
      I think informally I'll say that I can't imagine there's a member of this board that doesn't want to see this happen.
    • 01:15:52
      You know, all of us like the fresh air.
    • 01:15:56
      and we want to support businesses like yours.
    • 01:16:01
      But I think that the accordion doors are not going to be passed tonight.
    • 01:16:05
      So we just want to give you an option.
    • 01:16:07
      Would you like to defer which means you go away and you redo it?
    • 01:16:10
      Okay, great.
    • 01:16:12
      And is there a motion among BAR members to accept the deferral by the applicant?
    • SPEAKER_14
    • 01:16:18
      Yes.
    • SPEAKER_15
    • 01:16:19
      And second?
    • SPEAKER_14
    • 01:16:21
      Second.
    • SPEAKER_15
    • 01:16:23
      And Mr. Watkins?
    • SPEAKER_07
    • 01:16:25
      Sure.
    • 01:16:27
      With the motion by Mr. Edwards and a second by Mr. Bailey, I will call the vote.
    • 01:16:33
      Ms.
    • 01:16:33
      Lewis?
    • SPEAKER_15
    • 01:16:34
      Aye.
    • SPEAKER_07
    • 01:16:35
      Mr. Timmerman?
    • 01:16:36
      Aye.
    • 01:16:38
      Mr. Edwards?
    • SPEAKER_08
    • 01:16:39
      Aye.
    • SPEAKER_07
    • 01:16:40
      Mr. Zehmer?
    • SPEAKER_08
    • 01:16:41
      Just a question.
    • 01:16:44
      We're accepting their request for a deferral, correct?
    • 01:16:48
      Yes.
    • 01:16:49
      Aye.
    • SPEAKER_07
    • 01:16:50
      Thank you.
    • 01:16:50
      Mr. LeHendro?
    • Jody Lahendro
    • 01:16:52
      Aye.
    • SPEAKER_07
    • 01:16:53
      And Mr. Bailey?
    • Jody Lahendro
    • 01:16:54
      Yes.
    • SPEAKER_07
    • 01:16:55
      Thank you, the motion passes unanimously.
    • SPEAKER_03
    • 01:16:57
      And also, we are short three BAR members tonight so there are three voices that weren't in this conversation that I imagine all three of them would be very interesting so
    • 01:17:14
      It would be helpful to have them at the table for this discussion.
    • 01:17:18
      And let's, yeah, well, you know, Stikeman, you and I work with Clef and we'll kind of digest what the BAR's offered and see what we can make of this.
    • 01:17:30
      But yeah, definitely would like to work with you guys.
    • SPEAKER_15
    • 01:17:33
      You know where to find Mr. Jeff, right?
    • SPEAKER_12
    • 01:17:38
      Yes.
    • 01:17:39
      Yeah, okay.
    • SPEAKER_15
    • 01:17:40
      Thank you very much.
    • 01:17:41
      We'll hope to see you next month.
    • SPEAKER_12
    • 01:17:43
      OK, thank you so much.
    • 01:17:44
      See you next time.
    • SPEAKER_03
    • 01:17:47
      And by the way, BAR members, I believe we will be going in person in May.
    • 01:17:57
      We're tinkering with some experimental mixed board meeting with people via Zoom.
    • 01:18:06
      We'll see how the chaos works out over the next couple of weeks.
    • 01:18:08
      But we may all be actually in the same room in a couple of weeks.
    • SPEAKER_15
    • 01:18:13
      Okay, great.
    • SPEAKER_03
    • 01:18:15
      All right, next up.
    • SPEAKER_15
    • 01:18:17
      Next up is the certificate of appropriateness request for 313 Steep Hill Street.
    • 01:18:23
      I do want to note, this is 313 Steep Hill.
    • 01:18:25
      It's within the Woolen Mills Village.
    • 01:18:28
      Historic Conservation District.
    • 01:18:30
      That's different than our usual architectural design control districts, different set of, we call it, you know, design control light, different set of criteria.
    • 01:18:42
      And certainly if this were within, this is a contributing
    • 01:18:47
      I also wanted to note before Mr. Warner goes into a staff report that
    • 01:19:03
      I've previously represented these applicants on a legal matter.
    • 01:19:09
      It was unrelated to the application before us tonight under the Virginia Conflicts of Interest Act.
    • 01:19:15
      I don't believe that I have a conflict, and I think I'll be able to participate.
    • 01:19:20
      But I just wanted to note that I don't really, I don't have any stake in the outcome of this, but it was a related matter.
    • 01:19:29
      And with that, Mr. Warner?
    • SPEAKER_03
    • 01:19:33
      And thank you for sharing on that.
    • 01:19:36
      I did receive a question earlier today about a recusal.
    • 01:19:43
      Now I can just repeat what I said to that individual.
    • 01:19:49
      The primary reason you would recuse yourself from a decision is if you are
    • 01:19:57
      If you have a financial interest, if you have something to gain from that decision.
    • 01:20:01
      So if that's the case, then it's no brainer.
    • 01:20:05
      You should refuse yourself and express that.
    • 01:20:08
      There are also times where
    • 01:20:11
      Someone may simply feel uncomfortable with participating.
    • 01:20:16
      And that's your privilege to do that.
    • 01:20:20
      But there's not a requirement that you accuse yourself because of that.
    • 01:20:26
      So just to be clear, I know, it's a small town.
    • 01:20:31
      It's difficult to do that.
    • 01:20:33
      Sometimes separate, but the legal reason for you to recuse yourself would be if you stand to benefit from a decision.
    • 01:20:40
      Otherwise, it's a judgment call on your part.
    • 01:20:43
      I think the BAR would respect that.
    • 01:20:46
      I have been told that as long as we have a quorum to establish a meeting,
    • 01:20:52
      then we can continue with deliberating and voting on something.
    • 01:20:57
      Although you do have to wonder, it would be odd if five of you tonight recused yourselves.
    • 01:21:05
      There was one vote, but let's hope that doesn't happen.
    • 01:21:08
      Okay, my legal lecture is finished.
    • SPEAKER_15
    • 01:21:12
      Yes, ma'am.
    • 01:21:12
      Thanks a lot for that legal venture, Mr. Warner.
    • 01:21:15
      I don't have any mistake in the outcome of the pecuniary money otherwise.
    • 01:21:21
      So just go ahead with your staff report.
    • SPEAKER_03
    • 01:21:25
      So, and I just before I begin, I have received
    • 01:21:31
      I know you all received an email earlier, received a follow-up from an individual expressing some concern about this project or not about the project or the process.
    • 01:21:41
      So I just want to make sure I don't forget to mention that.
    • SPEAKER_15
    • 01:21:45
      I'm kind of prepared to read that in comments from the public once we get there.
    • SPEAKER_03
    • 01:21:49
      Okay, but then there's a follow-up to the response.
    • 01:21:53
      So what we have, close these.
    • 01:21:59
      This is a project within the Willa Mills Village Historic Conservation District and say that up front because conservation districts were intentionally, in fact very intentionally, established with a less rigid level of review than we
    • 01:22:16
      would have for an IPP or for a property within an EDC district.
    • 01:22:21
      So this is a COA request for 3 by 3 Steep Hill Street.
    • 01:22:27
      I do have to say I get kind of an interesting place because the street is grass.
    • 01:22:32
      I didn't realize we in the city had city streets that were still
    • 01:22:36
      Maybe we should have more streets that have grass on them.
    • 01:22:40
      The structure was built in 1897, and it's contributing to the Willam Mills, or to the Historic Conservation District.
    • 01:22:50
      I like reading these old building descriptions, two-story, three-way frame dwelling with hip roof and two prominent cross gables.
    • 01:22:58
      And it is interesting the way this house has sort of looked like it, maybe you've,
    • 01:23:03
      but often see a family had kids and they just kept building or it did not appear built as a duplex.
    • 01:23:10
      So it's kind of an interesting design to it.
    • 01:23:13
      It's a weatherboard siding.
    • 01:23:17
      It's on a brick foundation and no prior reviews have come to the BAR for this.
    • 01:23:24
      What is and I've been talking to Robert about this one, Robert Nichols about this
    • 01:23:30
      a month or so.
    • 01:23:32
      There is a, the historic front porch, actually, yeah, you see there on the bottom left, was enclosed at some point in time.
    • 01:23:43
      Most of what's inside was stripped away.
    • 01:23:46
      The siding trim, the windows are gone.
    • 01:23:50
      Not, I think the only thing that survived is the entablature, the roof framing, the porch framing, and the column in the corner.
    • 01:23:58
      And so the,
    • 01:24:00
      My request is to remove the enclosure that's there now and bring that porch back to an open porch that would then be screened in.
    • 01:24:12
      And with that, in addition, the porch to be extended and wrapped around the side, continuing that screened in porch, and then to the rear along the side,
    • 01:24:24
      an enclosed addition that would be part of the interior of the house.
    • 01:24:31
      The little bit of the struggle we had with this one is that you're often asked to make additions, make sure they look like additions, make sure that they differentiate themselves from the building.
    • 01:24:47
      The thing you have here though is
    • 01:24:49
      You have a portion you're extending and I guess my staff report, you know, expressed it, but the sort of the idea of trying to take something that should be continuous and try to make it look like two different things, I thought.
    • 01:25:05
      was probably not the desirable result.
    • 01:25:08
      I think that the preference would be for sub continuity.
    • 01:25:11
      So that's where my kind of reflection or my recommendation comes in on this.
    • 01:25:17
      I think that the overall the materiality of it, it does look like it's, it wasn't a period piece.
    • 01:25:26
      the foundation with the way the siding is done and of course on the rear edition.
    • 01:25:32
      So that was my recommendation or would be my recommendation is that I think it does lend itself to be different.
    • 01:25:42
      I'm not, I don't
    • 01:25:44
      The Cornice Line trying to change that profile, I would say as a former builder would probably drive me crazy, but I mean, it obviously can be done, but my sense is that continuity would probably be preferable here.
    • 01:25:58
      So, again, relatively simple in not overwhelming the building.
    • 01:26:04
      Now,
    • 01:26:06
      We did have, I was asked by someone if this property or if this project is crossing into, crossing the property line.
    • 01:26:20
      If you look at the drawings, the front porch come or front steps comes down and it looks as if the last tread is crossing in that parcel boundary.
    • 01:26:32
      I know with old buildings, I have one and when the road came through, it kind of changed how the steps were and the road went in and that's where the right of way was.
    • 01:26:45
      So there's possibly a nonconforming issue here with that stairs.
    • 01:26:51
      I think Robert can, we can ask him about that later.
    • 01:26:54
      But to the question of whether or not
    • 01:26:59
      The BAR is approving things that cannot be built.
    • 01:27:03
      The BAR is reviewing the design and does this design, is it consistent with the conservation district or not?
    • 01:27:12
      Is it compatible?
    • 01:27:15
      If that bottom tread with the stairs is an issue with the parcel line, that's gonna have to be resolved.
    • 01:27:20
      A building permit cannot be issued if it's
    • 01:27:23
      if something doesn't meet the setback requirements.
    • 01:27:27
      So I think just to reassure folks that the BAR can approve a lot of things, but that doesn't mean that a project can be built.
    • 01:27:37
      If it violates zoning, it violates zoning and zoning prevails.
    • 01:27:41
      The BAR does not cause, does not prevail over the zoning ordinance in the city.
    • 01:27:48
      So if there's a question about
    • 01:27:51
      this front step that would have to be resolved prior to getting a building permit.
    • 01:27:56
      But I don't know, I really, unless there's something on the drawings I'm not seeing, I don't see this building encroaching across a property line.
    • 01:28:07
      So please, if I missed something, please let me know.
    • 01:28:10
      So with that, are there any questions for me?
    • 01:28:13
      And I know Robert's here and ready to speak.
    • SPEAKER_15
    • 01:28:19
      All right, Mr. Nichols.
    • 01:28:23
      Robert, the floor is yours.
    • SPEAKER_04
    • 01:28:25
      OK.
    • SPEAKER_01
    • 01:28:27
      Are you able to hear me now?
    • SPEAKER_15
    • 01:28:31
      Yes.
    • SPEAKER_01
    • 01:28:32
      Good.
    • 01:28:33
      OK.
    • 01:28:34
      Thank you, Jeff, for that introduction.
    • 01:28:42
      I'll just say one thing about that stare encroachment.
    • 01:28:48
      Well, it's an existing nonconformance.
    • 01:28:52
      It's been documented on many generations of surveys here.
    • 01:28:58
      And it's an issue that the owners have, it's been part of a conversation that the owners have had with the
    • 01:29:08
      with the city and actually about the disposition of the street.
    • 01:29:12
      They're the only resident on the street.
    • 01:29:14
      It's not really maintained by the city.
    • 01:29:17
      I say that just to satisfy curiosity.
    • 01:29:20
      I'm not making a case for that or not, but anyways, it's an existing nonconformance.
    • 01:29:28
      There's gonna be some new treads on that stair, but the encroachment exists.
    • 01:29:34
      as does the setbacks are also non-conforming but have been there for a while and they're compliant or they match the average of their neighbors as there are none.
    • 01:29:50
      In terms of the edition, I don't have much to add except for, yeah, those two views are great if we can keep that scroll so that we can see both those conditions.
    • 01:30:06
      Jeff referred to a conversation that he and I have had over the last few weeks.
    • 01:30:12
      Super helpful.
    • 01:30:13
      I haven't brought a project before the board that falls under these criteria, the historic district.
    • 01:30:23
      I may not even have the acronym right, the Historic Control District, is that it?
    • 01:30:29
      And so I'm kind of feeling my way through what the framework is, what guidelines matter here, and he's been helpful in that regard.
    • 01:30:40
      In response to some questions of his about what is, this question of what's old, what's new, is there a distinction between the two,
    • 01:30:52
      I thought about it here and wondered if we were missing an opportunity to kind of mark the new versus the old.
    • 01:31:03
      Generally, even at a moderate distance, the porch is intended to look unified and as it
    • 01:31:12
      as you look across the facade of the building and on the left see the existing construction in the new.
    • 01:31:20
      After submitting a different design, which I would like to refer to in a second, I submitted a second design, which is the one we see here, and that design lines up
    • 01:31:34
      an actual structural column, that heavier column that you see in the screen, in the front screen assembly.
    • 01:31:44
      It aligns that column with the position of what would have been the original column on that porch and then it marks the edge of the enclosure, seen above.
    • 01:31:54
      And so in that just kind of allocation of space, the organization of the bays kind of recreates that proportion and marks that footprint of that original porch.
    • 01:32:11
      We're content with the appearance of that, but I must say my client actually was less enamored of it when I told her about our idea and that Jeff hadn't asked for that, but there was something when I started thinking about our answer to his questions about the old versus the new, I suggested this, I thought it might
    • 01:32:34
      might be helpful, but I would like to, since it was my client's preference for the previous design, is to just refer to that for a moment.
    • 01:32:42
      And Robert, I have that queued up, that sheet, I could email it to you if that's appropriate to introduce another image at this point.
    • SPEAKER_07
    • 01:32:49
      Sure, feel free to do that.
    • SPEAKER_01
    • 01:32:51
      OK, so let me just do that.
    • 01:33:25
      While we're waiting for that to get to Robert and get up on the screen, our first pass at that design had just divided that front panel of the screen porch into three equal primary structural bays.
    • 01:33:41
      Then each of those bays was divided into equal pair of screening panels, size for ease of construction, screen width, and kind of ergonomic
    • 01:33:54
      Comfort and Proportion.
    • 01:33:57
      And so this design, I don't have a head-on elevation right here handy for this.
    • 01:34:08
      I just realized I was going to send this to you now.
    • 01:34:12
      So even though that organization of that, I'll call it the facade of the screen porch, is quite regular in its pattern, it has a kind of,
    • 01:34:22
      Just a non corresponding alignment with the corner of the house and a non corresponding alignment with the original porch.
    • 01:34:31
      So if I'm making myself clear, this was just kind of a regular pleasing pattern coming across the front.
    • 01:34:40
      no bearing and no kind of memory of the original condition.
    • 01:34:46
      The pattern that we submitted subsequent to this, which was shown just a few moments ago, creates an irregular layout of the screen panels and the structural columns on the front and nods, if you will, to the proportion, size, and literal position of the corner of that porch.
    • 01:35:10
      I'm content with it either way.
    • 01:35:11
      I actually I do.
    • 01:35:14
      I think I can certainly understand my client's perspective.
    • 01:35:17
      I think it actually strikes me as a bit more dignified to have the regular spacing and the two heavier structural columns dividing that the length of that front porch.
    • 01:35:32
      But anyways, I think I've made that clear.
    • 01:35:35
      And so I'll leave that to you to discuss or to ask further questions.
    • 01:35:40
      Just to be clear, I think this was, okay, yeah.
    • 01:35:49
      Other than that, as Jeff described, we saw in another view, maybe Robert if you scroll down, you can see from the north,
    • 01:35:59
      The porch turns to the corner, and it's still about eight and a half feet wide at this point.
    • 01:36:05
      That's the thickness that is being added to the side of the building.
    • 01:36:10
      And then midway, it transitions to interior encloses, and there's a kitchen back there.
    • 01:36:20
      That's all that I have to add at this point.
    • SPEAKER_15
    • 01:36:24
      Thank you, Mr. Nichols.
    • 01:36:28
      Are there any questions from the public for the applicant?
    • SPEAKER_07
    • 01:36:31
      We have zero attendees, Ms.
    • 01:36:33
      Lewis, but I feel like our discussions tonight are quite interesting.
    • SPEAKER_15
    • 01:36:41
      And then I'll turn to questions from the BAR for the applicant, Mr. Nichols.
    • Jody Lahendro
    • 01:36:53
      Mr. Nichols, this is Jody Leandro.
    • 01:36:57
      Do you know if the corner post is still within the existing infilled porch?
    • SPEAKER_01
    • 01:37:11
      I know that it's not.
    • 01:37:12
      If we were to look back at those images, in particular those older ones that Jeff had found, the porch
    • 01:37:21
      was at its corners supported by matching columns, one of which is still existing on the left.
    • 01:37:28
      And it's quite a large one.
    • 01:37:30
      And in fact, maybe there are three equal ones in that case.
    • 01:37:34
      But there's nowhere near enough room for that column to be concealed in that new construction.
    • 01:37:42
      Also, every other trace of the old porch
    • 01:37:48
      Trim and also on the interior of the window that was deleted is all long gone.
    • 01:37:55
      You can see the kind of quality of the exterior windows that was put there that's kind of consistent with that newer construction throughout.
    • Jody Lahendro
    • 01:38:02
      So the ceiling is gone as well?
    • 01:38:04
      Yes.
    • 01:38:05
      OK.
    • 01:38:05
      Thank you.
    • SPEAKER_15
    • 01:38:13
      Any other questions for the applicant?
    • SPEAKER_08
    • 01:38:36
      You're muted, Cheri.
    • SPEAKER_15
    • 01:38:39
      Thank you.
    • 01:38:40
      Like I said, I need all the help I can get tonight.
    • 01:38:43
      There was an email we received earlier today from a member of the public who's also a neighbor.
    • 01:38:50
      I'm going to read that.
    • 01:38:51
      And it's from Louis Schultz.
    • 01:38:55
      and he says that regarding the application for certificate of appropriateness for 313 steeple street that's on tonight's agenda, the application pretty clearly shows that the proposed design
    • 01:39:06
      Not only has no setbacks on the property line, but goes so far as to extend beyond the property line.
    • 01:39:12
      City planning staff seem to have overlooked that in their comments regarding the application.
    • 01:39:17
      I'm a neighbor and not opposed to the plan, but the relationship between the proposed construction and the property line at least merits discussion that's on the record.
    • 01:39:25
      The present application relies heavily upon existing records and planners in the future deserve the same, especially if the present board agrees.
    • 01:39:34
      that extending new construction beyond a clearly delineated proper line is not an issue of concern.
    • 01:39:40
      I hope that is discussed at tonight's meeting.
    • 01:39:44
      and Mr. Warner replied to him to acknowledge receipt of that and Mr. Warner tried to tell Mr. Schultz that we review the design only against the guidelines, that we don't deal with zoning requirements, with setbacks, with existing non-conforming conditions such as the porch,
    • 01:40:11
      or any protrusion allegedly beyond property lines and that the project would obviously have to meet other planning review in order to get a building permit.
    • 01:40:24
      And then Mr. Schultz replied, and I'm trying to summarize, he still thinks that the BAR needs to discuss these things.
    • 01:40:35
      And he also made an additional comment
    • 01:40:39
      that the siding running into the ground is a bit bizarre and he believes inconsistent with common sense and with any historic precedent and it might be a maintenance problem and then he says it's mostly an aesthetic issue that but this is certainly a highly subjective review theater after all.
    • 01:41:04
      I think I've
    • 01:41:05
      pretty much tried to summarize this neighbor's comments if I can in the interest of time.
    • 01:41:12
      So I would just note
    • 01:41:17
      The board can take public notice of things that we're aware of and certainly if, as Mr. Nichols has said, this is a non-conforming protrusion or a violation of the setback or whatever zoning things we don't deal with, that certainly is something that the city officials will review when they go for a building permit and go to review the site plan, but it's out of our
    • 01:41:45
      purview for tonight.
    • 01:41:49
      So hopefully I've addressed that concern a little bit.
    • 01:41:54
      But I did think that the comment about the siding going all the way to the ground was interesting.
    • 01:42:01
      I hadn't noticed that it doesn't have, it doesn't really sit on a stone or brick foundation as other other properties might.
    • 01:42:11
      So
    • Jody Lahendro
    • 01:42:16
      So Mr. Nichols, in my memory, there's a building code requirement that siding must be at least eight inches from the grade.
    • 01:42:27
      Is that correct still?
    • 01:42:29
      Yeah, yes.
    • 01:42:32
      That will resolve itself.
    • SPEAKER_01
    • 01:42:34
      Yeah.
    • 01:42:35
      It's hard in these digital models to, when there's irregular terrain, to get that all looked the way it would be built.
    • 01:42:43
      But yeah, it would be code compliant.
    • 01:42:45
      And there's actually a fairly exhaustive planting plan also that goes with this.
    • 01:42:54
      And maybe I should have submitted that, but I didn't thinking about what was needed for this particular review.
    • SPEAKER_15
    • 01:43:08
      I can't be sure, but it looks like from the existing photos that the foundation is actually of stucco, or maybe it's brick with stucco applied over it.
    • SPEAKER_01
    • 01:43:20
      That's correct, the latter.
    • SPEAKER_15
    • 01:43:34
      Any other questions for the applicant from the BAR at this point?
    • SPEAKER_01
    • 01:43:41
      Can I say one thing?
    • 01:43:42
      I realize I may not have been clear what I would be asking for is, again, given that, you know, perhaps it's within the tolerances of design review light or however we want to think of this, that if
    • 01:44:00
      if in the board's mind that either of those screen panel and structural layouts for the front porch are acceptable, it would be a pretty terrific thing to be able to offer, you know, amongst the stakeholders have a choice.
    • 01:44:21
      But if not, then we'll just leave with a specific decision.
    • SPEAKER_03
    • 01:44:29
      The ordinance allows a lot of flexibility with the conservation district.
    • 01:44:35
      And one of the provisions is that a project that's been reviewed by the BAR, if there are some, something changes or is tweaked, or that I have the ability to review that with the BAR Chair's consent.
    • 01:44:54
      So the,
    • 01:44:59
      That's an avenue that's certainly available.
    • 01:45:01
      So conceptually, I guess, if any specific details that you all on the BAR want to address, if it's an adjustment of
    • 01:45:15
      to four instead of five or something to that extent, then I can approve those and that would be in consultation with the chair or chairs.
    • 01:45:25
      And or as I normally do, I would bounce it off with all of you, but the ordinance does allow me to grant the approval after you've reviewed a project and that you're generally in support of.
    • SPEAKER_01
    • 01:45:38
      Thank you.
    • SPEAKER_15
    • 01:45:40
      Any further comments from the BAR about this application?
    • SPEAKER_14
    • 01:45:44
      Is it possible for Robert to show us both of the designs side by side?
    • SPEAKER_05
    • 01:45:49
      Yes, one minute.
    • SPEAKER_07
    • 01:46:22
      Are you able to see both now, or just one?
    • SPEAKER_01
    • 01:46:26
      Just the one with the symmetrical three.
    • SPEAKER_07
    • 01:46:29
      Yeah, one sec.
    • 01:46:34
      Just trying to figure out how to share two things side by side, one sec.
    • 01:46:40
      How's that?
    • 01:46:40
      Yeah.
    • SPEAKER_15
    • 01:46:45
      Oh, I can, yeah, I think I could move, I can see them.
    • SPEAKER_07
    • 01:46:49
      Sorry, I'll try to zoom out.
    • SPEAKER_15
    • 01:46:51
      That's great.
    • SPEAKER_07
    • 01:46:52
      Okay.
    • SPEAKER_04
    • 01:46:54
      Thank you.
    • Jody Lahendro
    • 01:46:55
      Madam Chair.
    • 01:47:02
      Yeah, I have a motion.
    • 01:47:06
      Having considered the standards set forth within the city code, including city design guidelines for historic conservation districts, I move to find that the proposed alterations and addition at 313 Steep Hill Street satisfy the BAR's criteria and are compatible with this property and other properties in the Woolam Mills Village Historic Conservation District, and that the BAR approves either of the two designs put forward by the applicant tonight.
    • SPEAKER_15
    • 01:47:36
      Thank you, Mr. Lehendro.
    • 01:47:38
      Is there a second?
    • Jody Lahendro
    • 01:47:39
      Second.
    • SPEAKER_15
    • 01:47:42
      Any further discussion?
    • SPEAKER_07
    • 01:47:47
      Great.
    • 01:47:47
      With that, I can call a vote.
    • 01:47:51
      Mr. Bailey?
    • SPEAKER_14
    • 01:47:52
      Yes.
    • SPEAKER_07
    • 01:47:54
      Ms.
    • 01:47:54
      Lewis?
    • 01:47:55
      Aye.
    • 01:47:57
      Mr. Lehendro?
    • Jody Lahendro
    • 01:47:58
      Aye.
    • SPEAKER_07
    • 01:48:00
      Mr. Zehmer?
    • Jody Lahendro
    • 01:48:02
      Aye.
    • SPEAKER_07
    • 01:48:03
      Thank you.
    • 01:48:03
      Mr. Timmerman?
    • Jody Lahendro
    • 01:48:06
      Aye.
    • SPEAKER_07
    • 01:48:07
      And Mr. Edwards.
    • Jody Lahendro
    • 01:48:09
      Aye.
    • SPEAKER_07
    • 01:48:10
      Thank you.
    • 01:48:11
      The motion passes unanimously.
    • SPEAKER_15
    • 01:48:14
      Great.
    • 01:48:14
      Thank you.
    • 01:48:15
      Anybody need a break for just five minutes, or do we want to continue?
    • 01:48:20
      What's the feeling in the room?
    • SPEAKER_13
    • 01:48:22
      Let's go.
    • 01:48:23
      Let's continue.
    • SPEAKER_15
    • 01:48:23
      I'm seeing nods on the break or continue, which there's other nods about.
    • SPEAKER_13
    • 01:48:27
      Let's continue.
    • 01:48:28
      Let's plow through this.
    • 01:48:29
      8.15.
    • SPEAKER_13
    • 01:48:30
      Thank you.
    • SPEAKER_15
    • 01:48:31
      Thank you.
    • 01:48:34
      We are moving on to the next application, which is 1901 East Market Street.
    • 01:48:42
      Unfortunately, I have to note my conflict also here, but I am going to participate.
    • 01:48:47
      I previously represented this applicant before the BAR.
    • 01:48:51
      The current, I would say it's a theoretical conflict, but I don't have a conflict under the conflict of interest.
    • 01:49:00
      Act.
    • 01:49:00
      I don't have any involvement in this current application and don't have any stake in the outcome, monetary or otherwise.
    • 01:49:10
      So I'll participate unless somebody has an objection to me doing so.
    • 01:49:13
      I would say that I haven't had any discussions with the applicant about this matter and haven't my representation added ended a long time ago.
    • 01:49:23
      So but I just want to note that because that's a matter of public record.
    • 01:49:27
      I've appeared before this body.
    • 01:49:30
      and I just wanted to note that we got updated drawings from the applicant just a couple of days ago.
    • 01:49:39
      I know those will be posted, put up by Mr. Watkins, but just wanted to note that there was another round of them that arrived.
    • 01:49:48
      And if that's all I have to say, Mr. Warner could give a staff report.
    • SPEAKER_03
    • 01:49:56
      Yes.
    • 01:49:59
      This is one of these, sorry, my computer is yelling at me.
    • 01:50:06
      I'm just gonna take happy thoughts for a second and it'll stop.
    • 01:50:14
      But this is a project that's within,
    • 01:50:17
      The Woolen Mills Historic Conservation District, however, it is a individually protected property.
    • 01:50:24
      So in those circumstances, then the more stringent design guidelines
    • 01:50:33
      prevail.
    • 01:50:34
      So we'd be reviewing this as a role under the ADC district design guidelines.
    • 01:50:38
      So it's that, you know, people always ask that, but it's like, for example, my house is an IPP, but it sits all by itself.
    • 01:50:48
      So, but I'm still, it's still subject to the ADC district guidelines.
    • 01:50:51
      This within the conservation district, the more rigid guidelines prevail.
    • 01:50:57
      So we have, and I,
    • 01:51:01
      Mr. Fink and I have been corresponding regularly, but both been traveling.
    • 01:51:07
      I've been traveling as far and wide as he has.
    • 01:51:09
      So I'm kind of glad that we've been able to get the both of our vectors to
    • 01:51:18
      I know I shared some recent updates.
    • 01:51:29
      Hopefully we can still have a good discussion that gets this thing moving towards a full review.
    • 01:51:37
      So this is 1901 East Market Street.
    • 01:51:40
      Again, IPP is within the Woolen Mills District and is contributing.
    • 01:51:47
      Formerly it was known as a purist store.
    • 01:51:50
      It was constructed around 18, sorry my computer can't receive, constructed around 1835.
    • 01:52:02
      It was constructed originally as a two-story brick building with a gable front and a Victorian porch.
    • 01:52:08
      The building was constructed to house the store for the workers at the nearby the Woolen Mills, as it's known, and it was converted into a house after 1875.
    • 01:52:21
      I think it's continued to serve.
    • 01:52:24
      in that.
    • 01:52:25
      This is, the project has, or this address has come to the VAR before.
    • 01:52:32
      Some years ago, the edition that's there was reviewed.
    • 01:52:37
      And also last month, we had an informal discussion about this application and John wasn't able to attend, but we
    • 01:52:48
      who did offer, you all had some good conversation about it and those recommendations were passed on to John.
    • 01:52:54
      So again, this is a COA request for an addition to the rear.
    • 01:52:58
      Essentially, it's extending a prior edition that was added onto the original 1830s structure.
    • 01:53:06
      The, okay, Robert, I'm reading.
    • 01:53:11
      So the,
    • 01:53:14
      I think one of the things we were concerned about was that break between this edition and the prior edition really to fully differentiate itself.
    • 01:53:29
      There was a comment about the proposed addition site at the end of the house.
    • 01:53:33
      The new construction will create a long plane.
    • 01:53:37
      The addition should manipulate the roof line and wall material to break that up.
    • 01:53:41
      So that's, I think, some of what you all have seen in the recent changes.
    • 01:53:47
      So I had initially presented this to John as, I knew that there were some changes they need
    • 01:53:56
      to make.
    • 01:53:57
      So when we completed the staff report, we put it together in the manner of this being sort of a continuation of that preliminary discussion.
    • 01:54:06
      And I know some additional information has been shared, but we still have the outline and that's on sheet two of the staff report, that outline of the things that the information you're looking for, the criteria that you're going to review.
    • 01:54:21
      And so a couple of things, you can,
    • 01:54:26
      I think it would be helpful to let John and the architect walk through their design.
    • 01:54:31
      And we can, if you all are comfortable with what's been presented, it is a variation of what was seen before.
    • 01:54:39
      The VAR can certainly make a decision tonight.
    • 01:54:44
      I hope at the very least, if the decision is deferred, that we send John and the architect, I'm sorry, I can't remember the architect's name,
    • 01:54:55
      to have them leave tonight with some really clear instructions about what the BAR would like to see and in what form, what changes.
    • 01:55:02
      So I don't need to spend an hour on this tonight, but I certainly want it to be productive for the applicant in the market.
    • 01:55:10
      So I'd like to just hand it off to John and take it from there.
    • SPEAKER_07
    • 01:55:16
      John, if you wish to provide a presentation, I can go back and share my screen to your new renderings that you provided.
    • SPEAKER_16
    • 01:55:24
      That would be wonderful.
    • 01:55:25
      And can you all see me?
    • 01:55:27
      I've turned on the video.
    • SPEAKER_07
    • 01:55:30
      Yes, we can see you.
    • SPEAKER_16
    • 01:55:31
      Oh, you can.
    • 01:55:32
      Okay, great.
    • 01:55:33
      Well, I'm John Fink, and I have Andres Pacheco, who's our project architect here.
    • 01:55:37
      And I want to also make a disclosure.
    • 01:55:39
      Cheri Lewis and I served on the Planning Commission together in the early 2000s.
    • 01:55:45
      And I did have some legal matters that she represented me on, and this is many, many years ago.
    • 01:55:51
      and so I'm fine with her not recusing herself because we've had no contact about this application whatsoever and I know her to be very impartial so I wanted to share that with all of our colleagues on the BAR.
    • 01:56:06
      You know we loved the comments and really appreciated the comments on the initial set of drawings that we submitted to you all and we came back with this which
    • 01:56:19
      Frankly, and if the BAR would choose to, we would love this to be considered tonight and hopefully voted on.
    • 01:56:26
      I'm going to turn this over to Mr. Pacheco, who's much more articulate than I am in the language of architecture.
    • 01:56:32
      And he can walk you all through it and answer any questions you might have.
    • 01:56:35
      And of course, I'm here as well.
    • 01:56:37
      And thanks so much.
    • 01:56:38
      And here's Andres.
    • SPEAKER_00
    • 01:56:39
      Yeah, thank you so much, John.
    • 01:56:41
      Hello, everybody.
    • 01:56:42
      Thanks so much for having us.
    • 01:56:44
      Our camera is not working but I trust that you can hear us and see us well.
    • 01:56:47
      Well, thank you very much.
    • 01:56:49
      So yes, we, we went carefully through the comments that you all made.
    • 01:56:54
      Most of you made in the last past.
    • 01:56:57
      I have to say smart comments, yes, and I think what you have in front addresses all of them, if not most of them.
    • 01:57:09
      The understanding that this addition is needed to create the space that John needs for his house is basic.
    • 01:57:17
      We are dealing with adding into an addition that was approved, not the historical component,
    • 01:57:24
      And the comments that we heard before is that we were not sure if we were continuing the roof or breaking it.
    • 01:57:31
      So suggestions about a bump were made, maybe bumping up or down or creating this addition, making it clear where the new addition starts and when the old addition ends, I think was on spot.
    • 01:57:45
      And also the deck or the porch at the end was maybe trying to do too many things.
    • 01:57:53
      I'm not sure it's mimicking or not, but we decided to go and keep it simple.
    • 01:57:58
      You all know we all try to keep things simple.
    • 01:58:01
      This addition is actually smaller in footprint than the previous design that you all saw in the area and in simplicity to be built.
    • 01:58:10
      Simple, very simple roof line.
    • 01:58:13
      So this view that you see in page, in sheet number one, is actually the view that faces the street.
    • 01:58:20
      And I don't know if you can see some trees there, but the second level is actually at the same level of the street.
    • 01:58:28
      So if you see that line at the historic portion of the house, that's where the street is.
    • 01:58:34
      And there are some trees there that actually screen the whole facade.
    • 01:58:38
      There was a comment also about a dormer without a window.
    • 01:58:39
      I thought it was spot on.
    • 01:58:40
      It always looked weird.
    • 01:58:48
      But with this approach, just keeping the roofline simple and make the whole mass be actually the hyphen itself, creating the job, then we don't have to worry about that because it's actually in the master room is the area where we don't want a window for privacy issues and for the sun getting into the bedroom.
    • 01:59:10
      So if you scroll down a little bit, please, for sheet number two, yes,
    • 01:59:15
      Here's what you can see, the before is down below and after, the proposal is above.
    • 01:59:23
      In the top right you see the approach that we have towards the side, towards the east.
    • 01:59:30
      Way simpler, we added a cover, a comment about maintenance and how durable the structure was going to be is spot on.
    • 01:59:39
      John has access to really cool wood so he was going to make it happen with the right wood and IPE or the right material so this way we don't have to worry about that it's way more functional and flexible and if you scroll down please to the sheet number three
    • 01:59:55
      Here is actually another view going to the north.
    • 01:59:58
      To the north, we do want a window in the third level.
    • 02:00:02
      The third level, I don't know if you can tell, but in order not to create a three-story structure, we are using the brutal trick of putting the bedroom inside the roof.
    • 02:00:12
      So we raise the roof a little bit to clear a clear definition, but at the same time, we achieve the minimum height that we need inside to make the space in the third level usable.
    • 02:00:20
      So that dormer facing north does have a window
    • 02:00:24
      The plants are sitting in the sheet number six, if it matters.
    • 02:00:28
      But there's a little bit of space, a little bit of bathtub, great light coming from the north.
    • 02:00:34
      I think that's one that's easy to shade with some shades and screen.
    • SPEAKER_16
    • 02:00:38
      Can I interrupt you?
    • 02:00:39
      Yes, please.
    • 02:00:40
      And also, folks, our housing needs drove this program.
    • 02:00:45
      My son, who's currently living in Thailand,
    • 02:00:48
      is going to join us.
    • 02:00:49
      He's 12 years old.
    • 02:00:51
      And there's a good chance that our 22-year-old stepdaughter from Zurich is going to come and consider graduate work here.
    • 02:00:56
      She's fluent in four languages.
    • 02:00:58
      And she's visiting with us now.
    • 02:01:00
      So we really do have space needs.
    • 02:01:03
      And this is what drove this entire design.
    • 02:01:06
      And thanks.
    • 02:01:07
      Sorry.
    • 02:01:07
      And I'm going to turn that back over to Andres.
    • SPEAKER_00
    • 02:01:08
      Thank you.
    • 02:01:10
      So let's go probably to the sheet number four, please.
    • 02:01:15
      This is plain elevation.
    • 02:01:16
      This is south and north.
    • 02:01:18
      You can see on the left the elevation facing the street.
    • 02:01:21
      Those three is that you can see they're ghosted there.
    • 02:01:24
      They're representative.
    • 02:01:25
      They're robust trees.
    • 02:01:26
      They're screening the whole facade.
    • 02:01:30
      And to the north, you can see the addition having the dormer with the glass with the window there.
    • 02:01:37
      The last sheet of this package contains the floor plans.
    • 02:01:40
      The aerial views are right there, but in the last sheet, the floor plans are very simple.
    • 02:01:46
      In the ground level, it's the top left.
    • 02:01:47
      There's the two bedrooms that are the need for, the junk needs for the house.
    • 02:01:52
      And the main label is the top right.
    • 02:01:55
      It's just the actual box, the actual addition is the hyphen, is the addition is the main level.
    • 02:02:02
      hosts a kitchen and a dining room and a deck.
    • 02:02:05
      And the third level is the bedroom hidden under the roof structure is the bedroom.
    • 02:02:10
      It's going to be a great bedroom screen and closet to the south.
    • 02:02:15
      No windows, privacy to the max.
    • 02:02:18
      And to the north, you see that very fancy bathtub you're going to have there and having a cool window.
    • 02:02:24
      So that is the design.
    • 02:02:27
      I can answer any questions that you may have.
    • 02:02:31
      But we're excited where we are.
    • 02:02:34
      And I think, again, thank you for the comments.
    • 02:02:36
      And they were spot on, I think, to manage this in a simple way that doesn't try to do too many things at the same time.
    • 02:02:42
      So thank you for that.
    • SPEAKER_15
    • 02:02:51
      Thank you.
    • 02:02:53
      Are there any questions from the public?
    • SPEAKER_07
    • 02:02:57
      We have one attendee right now.
    • 02:03:00
      If you'd like to provide comment, please raise your hand.
    • 02:03:03
      You can find that in the participant tab.
    • 02:03:09
      Ms.
    • 02:03:09
      Lewis, I'm not seeing a raised hand.
    • SPEAKER_15
    • 02:03:10
      Okay.
    • 02:03:15
      And certainly that attendee, if she did want to speak, can just interrupt us.
    • 02:03:21
      I think she might be familiar with this application.
    • 02:03:25
      Are there any questions for the applicant from the BAR?
    • 02:03:37
      Are you gentlemen going to force me to call on you?
    • 02:03:46
      Mr. Leandro, you have anything for us yet?
    • Jody Lahendro
    • 02:03:51
      Why'd you pick on me?
    • SPEAKER_15
    • 02:03:52
      I'm sorry.
    • Jody Lahendro
    • 02:03:53
      No, I'm so relieved.
    • 02:03:58
      I got my package from the
    • 02:04:01
      from the city site yesterday and it's still showing the prior design.
    • 02:04:08
      So I'm so relieved to see that the proposed changes and I find them, well, no questions.
    • 02:04:16
      I'll save my comments.
    • SPEAKER_15
    • 02:04:18
      Okay, thank you.
    • 02:04:19
      Any questions for the applicant?
    • 02:04:25
      And if not, I'll move on to comments from the public.
    • SPEAKER_07
    • 02:04:33
      Again, Ms.
    • 02:04:33
      Catlin, if you wish to provide comment, please raise your hand using the raise hand feature and I'll call on you.
    • SPEAKER_15
    • 02:04:44
      Seems like there are no comments from the public.
    • 02:04:47
      So I'll throw it back at you gentlemen, comments from the BIR about this application.
    • 02:05:01
      Overall, randomly,
    • 02:05:02
      Pick someone like Mr. Timmerman to ask for comments.
    • SPEAKER_18
    • 02:05:08
      Well, that's funny.
    • 02:05:09
      I was just ready to unmute myself.
    • 02:05:11
      So it was good timing.
    • 02:05:16
      So I think, yeah, I was I'm kind of like with the along the lines of Jody, where I hadn't seen anything new until just now.
    • 02:05:28
      So I'm still kind of processing.
    • 02:05:33
      but I am heartened to see there more consistency going on in the design.
    • 02:05:41
      I think there might be a little more to go.
    • 02:05:49
      I feel as if there's still, and I'm not coming at it from the standpoint of thinking that everything needs to be the same,
    • 02:06:02
      But I think there was a comment made in the last meeting about the project where, you know, there was a kind of a, I forgot what the term was, but there was almost too much variation.
    • 02:06:20
      And I'm still seeing that to a certain extent.
    • 02:06:27
      Like, for instance, with the porch on the right hand side,
    • 02:06:32
      What the rendering appears to be showing is kind of a natural wood that is kind of off on its own with everything else.
    • 02:06:42
      And I'm as I'm a much of a fan of contrast as is anybody, you know, but I feel as if the contrast needs to have a very kind of a serious like effect and counter effect.
    • 02:06:58
      And when there's, you know, kind of
    • 02:07:00
      four or five materials working its way across the facade, like the historic fabric of the old, the glass window hyphen in between, which makes sense, you know, thinking of the old project where you had the glass and then the kind of an addition that was harkening back much more to the original house.
    • 02:07:30
      Then, you know, the addition of the board and batten siding and then, you know, kind of the raw wood on the end.
    • 02:07:41
      I'm still finding, like, I want to consolidate that palette somehow and need to kind of ponder that a bit more.
    • 02:07:55
      However, I like the roof.
    • 02:08:00
      over at the Borden Baton.
    • 02:08:02
      I think that there's a bit of a more consistency going on with that versus the straight up that was shown before.
    • 02:08:11
      I'm curious if, you know, there's instead of it just popping up, maybe it's, you know, there's just two levels of roof that happen.
    • 02:08:26
      So again, I'm kind of falling back on my thoughts about how to kind of create a consistency to then enhance the contrast between what's the old, the historic, and what is new.
    • 02:08:48
      and one other comment I'll make, which I don't think I made last time, which is I wonder, you know, I wonder if there is a way to, and this might not be in the cards, but I'm wondering if there's a way to almost take your new ideas and sort of encapsulate that second edition as a way of kind of creating a more cohesive edition
    • 02:09:14
      that then our new addition, new renovations from the past 20 years that somehow compliments and sets off the historic.
    • 02:09:26
      So these are just ideas I'm throwing out there as I'm sort of seeing this for the first time.
    • 02:09:32
      And I will step back and love to hear what everybody else has to say.
    • SPEAKER_15
    • 02:09:39
      Thank you, Mr. Timmerman.
    • 02:09:42
      I want, of course, to hear everybody's comments on this.
    • 02:09:48
      We do have, and Mr. Warner reminded me earlier, we do have sort of three options here.
    • 02:09:56
      I realize that these materials came to at least two of the people that have spoken a little bit late, so we're just absorbing these things in the meeting.
    • 02:10:05
      But our options tonight would be, because this has been submitted, to approve
    • 02:10:11
      and another one would be to defer to May and the applicant could defer to May or we could and we could also defer and specify that it's a consent agenda item but if there are a number of modifications that we're asking for we probably wouldn't want our motion to actually successfully plant it on the consent agenda for next month we'd want to have an opportunity to look at those I would imagine
    • 02:10:39
      And then we could this evening deny the certificate of appropriateness.
    • 02:10:43
      So hopefully that's not the case, but just to review our options on this application right now.
    • 02:10:51
      Further comments from the board, Mr. Bailey?
    • SPEAKER_14
    • 02:10:54
      May I?
    • 02:10:55
      Yes.
    • 02:10:56
      I actually think it's a very clean, simple, elegant design.
    • 02:11:00
      I think it, in fact, enhances the situation of the original building itself.
    • 02:11:05
      It doesn't detract from it, but it offers more space for the family to grow.
    • 02:11:09
      And I think for me, it functions as a kind of modern frame for the older building itself.
    • 02:11:16
      I think it's pretty clean and nice, and I wouldn't change it very much.
    • SPEAKER_05
    • 02:11:26
      Thank you.
    • SPEAKER_08
    • 02:11:28
      Yes, I like the improved, I'll call it improved roof line, the gable roof line.
    • 02:11:36
      I think it goes well with the original house and the earlier additions.
    • 02:11:43
      So I would be supportive of either proving this or if we wanted to do a one month deferral so that other members could get some answers to the material questions or whatever, I'd be fine with that too.
    • 02:11:55
      and I'll just note my earbuds are dying so I might have to switch to chat in a little bit.
    • SPEAKER_15
    • 02:12:00
      Thank you for letting us know.
    • 02:12:02
      And the applicant and his representative probably noticed that we are six instead of nine members strong tonight so a deferral could could be you know could be mean that it could be reviewed by three people.
    • 02:12:20
      You can roll your dice.
    • 02:12:21
      They may be very favorable and put us over the top.
    • 02:12:27
      But anyway, just an idea because we are a little bit down on our numbers this evening.
    • 02:12:33
      Mr. Edwards, you're the only person I haven't heard from and I'm just checking in to see if you have any comments for us.
    • SPEAKER_13
    • 02:12:40
      Not really.
    • 02:12:41
      This is fairly new to me, aside from looking at it and bag it.
    • 02:12:47
      I would be ready to vote on this tonight.
    • SPEAKER_15
    • 02:12:53
      Can I see a show of hands of members that are prepared to vote favorably on this this evening?
    • 02:12:59
      Be in favor of it as is?
    • 02:13:02
      OK.
    • 02:13:06
      Would any of you like to
    • Jody Lahendro
    • 02:13:09
      Could I share why I would be favorably moved?
    • 02:13:19
      I find that the forms are far more compatible between the historic, the first edition, and the newest edition.
    • 02:13:31
      And I can support it.
    • 02:13:36
      because of where it is relative to the historic house.
    • 02:13:41
      It's not competing with the historic house on a major street.
    • 02:13:49
      And consequently, I can allow more leeway for personal likes,
    • 02:14:03
      differences as a result.
    • 02:14:06
      So I'm fine.
    • 02:14:08
      I can support it as it is now.
    • 02:14:15
      And that's why.
    • SPEAKER_15
    • 02:14:19
      Any other further comments or refinements, and if not, if there's a motion?
    • SPEAKER_07
    • 02:14:46
      We might not, Jeff, I don't remember from the staff report, we might not have included a suggested motion for approval in the staff report because just frankly we weren't anticipating approval, which is fine.
    • 02:14:59
      But I might recommend that you can adapt the suggested motion for approval from the Steep Hill project and just change the wording to correspond to this project.
    • SPEAKER_15
    • 02:15:09
      Right, and not mention the Historic Conservation District, but the ADC.
    • SPEAKER_07
    • 02:15:14
      Oh, sure.
    • 02:15:14
      Well, in that case, you can just adapt other ADC or ITP.
    • 02:15:22
      It's the recommended motions.
    • 02:15:24
      Yeah.
    • SPEAKER_03
    • 02:15:25
      Yeah, it is an IPP.
    • 02:15:27
      Simply take the last one or any of them, and we refer to the ADC, you know, district design guidelines.
    • 02:15:37
      I no longer sort of do the chapter by chapter.
    • 02:15:39
      So refer to them in a whole, and that is your reference is to, this is, it's consistent with the individually protected property.
    • 02:15:48
      I'm sure they can say IPP in lieu of a reference to an ADC district.
    • SPEAKER_14
    • 02:15:53
      I'll give it a shot if someone wants.
    • 02:15:57
      Yes, all right.
    • 02:15:58
      Yes, go ahead.
    • 02:15:59
      Let's see if I can get all the wording in.
    • 02:16:02
      Having considered the standards set forth in the city code, including the city design guidelines for ADC districts in Charlottesville, I move to find the proposed alterations and additions to the house on Market Street.
    • 02:16:18
      What is the address?
    • SPEAKER_07
    • 02:16:20
      A nice no one.
    • SPEAKER_14
    • 02:16:22
      1901 Market Street satisfy the BAR's criteria are compatible with this property and other properties as an individually protected property in a historic conservation district.
    • 02:16:34
      And the BAR approves the application as submitted.
    • SPEAKER_03
    • 02:16:39
      And if I could request a clarification to refer to, I don't know, is there a date on the drawings?
    • SPEAKER_14
    • 02:16:50
      Something that the April 19th word, they're submitted in the drawings of April 19th, 2022.
    • SPEAKER_03
    • 02:17:01
      Thank you.
    • SPEAKER_14
    • 02:17:03
      Second.
    • SPEAKER_15
    • 02:17:08
      There's been a motion and a second.
    • 02:17:09
      Mr. Watkins, you want to call the roll?
    • SPEAKER_07
    • 02:17:13
      Sure.
    • 02:17:14
      So Ms.
    • 02:17:15
      Lewis?
    • SPEAKER_15
    • 02:17:16
      Aye.
    • SPEAKER_07
    • 02:17:17
      Mr. Leandro?
    • 02:17:19
      Aye.
    • 02:17:20
      Mr. Timmerman.
    • 02:17:22
      Aye.
    • 02:17:23
      Mr. Zehmer.
    • SPEAKER_05
    • 02:17:24
      Aye.
    • SPEAKER_07
    • 02:17:27
      Mr. Edwards.
    • SPEAKER_05
    • 02:17:28
      Aye.
    • SPEAKER_07
    • 02:17:29
      And Mr. Bailey.
    • 02:17:31
      Yes.
    • 02:17:32
      Thank you.
    • 02:17:33
      The motion passes unanimously.
    • SPEAKER_15
    • 02:17:43
      Congrats to the applicant and his representative.
    • SPEAKER_16
    • 02:17:47
      Thank you all very much.
    • SPEAKER_07
    • 02:17:50
      Thank you.
    • SPEAKER_15
    • 02:17:57
      We are now on to other business.
    • 02:17:59
      We're at the very end, gentlemen.
    • 02:18:03
      If no one wants a little five-minute break, we can move on to the staff questions, discussion, and the court's expansion.
    • 02:18:14
      Mr. Warner?
    • SPEAKER_03
    • 02:18:15
      So quickly, Robert, can you pull up that fence question
    • SPEAKER_07
    • 02:18:20
      Sure.
    • 02:18:21
      And did you also want to, I can do that first or also since Robert Nichols is still online.
    • 02:18:26
      I don't know.
    • 02:18:28
      Yeah.
    • 02:18:31
      Just so we don't keep them too long if that's all right with you, Jeff.
    • SPEAKER_03
    • 02:18:35
      You're such a nice Virginia gentleman.
    • SPEAKER_07
    • 02:18:39
      Yeah.
    • 02:18:40
      Robert, I have your new submission, I think, queued up if you're prepared.
    • SPEAKER_01
    • 02:18:47
      I really appreciate this.
    • 02:18:48
      I know you certainly don't have to worry about keeping me up.
    • 02:18:50
      I know you guys are at the end of your session.
    • 02:18:53
      And my intention here, this is about the 310 East Main Street project.
    • 02:19:00
      And I think January I last showed it to you.
    • 02:19:03
      That project has a facade on the mall.
    • 02:19:07
      on Water Street.
    • 02:19:08
      Really, the mall one is almost two facades.
    • 02:19:11
      And so I expect to be back in May seeking approval.
    • 02:19:18
      And after a good conversation with you all last time I was here, we've
    • 02:19:24
      made some significant changes in the ornamental component that's covering the elevator shaft.
    • 02:19:30
      So what I was hoping to do this evening is just quickly show that and see if I could discern any enthusiasm or comments which would help lighten the load of next month's meeting and then also give us guidance on how to focus our work in the interim.
    • 02:19:52
      You can go to the next sheet, Robert.
    • 02:19:54
      Thank you.
    • 02:19:55
      Yeah, there we go.
    • 02:19:56
      And this is here just as a reminder.
    • 02:19:58
      This was... I showed you was largely... It was an abstract design shown on the right, kind of a mock-up, a series of tiles that were using a novel technology to create a pattern.
    • 02:20:12
      In this case, it was an abstract pattern.
    • 02:20:16
      Raised a lot of questions, some confusion.
    • 02:20:18
      I asked you to squint.
    • 02:20:19
      That didn't help.
    • 02:20:22
      And so after that, so excellent comments, some kind of practical ones.
    • 02:20:29
      What happens down low towards the ground with these angled tiles or wings sticking out?
    • 02:20:35
      Is that a problem?
    • 02:20:36
      Yes, it is a problem if they get
    • 02:20:39
      If I flatten them against the building, then given the parameters of the design, it gets kind of dark and dreary.
    • 02:20:47
      What was the specific pattern I was proposing?
    • 02:20:50
      It was a little early in our process and didn't have that nailed down.
    • 02:20:58
      and so really one thing that kind of popped up is I felt a little rudderless here with this kind of blank slate and just kind of this interest in this kind of visual effect and so I decided to adopt some data, some facts about the place and history
    • 02:21:26
      of this place and in turn the topography we got interested in and some really just kind of basic I think things that kids probably learn in grade school or middle school here about geology and the topography and specifically the history of the three notch road as it winds its way from Richmond to Stanton.
    • 02:21:47
      You can go to the next image.
    • 02:21:52
      So working with
    • 02:21:57
      What I think is probably one of the more comprehensive pieces of history on the three-notch road dating from the mid-seventies at the university is a small written history that includes this map seen at the top of this image and so we started to develop a scheme where we could make use of that
    • 02:22:21
      that interesting varied, but also a very linear path and how we might help use that to inform the design on this decorative element.
    • 02:22:34
      So we gathered information at the top.
    • 02:22:37
      You see that this map, that map is kind of overlaying the understood path of the Three Notch Road, but on a modern map.
    • 02:22:44
      So you see current population centers and of course, current roadways.
    • 02:22:49
      That lower diagram is us grabbing USGS topographic maps that overlay that so that we could get some topographic information.
    • 02:23:01
      And then that topographic information clearly reflects
    • 02:23:09
      Some things that I've always found super interesting about this area and I learned about when I was in architecture school here.
    • 02:23:16
      There's just really basic geology.
    • 02:23:19
      We have this fall line that really follows Route 95 and establishes the coastal plain to the east.
    • 02:23:28
      We live in this Piedmont zone, which is really kind of transitional between that coastal plain
    • 02:23:33
      and the Blue Ridge to our west.
    • 02:23:36
      And so these kind of fundamental, really basic bits of history and science that I find endlessly interesting because really any walk around town or a drive west or east immediately reveals the kind of presence of these conditions.
    • 02:23:56
      We can go to the next sheet.
    • 02:24:02
      So the vertical panel that covers the elevator shaft divided up into established a grid structure or really a grid kind of geometry.
    • 02:24:15
      Sometimes it's recognized structurally, sometimes it's not in our design.
    • 02:24:19
      You can see on the left we're fitting the three notch road and its intersection with various population centers.
    • 02:24:28
      So we've scaled that and oriented it so that it fits in that vertical boundary.
    • 02:24:36
      Same with our collection of topographic maps.
    • 02:24:40
      And then, so what that's yielded is, so we have this data, and then we just work with different ways, largely using the technology that I described, the technology and materials that I described previously, but just came up with ways to kind of code
    • 02:24:59
      and represent those bits of data, but really with an emphasis on visual variety and a pleasing visual effect.
    • 02:25:09
      It's intended to be didactic only to the extent one wants it to be.
    • 02:25:15
      That's how we're thinking of it.
    • 02:25:17
      Its first job is to be pleasing to look at, but I find it pleasing also that it's,
    • 02:25:26
      It's of its place and it's talking about its place in this context of historical, economic, geological.
    • 02:25:40
      So that's the frontal view.
    • 02:25:43
      It still has some of this effect that where the view, the appearance of it is dependent on the angle at which you view it.
    • 02:25:52
      That said, I've opened up most of those apertures so that no view is kind of without brightness coming through.
    • 02:26:03
      These renderings still
    • 02:26:07
      One reason I think they're coming through darker than the actual effect would be, I think the previous view does it better justice.
    • 02:26:17
      And that's because really, because we're able to rely on this computer-driven fabrication technology to make the holes and the patterns in this metal work, they're actually quite small relative to building the scale.
    • 02:26:31
      these very small holes that are establishing, you know, describing or coding representing the Piedmont, for example, that are just they're shrunk down too much in these views.
    • 02:26:45
      And so in terms of that brightness and variety in detail, I think that previous view is indicative.
    • 02:26:52
      These views do show, as you can see in the upper panels where
    • 02:26:58
      where we actually get into the Blue Ridge and much more significant topography.
    • 02:27:02
      I let the angle of those tiles open up and both create three-dimensional relief but also reveal more of the brightness of the color, the background color.
    • 02:27:15
      Anyways, I don't wanna go on.
    • 02:27:18
      I spoke way too long last time.
    • 02:27:20
      This is the work we've been doing and it feels good to have
    • 02:27:26
      kind of a context and a data underlying this work.
    • 02:27:32
      It's given us some direction.
    • 02:27:34
      And so we hope to have this further developed, but I feel like this is getting much closer, further developed when we see you next month.
    • 02:27:48
      That's it.
    • SPEAKER_15
    • 02:27:48
      Mr. Nichols, were you looking for comments from the board?
    • SPEAKER_01
    • 02:27:51
      Yes, if you're willing, I'd be grateful.
    • SPEAKER_15
    • 02:27:57
      Members?
    • SPEAKER_14
    • 02:28:06
      Just curious, how do you wind the three notch trail through those tiles?
    • 02:28:12
      How is that going to be represented and seen?
    • SPEAKER_01
    • 02:28:14
      Well, the way I described that construction the last time, it was this pretty good sized array of tiles this big.
    • 02:28:25
      and they were each getting manipulated and then get put up there.
    • 02:28:29
      What we're doing now, and I didn't want to go into it, because I think the visual effect is pretty similar but it's, we're actually working with panels about three foot square.
    • 02:28:42
      What would have been a bent individual tile before is actually just a laser cut of three sides, which allows for what I call wings to be pulled out.
    • 02:28:53
      So a three foot square piece of metal will span horizontally half that panel and then one three foot portion of it vertically and it'll contain an array of those possible tiles.
    • 02:29:11
      The way that the path, the path is going to be kind of deviant and what that's going to do is what would normally be two tiles of equal size will be two tiles of non-equal size and irregular boundaries.
    • 02:29:26
      So that gap is just going to be about a three quarter inch gap between the two meeting tiles, two meeting panels.
    • 02:29:38
      Is that,
    • Jody Lahendro
    • 02:29:40
      Is there light coming behind it?
    • SPEAKER_01
    • 02:29:43
      No, it's a much brighter kind of a bronze anodized material.
    • 02:29:51
      We'll have samples of that next month, but it's just a color contrast and a brightness difference.
    • 02:30:00
      And the material in front is probably about 3 sixteenths of an inch thick.
    • 02:30:05
      So there's not a terrible amount of shadow.
    • 02:30:09
      There's not a lot of relief until there's bending happening.
    • 02:30:14
      But at the actual definition of the roadway, that's just a parting between the two black panels and the little bit of relief there.
    • Jody Lahendro
    • 02:30:25
      So that's how that registers.
    • 02:30:29
      It's an intriguing idea and I admire you for coming up with it.
    • 02:30:36
      I'm just still struggling with what it's going to look like.
    • 02:30:42
      It's graphic.
    • 02:30:43
      I mean, what we've seen is graphic and it's also, you know, we're trying to imagine something that I don't have any personal experience with.
    • 02:30:55
      I've never seen it.
    • SPEAKER_01
    • 02:30:58
      The first time I brought this, this was a system and the question of what it looks like was very fair and a good one.
    • 02:31:16
      What I've shown tonight, or let's see, the design work we've done, what I've tried to represent tonight is very close to what this is going to look like.
    • 02:31:23
      There is a representation puzzle with this because it's up in the air, it has kind of a challenging perspective and a challenging scale.
    • 02:31:32
      I think
    • 02:31:37
      I think I need to maybe take some multiple sections so that those views can be much bigger as if you're on a helium balloon and able to elevate 10 feet, 14 feet, because there is a lot of, there's a lot to see and it's actually been digitally modeled in quite amount of detail and accuracy.
    • SPEAKER_14
    • 02:32:01
      Would you be able to provide digital versions that are close-ups of that facade so that we could see how those things might actually look?
    • SPEAKER_01
    • 02:32:10
      Yeah, I think really the straight elevation, the non-rendered model, is a fair way to look at it in the aggregate.
    • 02:32:21
      But for those renderings, yes, it's helpful to see the whole building, but it is not very informative about the piece.
    • 02:32:28
      So yeah, that's a good approach.
    • 02:32:31
      We'll just go right up close.
    • 02:32:32
      The whole thing will be represented in another view, and we'll just get a very close up view.
    • SPEAKER_18
    • 02:32:38
      I mean, it seems like such a crafted thing.
    • 02:32:41
      I'd like to see a mock-up of some.
    • SPEAKER_01
    • 02:32:45
      I think next time we'll have a piece of metal that's maybe a three by three grid of the wings, irregular edge, and then we'll be able to put the proposed backing material behind it.
    • Jody Lahendro
    • 02:33:01
      And that would be very helpful because we'll be hopefully meeting in person.
    • 02:33:05
      So we'll be able to really touch it.
    • 02:33:08
      Touch it, wash our hands, and then pass it on.
    • SPEAKER_15
    • 02:33:12
      Bring sanitizer with you, Mr. Nichols, and we'll pass it down the dais as we pass the samples along.
    • 02:33:19
      Thank you, Mr. Zehmer, for pointing out that we might actually be in person.
    • 02:33:22
      It would be great timing to be able to see a physical example of what we're talking about.
    • 02:33:27
      So any other comments?
    • 02:33:31
      Thank you, Mr. Nichols.
    • SPEAKER_01
    • 02:33:33
      Thank you again for your time.
    • 02:33:33
      I appreciate it.
    • SPEAKER_15
    • 02:33:37
      Mr. Werner, did I hear a fence or something that you need us to look at?
    • 02:33:40
      Yeah.
    • SPEAKER_03
    • 02:33:43
      Yeah, I just think that's a great offer.
    • 02:33:46
      I'd probably just say, hey, the next meeting, will you guys come over and walk around my house with me and help make some decisions?
    • 02:33:54
      So this is...
    • 02:33:57
      413 Ridge Street and
    • 02:34:02
      The, gosh, I think it was in January or February, the folks that bought it did a bunch of landscaping and got it approved and had asked to, and were given permission to put a fence along the, I believe that's Oak Street, or is it, yeah, it's Oak.
    • 02:34:19
      And they called me the other day and said, can we extend it around the front yard and we'd like,
    • 02:34:30
      to do something a little bit different with the, something with the horizontal boards.
    • 02:34:38
      And so it's, we've approved a horizontal design fence over in Ridge Street District.
    • 02:34:47
      We've actually approved that color fence you see there with the 2194 on it.
    • 02:34:52
      We've approved, or you all have approved,
    • 02:34:56
      Fence, similar to that in the material.
    • 02:34:59
      So I felt like this was a reasonable request and one that I could probably handle with just amending the drawings and letting them move forward unless you all had any really significant issues with it.
    • 02:35:18
      And so it would be-
    • SPEAKER_15
    • 02:35:19
      Yeah, anybody have any objection from changing what we approved in February, which is a traditional picket fence to this horizontal board?
    • 02:35:28
      I think you're all good.
    • SPEAKER_03
    • 02:35:34
      All right, thank you.
    • 02:35:36
      And then if we can, I think everyone was on when we started talking earlier, I did,
    • 02:35:48
      Well, I guess everybody that was other than David was not here.
    • 02:35:55
      So I don't know, David, if you had any questions about what we're talking about with the courthouse, if you needed anything, I could offer that.
    • 02:36:03
      But I think we had a good talk and I guess I would ask for the BAR if you feel any instruction to offer to me as far as
    • 02:36:17
      me talking with Mr. Fries, the NDS director about extending the COA for the selected demolition of the Levy Annex.
    • 02:36:29
      And if you had any recommendations that I could take into that discussion with him,
    • 02:36:33
      and that'd be the first question.
    • 02:36:36
      And the second question is to invite you if you have any questions that we can figure out how to maybe move forward with a letter or recommendation or if that's something that maybe someone would like to draft something up for the board to discuss in May or something tonight.
    • SPEAKER_15
    • 02:36:58
      I think our esteemed chair can do the letter.
    • 02:37:04
      I think I'll figure that out.
    • SPEAKER_18
    • 02:37:06
      You need to designate it to somebody that's not here.
    • SPEAKER_15
    • 02:37:11
      Give it to the person who's not in the room, right?
    • 02:37:15
      Does anybody, we had discussed earlier and I know David you had problems getting on the on the link, zoom link, but we are, and I think you saw the
    • 02:37:29
      discussion in the packet or materials that Jeff had sent if you did by email, that they're looking at an extension for the demolition certificate of appropriateness to demolish the annex behind the levy building for the courts project.
    • 02:37:46
      Hamstrung in that we can't directly require an archaeological survey, but we would strongly like to recommend it.
    • 02:37:57
      And Jeff has indicated that he thinks the worst case scenario cost would be 35,000.
    • 02:38:04
      Typically, this might be smaller, but considering the history of the, oh, actually probably, I mean, it's actually a huge,
    • 02:38:14
      You know that building is going to be 54,000 square feet.
    • 02:38:21
      But you know it's a it's a large parcel it's a large parcel in the city that that square that it that this project is going to be on and
    • 02:38:29
      I don't find that, I mean I don't know anything about the cost of archaeological but but Jeff thinks, Jeff thinks he's got some, Jeff and Robert Watkins have access to some funds for surveys and they could scoot some of that over.
    • 02:38:45
      What we'd like to do is somehow to
    • 02:38:49
      have that county voluntarily and spontaneously offer to cover some of those costs without really compelling them with a stick and threaten to not extend this, I guess is the nicest way I would say it.
    • 02:39:04
      But staff seemed to say that they were pretty hopeful that the money could come together for that.
    • 02:39:15
      Do we want to take just a vote, like a consensus vote, and just say we're supportive of this?
    • 02:39:27
      I also wanted to say disturbing dead bodies.
    • 02:39:29
      I looked it up as a class four felony in Virginia.
    • SPEAKER_03
    • 02:39:33
      So if I can just throw in here, this is a phase one archeological investigation, which is sort of determining if you have something there that should be looked at.
    • 02:39:48
      It is not... Now, if there are bodies, that's a different set of circumstances,
    • 02:39:56
      treatment of whatever would remain of any person that's in the ground, there's an appropriate way to do that.
    • 02:40:05
      Our suspicions are is that there's at least reports of a well behind Swan Tavern, which is currently the Redlands Club.
    • 02:40:16
      There's also the documentary evidence indicates there was a privy located in the parking lot between the Swan Tavern and the Levy Building.
    • 02:40:24
      So those are two points of interest.
    • 02:40:27
      Should they be located, a phase one doesn't go dive in and start excavating.
    • 02:40:34
      In fact, it very well likely could be that we document the fact that something is located if in fact it is.
    • 02:40:42
      Then they cover it up and it's there for the next generation to go take a look should that happen.
    • 02:40:52
      The other thing would be any artifacts, any information sort of would tell us how that site was used.
    • 02:40:59
      Having had it established as the city battery, what did that mean?
    • 02:41:02
      Is there anything we can glean from that information?
    • 02:41:07
      And as I wrote in that note to the county, in no way, shape or form is this
    • 02:41:12
      Would this slow it down, stop it?
    • 02:41:14
      I don't think there's any pyramids buried under there.
    • 02:41:18
      I don't think there's anything of any monumental scale.
    • 02:41:23
      If there is, wow, thank God we looked.
    • 02:41:25
      But this is not, the goal here is due diligence as local governments that have both established policies respecting cultural, historic, and archaeological resources
    • 02:41:38
      this is property that the city and the county own and it would seem appropriate to do this.
    • 02:41:43
      So what I'm asking from you all tonight is to maybe acknowledge what I'm saying when we, James and I talk, we will express to the county and the city the extension of the COA and to reiterate the BAR has expressed
    • 02:42:03
      it continues to encourage the find a way to conduct this archeological work and find a way that we all participate in it.
    • 02:42:14
      So this isn't, I know what had happened, David, last time, the county, we had talked about this with them ahead of time, they came into the BAR meeting and, or almost immediately, in fact, if you read the minutes,
    • 02:42:27
      Probably three quarters of the discussion was about the archaeology.
    • 02:42:32
      And so they offered to do it, they were willing to do it.
    • 02:42:35
      And I think with the understanding that this was a relatively simple phase one and not something dealing with a lot of fill.
    • 02:42:43
      And so that changed their mind.
    • 02:42:48
      It's just the scope of work.
    • 02:42:50
      seems like it could be a little more complicated than the sort of test pits at the regular intervals.
    • 02:42:56
      And so I said I spoke with the archaeologist.
    • 02:43:01
      The thought is there's a lot of fill that would have to be removed.
    • 02:43:04
      I expressed that earlier.
    • 02:43:06
      And so does that sound, are you all OK with me having conversations with James and sort of reemphasizing your support for that?
    • 02:43:17
      And then
    • SPEAKER_15
    • 02:43:19
      I think Jody had a comment a little while ago.
    • 02:43:22
      Jody, do you want to?
    • Jody Lahendro
    • 02:43:24
      No, my comment is to acknowledge, to move that we strongly support archaeology to do whatever Jeff wants.
    • 02:43:33
      Yes, of course we should.
    • SPEAKER_03
    • 02:43:36
      And then I would probably, yeah, I can speak with Mr. Gaston or maybe we could draft something up that could be, you know, circulated and then forwarded so that we can kind of keep the things moving.
    • 02:43:48
      And then I would also ask, I mean, a lot of you involved in different groups, different preservation interests, help me get the word out, you know, help, it's got to take,
    • 02:44:00
      you know, city and county residents expressing support for this.
    • 02:44:02
      And again, I don't think it's, it's not a, the county doesn't want to do it.
    • 02:44:07
      I think this was a cost as we all know that this thing's being watched very carefully.
    • 02:44:13
      And so there's concern that it just doesn't, it doesn't run away.
    • 02:44:17
      And I think by offering, and maybe we should have done that all along, is to offer some partnership with them in figuring this out.
    • 02:44:25
      We'll solve it.
    • 02:44:26
      Oh, by the way, Jody, I did just get an email earlier about the church on West Main, the, I don't know if you saw it, the national, it passed the 106 review for the grant.
    • Jody Lahendro
    • 02:44:39
      So I think, oh, gracious.
    • 02:44:42
      Good.
    • SPEAKER_03
    • 02:44:43
      Yeah, I know.
    • 02:44:43
      I was kind of surprised that that still was being viewed, but that should have been done a year and a half ago.
    • Jody Lahendro
    • 02:44:50
      It should have been done a year and a half ago.
    • 02:44:52
      It has held up the construction of second phase for a month because the Park Service realized that they screwed up and they didn't get this done a year and a half ago.
    • 02:45:03
      Sounds like something I would have messed up on.
    • SPEAKER_15
    • 02:45:04
      So back to the courts expansion discussion, we have a motion on the floor and I expressed.
    • 02:45:11
      in the pre-meeting that I'd like actually for us to take a vote on this.
    • 02:45:14
      And it's not on an application vote, obviously, but we can vote as a group.
    • 02:45:20
      And I think it'd be a good idea.
    • 02:45:21
      Do we have a second on Jody's motion?
    • 02:45:24
      Just anybody?
    • 02:45:25
      Second.
    • 02:45:27
      David, I think got it.
    • 02:45:28
      And all in favor, maybe raise your hand.
    • SPEAKER_07
    • 02:45:36
      I'm recording that as unanimous.
    • SPEAKER_15
    • 02:45:38
      Unanimous, great.
    • 02:45:41
      Let us know what we can do, Jeff, but we'll definitely reach out to our groups we're in or whatever.
    • SPEAKER_18
    • 02:45:48
      It seems like at the end of the day, Jeff, you know, like the cost of the activity is well below the cost that they would incur if
    • 02:45:59
      Something was found during construction and then, you know, delays started happening.
    • 02:46:04
      So, yeah, and that's where, yeah.
    • SPEAKER_03
    • 02:46:08
      And it's a, I mean, I've walked a lot of tight ropes in my professional career and I'm walking on a one long razor blade with this woman.
    • 02:46:20
      And I don't want to say I'm in a precarious position, but I think,
    • 02:46:28
      I'm gonna have to really reach out and around and say, really, it's okay, it's okay, okay.
    • 02:46:32
      So there's always this immediate response, oh my God, archaeology, you're gonna hold everything up, you're gonna slow everything down.
    • 02:46:38
      Well, you know, it's as the archaeologist and I, again, I'm trying to not name names just so that we don't get into any, you know, debates about who's saying what, but the,
    • 02:46:49
      You know, there is a due diligence responsibility here.
    • 02:46:51
      We do know that there may be a body there.
    • 02:46:54
      And as they said, well, if there's one, sometimes there's more.
    • 02:46:57
      And, but it's a, it is our local history that we have an opportunity to look at it.
    • 02:47:05
      And I would also say, you know, any of you all that love diving into historic documents and old newspapers,
    • 02:47:12
      you know that's where I found a lot of this stuff you find the the police report of a body you know somebody got in a fight and killed someone threw him down a well so you know there's things out there that that um that help support what we're we're we're recommending to the city and county so with that I have um I don't have anything left thank you well again I will let you all know about the main meeting we will see
    • SPEAKER_15
    • 02:47:40
      I want to point out that the end of the meeting lottery estimate goes to Ron Bailey and Robert Edwards, who said 815.
    • 02:47:49
      We're pretty close to that.
    • 02:47:50
      I think you two.
    • 02:47:51
      Sorry.
    • 02:47:55
      So congratulations.
    • SPEAKER_14
    • 02:47:56
      Jeff is buying us a bottle of scotch.
    • SPEAKER_15
    • 02:48:00
      Okay.
    • 02:48:01
      I'll bring it to the next meeting and we'll pass it down the dais.
    • 02:48:03
      That's right.
    • 02:48:04
      Watch your hands first.
    • 02:48:07
      Thank you, James.
    • SPEAKER_07
    • 02:48:08
      I was going to say, by Price's right rules, you win.
    • SPEAKER_15
    • 02:48:13
      I set the rules nice and over under, so closest to congratulations anyway.
    • 02:48:19
      Is there a motion to adjourn?
    • SPEAKER_14
    • 02:48:20
      I move.
    • SPEAKER_15
    • 02:48:21
      Second.
    • 02:48:24
      All in favor, press the leave meeting button.
    • 02:48:27
      Thank you all very much.
    • SPEAKER_05
    • 02:48:28
      Have a good week.
    • 02:48:30
      Bye.
    • 02:48:30
      Thanks.
    • 02:48:31
      Bye.
    • 02:48:31
      Thanks.